Not exact matches
This kind of interaction arises from the artist's understanding of how to
manipulate the imagery so that each layer that is applied develops its own conversational
relationship with the stratum below, and the result is a deceptively subtle
spatial density.
Lawless writes, «I'm attempting to engage the viewer by exploring
spatial and color
relationships, scale, the similarity between packaging and architecture, and the ways that
manipulating visual logic can animate what we see.»
The show focuses on Los Angeles artists during the 1960s
manipulating light and
spatial relationships by means of surface effects and finishes.