Sentences with phrase «manipulated photographic images»

Walter Sánchez, an Argentinian born and Sag Harbor - based photographer, will exhibit manipulated photographic images taken on his travels to South America including Patagonia and the Peruvian Amazon.

At Claire Oliver, Judith Schaechter presents beautiful but disturbing stained glass lightboxes and kiln - cast glass sculptures about sex and death, and at Bruce Silverstein, Eileen Neff explores perception, mirroring, and memory in an installation of staged and often manipulated photographic images.

He is renowned for his large scale, digitally manipulated photographic images.

The icon then becomes an ornamental signifier of its function as a tool to both document and manipulate photographic images.

Not exact matches

Depicting ex-military sites, industrial warehouses and transportation routes, the flat surface of the photographic image is expanded, incorporating light, metal framing and manipulated colour schemes.

In an age where, because of technological advance, the veracity of the photographic image has long been cast into doubt and reality and history are easily manipulated to appear «real», Douglas employs a large format and an almost hallucinatory sharpness, the result of digital rendering, to question authorship, reality and the truth and meaning behind what we see — truth within the medium of photography and within the political and sociological issues that underpin the scenes his photographs portray.

Naida Osline is a Los Angeles - based artist who combines and manipulates images sourced from both analog and digital processes, in which she blends conceptual and documentary photographic practices with an abiding interest in the transformative, mythical, and ethereal nature of existence.

She employs a breadth of methods, spanning analogue to digital photographic techniques, to rework and manipulate images found or her own.

In his photographic transparencies, Golub manipulates and alters existing images of the same dramatic and tragic subjects which, after being photocopied and photographed, are transferred by the artist onto transparent sheets that emphasize the rough realism of his work.

The photographic images in the exhibition, created from found photos of anonymous ruins, have been manipulated and rotated using a computer program written by the artist.

Bettina Pousttchi has gained widespread attention recently with her large - scale, site - specific photographic work «Echo» (2009/2010) that involved covering the Temporäre Kunsthalle Berlin (Temporary Kunsthalle Berlin) with a digitally manipulated collage of archival images of the German Democratic Republic's Palast der Republik (Palace of the Republic).

In Ruscha's Bow - Tie Landscape, 2003 and Conner's ANGEL WALL, 1976 - 2003, both artists have superimposed their own hieroglyphic markings onto these surfaces in manipulated digital photographic images.

As with Minutemen, Wachs» also manipulates found images for Gin on the Rocks, a life - size photographic reproduction, pieced together from twenty - five separate inkjet prints.

In recent years, Ruff has continued to explore the creative potential of digital media, producing pure photographic abstractions by manipulating found digital images, or creating intricate compositions through the use of computer modeling programs.

Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.

The posters are a melange of found photographic television and Internet images juxtaposed against those taken by the artist herself, all of which have been manipulated before being printed.

Presenting him, however, as far more than a documentarian of Gen - X and youth culture, this major monograph on his work will present primarily unpublished photographs: land and cityscapes that have been manipulated with light during the printing process, images created without negatives, only by the use of light on photographic paper, and other abstractions.

This ranges from entirely new photographic techniques (digitisation of the equipment) and the use of the photographic image (distribution via digital networks) to the value and significance of photography itself (in view of the never - ending stream of many millions of photographic images that are being taken, distributed and manipulated every day).

Barbara Kruger, (born January 26, 1945, Newark, New Jersey, U.S.), American artist who challenged cultural assumptions by manipulating images and text in her photographic compositions.