It can include studio portraiture and scenarios involving people that are directed or
manipulated by the photographer.
Not exact matches
While these
photographers seem to have chanced upon such strange contrasts, others
manipulate the environment
by introducing odd elements into untainted landscapes.
Understood in their broadest definition, the drawings and photographs assembled here include a wide range of material, among which are an 1864 photograph of the forest of Fontainebleau
by the little - known French
photographer Constant Alexandre Famin; a pastel completed earlier this year
by Jasper Johns; a 3 x 5 inch Cezanne figure drawing; a new 6 1/2 x 10 foot landscape drawing
by Ugo Rondinone; a digitally -
manipulated photograph of the musician Björk
by Inez van Lamsweerde; a small piece
by an outsider artist known as the «Philadelphia Wireman,» who carefully bound his drawings up with bits of wire so they are barely visible; a recent charcoal on canvas
by Gary Hume; and a 1949 sketchbook
by Tony Smith.
Photographers rendered figurative objects unrecognizable
by taking a new approach to the medium, cropping and
manipulating their compositions.
One of two permanent collection displays on the Museum's fifth - floor mezzanine, Edward Hopper and Photography pairs Hopper paintings from the Whitney's permanent collection with the work of contemporary
photographers who share an interest in elevating everyday subject matter
by manipulating light.
Easy to miss were two photographs at Highlight Gallery
by Filip Dujardin, a Belgian architectural
photographer who, much like Lordy Rodriguez,
manipulates the real world to fit his own fantasies.
Most of the photographs Quaytman has selected are
by unknown
photographers, except an abstract composition
by Jay DeFeo made
by manipulating photographic chemicals on light - sensitive paper.
A collage of magazine photos
by Suné Woods (formerly a
photographer), stressed and
manipulated, hangs with a texture like overlapping tissue papers.
In sensibility, her work dovetails with staged pictures made
by photographers such as Jeff Wall and Gregory Crewdson, but Schiavo
manipulates physically what appears in front of the lens rather than tinker digitally with recorded content.
San Francisco's Highlight gallery displayed digitally
manipulated images of architecture
by Filip Dujardin, a Belgian
photographer; Houston's Moody gallery showed mirrored sculptures
by Edward and Nancy Reddin Kienholz, an American duo; and New York's Marlborough Chelsea gallery had geometric canvases
by Andrew Kuo, and American artist.
Compiled from Flickr, with some color
manipulated slightly
by Umbrico, the different moons represent the efforts of
photographers around the world — amateur and professional alike — brought together as an archive that contemplates why we continue to produce images of the same things and how we consume their digital representations.
Contrary to popular belief Bliss, the default Windows XP wallpaper, was not digitally
manipulated; it was a straight - from - the - camera shot of the hills of Sonoma County, California, captured
by photographer Charles O'Rear.