Sentences with phrase «many center channel»

Where Strootman was largely focused on hugging the touchline, Pellegrini was decidedly more central, with nearly 25 % of his touches coming in the center channel just past the center strip.

you know, the center channel is an audio channel that is commonly found with surround sound systems.

Looking for the best center channel speaker for the money?

In Hatha yoga the Sun Energy (Ha) & Moon Energy (Tha) is directed towards the center channel, in order to provoke the Kundalini to awaken and arise, once the mind is brought under control.

The stereo effects are fine, but the bulk of the sound is reserved for the center channel.

But in other sequences, where we are plunged into the mind of Captain Willard (Martin Sheen), Murch shrunk the sound space down to one channel (the center channel) to literally «focus» the audience's attention on one or two distinct sounds.

I only noticed audio coming from the center channel on this track, as there were no significant stereo, surround or subwoofer effects.

The enemy dialogue spews from the surrounds rather than the center channel, regardless of their location on screen.

The issue isn't it being merely broad mono (which it is, with a majority of sounds emanating from the front center channel).

Dialogue arrives in the center channel, which just doesn't dial up the dialogue but completely separates it.

On this track, you'll be experiencing mainly dialogue coming from the center channel.

The track sounds incredible, with a great balance between the surrounds and center channel, ensuring you'll be able to hear the dialogue among some of the more intense scenes.

The simple and sleek style sound bar is packed with an internal amplifier that pumps 30 watts to each the left, right, and center channels.

With this comedy, you're basically going to be hearing the majority of the film through the center channel.

The audio stays primarily confined to the front speakers, the center channel in particular.

The center channel does a fine job with clear sound, though, so as long as you don't expect too much from the promised 5.1 treatment, the sound quality won't too much disappoint.

The center channel features a dialed - up dialogue track (you can still hear some of the sound and music underneath), while the front channels aggressively display several aspects of the soundfield.

With a combination of well - balanced surrounds and center channel, everything, the screams, the creepy effects, are all extremely well done.

The 5.1 Dolby Digital Surround track is disappointing, as almost all of the sound comes from the front speakers, the center channel in particular.

Levels are well balanced, with the majority of the sound coming from the center channel.

Levels are done very well, with each speaker getting a thorough workout while never compromising the center channel.

The track sounds great here, with a good balance between the surrounds and center channel.

Audio levels are great, with a very impressive use of surrounds that are in action most of the film, but never overpower the dialogue of the center channel.

Despite this, never is the dialogue from the center channel difficult to make out.

Loudspeaker / Subwoofer System (5.1 channels): EMP Tek E5Ci center channel speaker, four E5Bi compact bookshelf speakers for left and right main and surrounds, and an ES10i 100 watt powered subwoofer.

Loudspeaker / Subwoofer System (5.1 channels): EMP Tek E5Ci center channel speaker, four E5Bi compact bookshelf speakers for left and right main and surrounds, and an ES10i subwoofer.

The Synergy Series C - 2 center channel offers phenomenal sound and stylish flair at an affordable price point.

In my opinion, DTS Neural: X had slight a slightly fuller center channel and more presence in the higher frequencies than the Dolby Surround Upmixer, giving in the impression of more defined object location.

On this track, you're mainly going to be hearing dialogue from the center channel.

The sufficient Dolby Digital 5.1 soundtrack remains limited to the front and center channels.

A bit too much emphasis is placed on the center channel at times, but for the most part, the sound is crisp, clean, and well - mixed.

The center channel remains clear and surrounds are used to good effect throughout.

The sound still stuck pretty closely to the center channel for the most part.

Dialogue is anchored in the center channel while music and effects are spread out in the sound field appropriately.

As this is a comedy, most of the audio is simply dialogue which comes from the center channel.

The 5.1 Dolby Digital Surround track is more center channel - intensive than one would have hoped, with the majority of the dialogue and sound effects emanating from the middle speaker.

If the snapping of the gunfire begins from the center channel, it will reverberated outward past you and into the surround channels.

The LFE pumps with dance beats and Hip - Hop samples, while the center channel delivers crystal - clear dialogue.

The front and center channel do press out the same trio of sounds (dialogue, effects, and music), but it's clear that dialogue takes center stage.

The audio from the center channel is never difficult to digest, even if some effects - heavy sequences noticeably raise the volume.

For the most part, being mostly character driven, the majority of the sound will be coming out of the center channel in the form of dialogue.

The track is a fairly standard front and center channel job, although there are two explosions which rock the subwoofer and surround channels.

In Episode IV, John talks about placement of the front speakers, and importance of the quality of the center channel.

As with any Mono track, all of the audio comes from the center channel, and the mix of dialogue, mostly - present»70s score, and a few active sound effects is satisfactory and never difficult to distinguish.

The center channel utilizes most of the use with the dialogue, but you will get a range of weather effects or other ambient sounds coming from the surrounds.

For the most part, the audio is housed in the front and center channels.

The surround channels are often used, though they are drowned out by the center channel, which dominates with dialogue, and the front three speakers, which share responsibility for the score.

The module is designed to typically position dialog in the center channel and to ensure that all resulting material is fold down — compatible, essential to preserving the intent and quality of the original stereo mix.

For the new DVD, MGM has fashioned a 5.1 mix that places the dialogue in the center channel, music and panned sound effects in the front surrounds, and a discreet, reverberating mono sound effects track.

A 19 - speaker premium Mark Levinson sound system can replace the standard 10 - speaker system as a stand - alone option, but I found it to be oddly biased toward the center channel speakers in all modes.