Sentences with phrase «many exciting action sequences»

Beck sees the music videos and animations as steppingstones — proof that Riot can create exciting action sequences, emotionally poignant moments, and any other building blocks needed to tell immersive stories in any medium.

The Da Vinci Code's been directed by Ron Howard, who imbues the movie with an almost maddeningly somber vibe - refusing to allow even a hint of levity to enter the proceedings, despite the fact that Brown's novel was actually rife with humorous asides and genuinely exciting action sequences.

Rife with exciting action sequences and unexpected humor, Independence Day is one of those movies that never fails to provide a good time.

And Armitage (Miami Blues, The Big Bounce) is especially good at staging exciting action sequences.

Considering the center fantasy of this story, World's End also packs a few exciting action sequences, which show dedication to heavy choreography but also to numerous genres.

Director Gareth Edwards and his team have loaded the film with lively, exciting action sequences.

I haven't seen this since I was a kid, but I remember it being very long, but with some exciting action sequences, and it succeeded in relating the basic facts of the time period.

This sets the stage for del Toro and his army of cohorts to create what should be tremendously exciting action sequences.

It's both of these characters who contribute greatly to a high speed river chase that's one of the film's most impressive and exciting action sequences.

When one is presented with an outlandish, take - it - or - leave - it premise that works thanks to compelling characters, nifty plot twists and exciting action sequences, the result is something like Face / Off; when presented with an outlandish, take - it - or - leave - it premise that offers none of these key ingredients, the result is something like Criminal.

Part war movie, part doomed romance, overfull with artful and exciting action sequences (the No Man's Land assault led by Diana is worth the cost of admission alone), and all told some pretty subversive content for a populist DC superhero film ---- and easily the best outside of Nolan's Batman films, from that expanded universe ---- this is a charismatic, crowd - pleasing, comic book conversion that works on every conceivable level.

The movie - which follows an ambitious young reporter (Justin Timberlake's Josh Pollack) as he attempts to expose a den of corrupt cops and politicians - kicks off with a relatively exciting action sequence involving a botched bank heist, and it goes without saying that the impressive cavalcade of familiar faces does prove effective in initially holding one's interest.

Until the finish, when director Reiner delivers a truly fantastic, exciting action sequence.

Shailene Woodley's strong performance, some impressive cinematography, and a few exciting action sequences help carry the film to its finish.

She's also got the chops to take on Vogel mano a mano in more exciting action sequences set in the actual tomb referenced in the film's title.

Screenwriters Strong and Craig ditch the propaganda speechifying that bogged down the previous film, while returning director Francis Lawrence doesn't allow Collins» pointed cynicism about political leaders to overshadow the fast - paced and exciting action sequences.

With fast - paced Japanese role - playing game mechanics, exciting action sequences, vibrantly stylized characters, enemies, and environments, and elegant...

There are also some really fun and exciting action sequences as well.

The JRPG comes to the foray of the PS4 with its exciting action sequences, fast - paced gameplay, cerebral story and fresh acid jazz soundtrack composition.

Not exact matches

An exciting sequence at the Wizarding Bank Gringotts soon kicks off the action, with the inclusion of an extremely impressive looking CGI dragon.

In an exciting, action sequence, Griphook and the trio rode underground railtracks to the vault.

While she keeps the action hopping from one flash point to the next and cooks up a couple of exciting sequences in the last 30 minutes, she doesn't develop the narrative momentum needed to sustain a two - hour story.

Classic US series Star Trek, NCIS, CSI, Walker, Texas Ranger and Dexter and with their heroic characters and edge - of - your - seat action sequences, will excite viewers who demand their TV with thrills.

However, the production values are fair, as is the direction, and the action sequences are often exciting and comparatively realistic.

The little touches — every flame is the clear plastic Lego kind, every spilled glass of water turns into clear single pieces — also help bring personality to the action sequences, which tend to be as exciting as anything real people have managed to pull off recently.

I came into this movie having somewhat liked the first two and not totally excited to see how Tom probably acts with Katie, but if you're like me, you'll drop that «tude as soon as the first action sequence kicks into gear.

Glen's willingness to give the action sequences a certain weight and seriousness produces some genuinely exciting moments, yet his work is everywhere undermined by the flatness of the characterizations and the uncertain architecture of the plot.

While these portrayals are hardly based on reality, the action sequences may leave younger viewers excited about replicating kung fu moves at home.

Even the action sequences aren't terribly exciting; in fact, they're so poorly edited that it seems like entire beats have been removed to save money in post-production.

Audiences will be thrilled by the depiction of a ruined world, and the action sequences featuring Harper in his flying machine are as exciting as they come.

The plot is terribly clichéd, the action sequences aren't very exciting, and though Cage's performance is definitely more restrained than usual, Lucas makes up for it with one of the year's most ridiculous villains.

They certainly bring an action pedigree however, although this is also mixed, with hand - to - hand combat resorting to the jittery nonsensical camerawork we were just getting over, while chase sequences are exciting and easy to follow.

The gigantic effects - heavy action sequences are eye - catching and sometimes exciting, and...

The picture's action sequences are chaotic, for sure, but just because everything is moving doesn't mean it's exciting, too.

Much of the action sequences also feel straight out of the video game and, much like in the games, they are exciting to watch and engage in.

When you dub a film an action thriller, it can't just have a few impressive battle sequences; the pace of the film overall needs to reflect that, otherwise you'll end up with audience members checking their watches in between the exciting parts and that's exactly what happens here.

Director / series creator Craig McCracken and his animation team deliver exactly what they set out to offer, which is (as the MPAA rating reasons rather amusingly put it) «non-stop frenetic animated action,» and are there a number of genuinely exciting sequences, all refreshingly done without the slightest hint of CG help.

The supporting characters in Solo give the film real heart and stakes, which in turn makes the action sequences more intense and exciting.

With edge - of - your - seat exciting sequences, this makes Rogue One one of the most action - packed films of the franchise, with a ending sequence that may be one of the coolest moments in any Star Wars film to date.

Take a closer look at the filmmaking process behind Justice League's most visually exciting and action - packed sequences

There's a superb sequence set around a dinner table (outdoors, of course), and the dialogue is so fresh and invigorating that the scene proves to be as exciting as any action set - piece involving costumed heroes (or if we're talking about Man of Steel, more exciting).

Its use of first - person POV, and the ways in which it manages to reinvent action sequences within that conceit, is exciting and fresh and should have a lasting influence on genre film for years to come.

The choice defies logic, but allows for an exciting cable car action sequence.

In terms of both action and (budgeted) visual effects, however, City of Bones is a definite step up from The Twilight Saga, offering a few sequences of genuinely exciting action and / or visual splendor.

As Cale; ship captain Korso (Bill Pullman); pilot Akima (Drew Barrymore); and their alien cohorts Stith (Janeane Garofalo), Preed (Nathan Lane), and Gune (John Leguizamo) search for the Titan and evade the Drej, Bluth and Goldman stage some exciting and inventive action sequences.

The comedy scenes are not funny, the action scenes are not exciting and the one big attempt to blend the two, an extended fight sequence in which numerous innocent people are tased and a guy with a shellfish allergy repeatedly has shrimp rubbed in his face and eyes, is as ugly of a would - be set - piece that you will see this year.

Utilizing everything that's made the Marvel universe thrilling so far, including relationships being explored (Natasha and Steve), exciting new characters introduced (The Falcon) and action packed sequences that have you on the edge of your seat (the first stand off between Hydra operatives and Fury being a highlight), they went one step further and deconstructed everything we knew about the Marvel universe up until this point.

Whatever sense of time catching up with these retirees, which gave a few scenes in the first movie some unexpected heart, have been sidelined in favor of character spouting plot information and action sequences that feel more compulsory than exciting.

Even as yet another superhero origin story, there are some truly next - level visual effects and action sequences in director Scott Derrickson's film, and opening the Marvel cinematic universe up to all the possibilities that come from the realms of the mystical is an exciting prospect.

And the very ending is as exciting as any action sequence that has been put on a film this year.