Sentences with phrase «many documentary techniques»

[Director] Klores and Stevens do a pretty good job filling in the gap using standard documentary techniques.

Despite the power of documentaries, Friedkin said he didn't realize he could use a documentary techniques in film until he saw Costa - Gavra's «Z.»

His follow - up borrows some of those documentary techniques but in a far more traditional package.

While Porterfield's aesthetic gambit with Putty Hill — utilizing documentary techniques to convey a fictional narrative — resulted in a remarkable hybrid form of experiential cinema, I Used To Be Darker arguably ups the ante by pairing a similarly observational naturalism (sans interviews) with more traditionally - plotted melodrama.

LP: But then what came out was a tremendous amount of encouragement to use documentary techniques in fiction films and to use highly stylized fiction techniques in documentary films.

Filmmaker James Marsh uses standard documentary techniques, combining new interviews with a satisfying pile of footage and photographs, but his film has the suspense of a caper movie.

The recipient of this year's True Vision award at the festival, Oskouei relies largely on that most normative documentary technique: the interview.

It uses many documentary techniques, like switching between close ups of the animals and zoomed out shots of Alph walking.

In multimedia works that mix documentary techniques with fantasy (virtual reality, anime, avatars), she explores the impact that China's rapid transformation has had on the generation born after the Cultural Revolution.

Using documentary techniques, Nashashibi weaves the camera through various activities of Gazan life, punctuated with animated scenes, transitioning viewers between real and unreal.

Some artists who visited 18th Street have since gone on to major artistic recognition, such as UK - born Phil Collins, a video artist now based in Berlin whose topical works combine documentary techniques with an artist's speculative imagination.

Not exact matches

«It is enhancing that interaction and closeness, the intimacy between baby and mother,» said Thomas Ball, a psychologist in California who is helping develop a documentary about the technique.

a visual marvel of cinematic techniques, many of which were groundbreaking at the time in terms of what was acceptable for a sports documentary

Also, there is some new bonus material, including a documentary on how techniques for making space films has evolved in the last 100 years or so.

The two documentaries share common cinematic techniques: like The Cove, the filmmakers of Racing Extinction employ guerilla - style shooting tactics to create suspense and raise the stakes.

[Then] Vito exchanges its subtle storytelling technique for a sobering session of gay rights homework, resembling a recent raft of documentaries about the early years of the AIDS crisis.

Compared to «The Act of Killing,» Oppenheimer's technique with The Look of Silence is deceptively simple, but it applies a more traditional style of documentary storytelling to extraordinary goals.

The Rider Brady Jandreau, a Lakota cowboy from South Dakota, enacts a version of his own harrowing story of loss and recovery in writer - director Chloé Zhao's stunningly lyrical western, a seamless and deeply moving blend of narrative and documentary film techniques.

Getting his start working on TV commercials, Mann took his rapid - paced, flash - cut approach into documentary filmmaking, producing an award - winning short on the 1968 French student riots, Janpuri.Mann's fragmented - image technique further manifested itself on such TV detective series of the»70s such as Starsky and Hutch and Vegas, both of which utilized his scripts (though they were directed by others in the standard conventional style of the period).

Jon Amiel's film is beautifully constructed and flawlessly integrates other techniques (documentary footage, time lapse photography, CGI effects) into what feels like a traditional period piece.

«The Rider» is an achingly beautiful contemporary western and a fascinating blend of narrative and documentary film techniques, set among the Lakota cowboys of South Dakota's Pine Ridge Indian Reservation.

Pushing documentary storytelling in a new direction, «AMERICANÕ uses a stunning new animation technique to bring the tale of one of modern cultureÕs most iconic heroes to the big screen.

This television documentary shows a technique aimed at countering the effects of a specific type of congestive heart failure, a condition where the patient's heart grows abnormally large and loses the ability to pump enough blood through the body.

Bill and Turner Ross are documentary filmmakers who intriguingly blur the line between standard conventions of documentary and narrative feature techniques...

Liman combines multiple cinematic techniques — most of which I'm usually not a big fan of: crazy camera angles, on - screen graphics, free - form editing and both text and voice - over narration — to get the documentary style look he was going after.

Even with its naggingly implausible timeline, this film feels almost shockingly realistic, using urgent documentary filmmaking techniques to tell a story that seems to have come straight from the headlines.

About an hour long (typical for most IMAX documentaries) Cameron uses creative visual techniques to give meaning to the many grayish images of decaying metalwork.

An interesting new documentary on Cannes double - Palme winning Michael Haneke, the director who favours techniques that are both classical and experimental, but above all controversial.

Academy - award winning director William Friedkin discusses his early career — including making documentaries for David L. Wolper, working for Alfred Hitchcock and what he learned from studying his films, and directing his first movie Good Times (1967), starring Sonny and Cher; how his career path led to making The Exorcist, his initial reaction to reading the source material, the story's theme of Good versus Evil, and the role his own faith played in his approach to making the movie; the techniques he used to generate suspense and fear in the audience, his use of subliminal imagery, and his reasons for recently restoring deleted footage to the film.

Indeed, the notion of these documentaries as belonging to a particular genre is challenged the most by French and Japanese films that borrow narrative techniques from their coinciding «new waves.»

Voiceover is a tricky technique, at its worst a bludgeon against the viewer's intelligence, but at its best (cf. the films of Terrence Malick, the documentaries of Werner Herzog, etc.) it can be as evocative and essential as any other cinematic element.

Often described as «the godmother of the French New Wave,» though she is more properly thought of as a member of the Left Bank movement, she made her feature directing debut with «La Pointe Courte» (1955), a portrait of a crumbling marriage set in a Mediterranean fishing village, steeped in documentary and neorealist techniques.

There is no audio used from these repurposed clips, (which have a a neo-realism, documentary feel to them and only increase veracity even as the technique is unothrodox) but rather Terence Stamp's voice is used to connect what is happening along with a couple of strange shots of Wilson in the car, not lips not moving (perhaps later or earlier in the drive) even though the audio from the scene plays through.

Host Eric Hynes talks to filmmaker Clio Barnard about the slippage between reality and representation in her new documentary - fiction hybrid The Arbor, which utilizes an evocative lip - synch technique to explore the gritty legacy of celebrated British playwright Andrea Dunbar.

Considering how audiences have become more savvy about the art of animation, it's easy to take for granted the technological advances Walt Disney employed for the film, namely the use of a multiplane camera to create an illusion of depth; while addressed in the main documentary, the technique is further explored in a «Tricks of the Trade» excerpt from the old Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animals.

Kaputt (Broken - The Women's Prison at Hoheneck, Alexander Lahl & Volker Schlecht, 2016) Using traditional hand - drawn animation techniques, this documentary short brings the horrors that went on in an East German prison to life with stark imagery and elegant transitions from one scene to another.

Gorgeously directed by Chloé Zhao with the same assured command of documentary and narrative techniques she showed in her 2015 debut, «Songs My Brothers Taught Me,» this is a lovely, lyrical ode to South Dakota rodeo culture, centered around a Sioux cowboy named Brady Blackburn who, having suffered a severe head injury, is struggling with the likelihood that he'll never ride again.

«Let It Fall» understands the value of allowing its interview subjects to talk at greater, more involving length than is usual for documentaries, a technique that illuminates the complexities of reality and gives listeners a sense of the emotional textures of these people's lives.

A promising young rookie becomes cruel and callous, using interrogation techniques he learned from documentaries about the Holocaust to humiliate and browbeat a suspected serial killer.

This technique adds a documentary style layer to the story that makes it all the more enthralling.

Both feature the new half - hour documentary «Forging Through the Darkness: The Ralph Bakshi Vision for The Lord of the Rings,» which traces the career of Bakshi and the unusual production techniques he used to make the film.

Brady Jandreau, a Lakota cowboy from South Dakota, enacts a version of his own harrowing story of loss and recovery in writer - director Chloé Zhao's stunningly lyrical western, a seamless and deeply moving blend of narrative and documentary film techniques.

«One of the best, pleasurable and most insightful documentaries on Master of Suspense's techniques» — GS

Hailed by the New York Times on its Paris release as «one of the great films in motion picture history,» Raymond Bernard's Wooden Crosses, France's answer to All Quiet on the Western Front, still stuns with its depiction of the travails of one French regiment during World War I. Using a masterful arsenal of film techniques, from haunting matte paintings to jarring documentary - like camerawork in the film's battle sequences, Bernard created a pacifist work of enormous empathy and chilling despair.

It's an era we're so used to seeing in B&W whether in a film made in those decades or on documentary footage of those times, that colour representation of it can look unreal particularly if proper attention is not paid to era - appropriate make - up techniques, hair - styles, costuming and physical props, and the way in which people held their bodies.

A new documentary, charting the history of crystallography tells a fascinating story of a scientific technique that is revealing...

Many of the same techniques apply to video documentaries, so it might be helpful to begin with audio and move to video.

A new documentary, charting the history of crystallography tells a fascinating story of a scientific technique that is revealing many of life's most beautiful secrets.

He is a published novelist and an award - winning documentary filmmaker and served as a consulting editor at National Public Radio in Washington, D.C., teaching narrative techniques to reporters, producers and editors on the Science Desk.

Watch the documentary below for more of the creative techniques he uses to manipulate his little helpers.