Sentences with phrase «many cinema audiences»

Can a womanising imperialist ever sit comfortably with a 21st Century cinema audience?

Bond's central problem is that the tropes of the franchise are out of step with what a modern cinema audience expects from its protagonist.

There is also a laboured attempt to explain some of the financial jargon for cinema audiences.

dies at the end, this is supposed to be emotionally devastating for the cinema audience.

In 2005, Lindhardt took Danish cinema audience and critics by storm in the lead role of ANGELS IN FAST MOTION, for which he received the Danish Robert / Academy Award, Best Lead Role.

The current cycle of comic - book - superhero films could be credited to, or blamed on, the success of Bryan Singer's X-Men in 2000, which removed some of the taint and anxiety surrounding the idea of translating the cheesiness of comic - book storytelling for a cinema audience.

Medium jumps are never an easy thing to do, whether it's today's commonplace practice of remaking an old television series as a film residing between homage and parody, or as in the case of The Muppet Movie, simply bringing characters who found popularity on TV to a cinema audience.

They may have done well by the novelist but they didn't do well by the cinema audience.

Are cinema audiences homophobic?

Moviemaker Sam Raimi is aiming to scare a whole new generation of cinema audiences - he's remaking 1982 horror classic Poltergeist with director Tobe...

On the other hand, The Bad Education Movie did not want for currency — it wasn't a powerful enough comedy brand to deliver a big cinema audience.

The Sundance winning documentary that wowed cinema audiences last November and December is also up for another IFTA as Crowded House musician Nick Seymour has been nominated in the Best Original Score category for his work on the film.

The dead of winter combined with the overload of Oscar bait flicks have a one - two punch on the cinema audience.

Riggan Thomson (Michael Keaton), a man who once delighted cinema audiences with his crime fighting escapades as the iconic feathered superhero; Birdman, now tries to reboot his failing career by directing and staring in the ambitious Broadway play; «What We Talk About When We Talk About Love».

I believe that many cinema audiences would agree with me.

Now, 65 years later, it's threatening to do the same thing, only this time with cinema audiences.

The roaring success of Marvel's Black Panther just keeps rumbling on, with the film continuing to dominate the box office and wow cinema audiences worldwide.

While I recognise that my taste is not necessarily reflective of all audiences, Autumn Sonata and Duck Town seem unlikely to satisfy either the art cinema audience or those looking for more conventional, mainstream fare.

No doubt the last thing American cinema audiences wanted a decade after WWII were a movie which incessantly whined on about this.

I can't remember the last time a moment of such explicit violence had such an impact on a cinema audience.

He next comes before judging panels and cinema audiences with a project he is not planning to shoot until 2013.

Delving into Hollywood scandal and excess, these publications, like his films, serve to highlight the very ambivalent dynamic between the cinema audience and the stars they worship and destroy.

Within two years Dealing was released as a major motion picture, starring Barbara Hershey, Charles Durning and introducing John Lithgow to the cinema audience.

Not exact matches

Star Wars: The Last Jedi has been pulled from cinemas in parts of China after tanking with audiences.

But such specialization meant that it would reach its core audience, but not connect with newer fans that represented the future of cinema.

Beginning in the late 1980s, Iran's postrevolutionary cinema captivated festival juries and Western audiences with its idyllic imagery and contemplative themes, its poetry and simplicity.

The campaign, labelled simply «I want a referendum», will be rolled out across the country over the next two months and will feature cinema adverts designed to reach an audience of one million people.

Comfortably sitting in the Sundance Kabuki Cinemas in Japantown in San Francisco, I was watching The Theory of Everything with an audience of hundreds.

The audience agrees: Last year's extravaganza garnered hundreds of submissions from scientists and non-scientists alike, and drew 5,000 spectators to screenings at area bars, universities, museums, and cinemas.

«The festival is closely linked to new technologies, interactivity and cinema, and as it addresses a young audience, it can effectively showcase the works of the selected young talents to the world,» Armani himself explained in an interview with BoF.

Matinee audiences tend to be smaller than during the evening, and you may even get the cinema to yourselves.

In addition to this, the cinema is over 18's only so you can guarantee no distractions from younger members of the audience.

Metacinema, also meta - cinema, analogous to metafiction in literature, is a mode of filmmaking in which the film informs the audience that they are watching At a Delhi market Guy buys a Royal Enfield bike with a traditional Hindu blessing.

@Gamble... «We» the audience, my whole position has been from the perspective of non-industry types, cinema as a product for a particular audience, buying tickets.

Departing only incidentally from E.L. James's trashy tome, and making up for any short cuts with extra set dressing, this is brochure cinema of the most profuse order, selling its audience more on a lifestyle than on any of the lives inside it.

Indeed, The Man in Grey opened a new, highly exploitable sub-genre of period bodice - ripper melodramas that war - weary audiences whole - heartedly embraced, and not just in England; it also did respectable business on the far side of the Atlantic.It was also Crabtree's permanent ticket out of low - budget cinema and to work with some of the more prestigious filmmakers of the period, most notably Anthony Asquith on Fanny By Gaslight (1944).

This is a pity, because on paper Red Sparrow is exactly what popular cinema is missing at the moment: a large - scale, star - driven, mass - appeal project aimed at a mature audience that isn't tied to a pre-existing franchise.

Revenge clears the air of the hedging and insecurity that are common of prestige cinema and of pop culture at large, tapping the prurient desires that drive most audiences to see genre films in the first place.

Mainstream audiences are likely as not to flee from the cinemas in North America, where it is getting a wide release.

Although active in the cinema since the mid -»80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members.

After «Reservoir Dogs» in 1991 and «Pulp Fiction» in 1994, Quentin Tarantino was hailed as the new wunderkind of contemporary American cinema with his triumphant originality and seemingly effortless ability to excite audiences.

While not containing any nudity, Bonnie and Clyde jumps out of the gates by showing audiences that a new era was about to kick off in American cinema.

One of these flashbacks confronts the audience with one of the most disturbing image in cinema, a repressed Karin cutting her vagina with glass to avoid sex with her husband.

This was something like a miracle: Haneke's gracious affability aside, his has always been, openly and decisively (he's quite literally said as much) an oppositional cinema — often abrasive (his one noble failure, 1997's Funny Games, and its shot - for - shot English - language remake from 2008, being the prime specimens), always painstakingly conscientious and morally committed to disturb (all of his films from The Seventh Continent through The White Ribbon) art films that mean to engage and provoke the audience, not please or reassure in a way that could ever be mistaken for award - grubbing.

Sure, it could be said The Death of Stalin is niche cinema and not really meant for the wider, ordinary movie - going audience.

When THE EXORCIST first hit the cinema, director William Friedkin told audiences that magnets were used to levitate Linda Blair from the bed.

Indeed, Senna is a must - see feature for consumers of cinema, lovers of action and aficionados of ambitious entertainment, with the flawless, fascinating and thrilling feature causing audiences to laugh and cry, and be moved and amazed, regardless of their prior ambivalence for or appreciation of the man at the centre or his chosen sport.

The predictability of cinema seems to be at the heart of the matter for the critics who signed the Pamphlet for Activist Film Criticism at last year's Oberhausen International Film Festival, in which they caution against the threat of filmmaking being submitted to «market logic, target audience orientation and political agendas.»

He got rave reviews for his dual performance (and directing duties) on the HBO drama The Deuce and is set to wow audiences with The Disaster Artist, which opens in U.S. cinemas this weekend as well as on selected UK screens (it opens wide here next week).

The plot, such as it is, will infuriate audiences who still demand plotted cinema and potted climaxes.