Sentences with phrase «man than the artist»

Not exact matches

Here are buildings constructed by the faithful and the finest artists and architects throughout the centuries, more beautiful than ever but not really serving their highest purpose: the praise of God and the bestowal of grace on men.

But more than most major artists of the last century, he is a modern man.

Bridgeview, Illinois and Toyota Park will host the 3 - day debut of the Chicago Open Air music festival, which will feature performances by more than 60 rock music artists, an outdoor Gourmet Man Food and craft beer village and other entertainment from July 15 through July 17, 2016.

Con artists target men differently than they target women, so below are seven red flags in online dating that men should be especially aware of.

Lighter than some of Denis's work, but still extremely thoughtful, it offers a brisk walk through an awkward blue period in the life of a middle - aged French artist, Isabelle (Binoche), and the relationships with various men in her life, including an unreliable banker (Xavier Beauvois, delightfully obnoxious) and a sweet but immature younger actor (Nicolas Duvauchelle).

In summary and in all serious this game is alot more fun than most of you think it lacks a story really but did it really need one not really, it is a really cheap game easy to find if you look in the right places and so much fun plus the soundtrack overall is also good featuring artists such as Inner Circle, Baha Men, Big Mountain, Janet Kay and even Bob Marley so you will be greeted to some very relaxing music whilst you play through some of the various mini games.

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Julian Morris is enjoyably slippery as the charismatic Paul Curtis, who seems more con artist than man of the cloth.

Fresh off wigging - and - accenting his way through the role of would - be auteur Tommy Wiseau in his The Room tribute film The Disaster Artist, James Franco is gearing up to portray another modern Renaissance man — one whose efforts to wear multiple creative hats resulted in wide - spread acclaim, rather than ironic appreciation: cartoonist, poet, and songwriter Shel Silverstein.

The film, like «Fink,» is a sort of portrait of the artists as young men, and anyone who has, or had, creative ambitions will identify with Davis, who is talented enough to acquit himself (Isaac's performances are excellent: he's arguably better than the character is meant to be), but probably not enough to move up to the next level (like Garrett Hedlund, now that we think about it...).

Opening this week at Tivoli Cinemas, Loving Vincent is sometimes a bit flat with its narrative thru - line, yet more than makes up for this with its earnest and engaging approach to discovering what drove Vincent van Gogh as a man and an artist.

And that's the problem with «Get on Up»: it feels more like a greatest hits of classic James Brown moments than an examination of the artist himself, barely scratching the surface of what was clearly a very complex man.

The Spider - Man newspaper strip debuted in 1977 and was drawn by master Spider - artist John Romita Sr. and written by none other than Spider - Man co-creator Stan Lee.

Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.

In the absence of any thoroughgoing investigation, one can only gather impressionistic data about the presence or absence of rebellion against parental authority in women artists, and whether there may be more or less rebellion on the part of women artists than is true in the case of men or vice versa.

As Simmons told me, there are more queer artists than just the men who dealt with AIDS, death, and bodies.

For Manet and for the avant - garde, as opposed to the men of 1848, the relation of the artist to society was a phenomenological rather than a social fact.

Produced in the same collaborative spirit as Chicago's The Dinner Party — which was created under her supervision with the participation of more than 400 men and women — each sculpture in Shaw's installation was created by a different artist, yet all including an abundance of «Oist» references.

The work of men chosen for the Biennial was acquired by the museum twice as often as the work of women chosen for the Biennial; More than 70 % of the acquisitions of art by women in the Biennials up until then had taken place in the 1970's; The museum already owned works by 12 of the 43 artists in the 1987 Biennial show; Between 1982 - 1987 there had been only one solo show of a woman artist at The Whitney.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

J.J. Charlesworth on Berlin's Volksbühne controversy and the arrogance of the global artistic elite; lawyer Daniel McClean on the Peter Doig trial and proving a negative; Jonathan Grossmalerman on getting higher than he's ever been; and the first in a series of columns by artist Heather Phillipson, on love, havoc and man's best friend.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

Cézanne and American Modernism is the first exhibition to examine Cézanne's influence on American artists working between 1900 and 1930 by bringing together 16 of the French master's paintings and works on papers with more than 80 works by 33 American artists including Marsden Hartley, Maurice Prendergast, Arshile Gorky, Alfred Stieglitz and Man Ray.

Yes, the math is correct on this one: the combined clicks on 11 headlines about solo exhibitions by women artists (from the art - star - canonized to the emerging) totalled less than half of the number of views for an article about a man saying the art world is justified in ignoring women.

Touch is a painting about a woman's sexual desire, rather than a man's, and the artist unsettles the traditional gender power structures by placing the woman's leg over the man's torso.

Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world toThan The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world tothan the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

Through subtle processes of image reconstruction, African - American artist Hank Willis Thomas complicates seemingly simple meanings behind image - based adverts, revealing their capacity to have much greater power than selling products but also play a disturbing role in constructing and reinforcing social prejudice — with an emphasis on the portrayal of black men and white women in America.

Michael Snow falls within the tradition of artists who work in more than one medium - those of an earlier generation such as Marcel Duchamp, Man Ray and Laszlo Moholy - Nagy, and contemporaries like Vito Acconci, John Baldes - sari, Bruce Nauman and Richard Serra.

As a movement, however, Minimalism was undeniably dominated by men, with even fewer women in its orbit than Abstract Expressionism — the style whose highly personal, dramatic, and angst - ridden ethos was everything that Minimalist artists like Donald Judd and Robert Morris sought to upend.

She has used 16 mm film to picture subjects who are, more often than not, elderly men, from the Italian Arte Povera artist Mario Merz, in 2002, to her fellow Angeleno David Hockney RA in 2016 (the NPG and RA have jointly acquired her film of Hockney).

He has had more than forty one - man shows both in Britain and overseas, and his work is represented in collections world - wide, and easily makes it into my favorite famous artists list!

Richard Serra, the man of steel, really is something of a superhero among artists — he works bigger, aims higher, and thinks harder (he's a philosopher, too) than most of his peers.

Above all, these quiet works demonstrate that Long is a stronger artist when understating himself, as a man of unheard footsteps rather than grand gestures.

In the decades after the 1960s, artists did much to tackle stereotypes, but women more than men.

Curated by David Rosenberg, «A Luta Continua» presents more than 350 works from 266 artists including Josef Albers, Carl Andre, Diane Arbus, Hans Bellmer, Andre Breton, Marcel Broodthaers, Alexander Calder, Marcel Duchamp, Max Ernst, Hannah Höch, Jenny Holzer, Donald Judd, Sol LeWitt, René Magritte, Man Ray, Bruce Nauman, Brice Marden, Robert Morris, Edward Ruscha, Robert Ryman, Fred Sandback, Robert Smithson, Jean Tinguely, Andy Warhol.

The artist Bob and Roberta Smith — who is one man, Patrick Brill — celebrated the creation of Art UK by presenting a new work in his trademark sign - painter's lettering, proclaiming «through our public collections we all own art», to the parliamentary art collection, one of more than 3,000 collections already represented on the website.

Clyfford Still's one - man museum will house 94 % of the artist's oeuvre, more works by a single artist than any other one - person museum in the United States (Georgia O'Keeffe, Andy Warhol, Isamu Noguchi, Norman Rockwell, and C.M. Russell to name most).

Today, artists who represent the water in their work build on a long legacy, but also refer to a ubiquitous feature of nature, which can appear peaceful but is ultimately much more powerful than man alone.

These artists were invited to provide instructions for works to be produced (in whatever sense they decide) in not more than 2 wo / man - hours by hired hands.

Though more closely identified with the San Francisco Beat artists and poets of the late 1950s and early 1960s, DeFeo also looked to the Surrealists a generation older than she, and drew from artists such as Yves Tanguy, Marcel Duchamp, and Man Ray, whom she once called her «north star.

Man Ray Makes a Record in Paris: The artist's seminal work, Noir et Blache, 1926, sold for slightly more than $ 3m in Christie's Paris sale of photograph.

The presentation of more than 100 paintings, sculptures and drawings, and personal photographs and artifacts, will allow visitors a multifaceted view of Picasso, the man and the artist, to «see him as never before.»

No Man's Land: Women Artists from the Rubell Family Collection This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciArtists from the Rubell Family Collection This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciartists of different generations, cultures and disciplines.

SculptureCenter in Long Island City features projects exclusively by women artists in 2016 — an unintentional effect of the museum's goal to «show work that has merit and doesn't have enough attention, and that happens to be more true for women than men because they don't get a lot of visibility in the art world.»

I a girl came home and said to her parents that she had fallen in love with an artist, that would be worst than saying she was in love with a black man.

In a statement to the Brooklyn Museum, Smith describes her experience as a female artist: «My first year at a community college, the professor told me even though I could draw better than the men students, that a woman could not be an artist... In the mid-1970s in Santa Fe, I found that only Native men were able to exhibit in the galleries.

No Man's Land focuses on and celebrates work made by more than a hundred female artists of different generations, cultures and disciplines.

The museum's incredible Panorama — its scale replica of New York — has never looked better than it does right now, as lights show the artist's movements in 1979 and 1980 as she crisscrossed the city, shaking the hand of every single San Man and thanking them for «keeping New York City alive.»

Creative Time has teamed up with New York's Fortune Society, which advocates for the incarcerated; artist Phil Collins, who spent some time with men incarcerated at upstate New York's Sing Sing Correctional Facility; and more than a hundred others, like TV on the Radio's Kyp Malone.