Sentences with phrase «many issues with this film»

The first three or four paragraphs in which he identifies all of the issues with the film is exactly where I'm at with it.
Some may take issue with the film's portrayal of Harding (a widely hated villain) as a victim of circumstance, but she's certainly an intriguing individual to watch and the film never sugarcoats the less - than - savory aspects of her life.
I think the first issue with the film are the visuals.
The other hilarious issue with this film, apart from the pantomime like costumes on the players, is the track or arena.
I had some minor issues with the film, and I thought that the film though good, wasn't as good as I'd thought it is.
I take issue with the film's curiously high number of «When Animals Attack» scenarios, too, with Tripp running afoul of everything from chipmunks to dolphins.
That weakness is not an issue with the film itself, but rather audience expectations.
(Indeed, there are some other casting issues with the film, between a blink - and - you'll - miss - it, but ultimately distracting, cameo from Berg, and the co-starring turn by Jerry «Turtle from Entourage» Ferrara as a communications officer.)
One of my biggest issues with the film is that it wasn't nearly as funny as it should have been.
The main issue with the film is simply the poor screenplay, which has its own identity issues.
I will say that I had some issues with the film, I found it to be somewhat inconsistent.
Exactly, which is an issue with the film business of course.
Though I have many issues with this film, the most prominent is the identity of the film.
The biggest issue with the film is that everything happens under the surface and it makes it difficult to sit through a film that has really unique elements but such slow pacing.
I do have issues with the film and many would probably disagree with me but I found it to be a tad slow and too long.
Violence with bows and arrows, knives, axes and swords are the primary issue with this film.
While I had a few minor issues with the film, I thought it was, and still is, the best video game - to - film adaptation ever released.
As with other reviews, my main issue with the film was the shallow take on the moral dilemma of the story with the timely spaceship mishap allowing a neat and tidy wrap - up.
My issues with the film all revolve around the character of Evelyn and how things are handled with the character.
My only issue with the film is that it felt a little too much like the Swedish films.
This is ultimately my main issue with the film.
Now STX films and Huayi Brothers Pictures and duo directors Abby Kohn and Marc Silverstein present the newest motion picture to present such self - identity issues with the film I Feel Pretty.
While some may take issue with the film visually or vocally, there is much more to enjoy than lament here.
My only real issues with the film came towards the middle half and the very end.
If I had any issue with the film it was simply that things work out a little too easily at times.
And herein lies my central issue with the film.
As I try to take an unbiased approach from a viewer not having read the books and interested in the structure of the film, I do notice some glairing issues with the film that honestly affect all book to film adaptations in one form or another.
This highlights the main issue with the film — it's so heavy - handed, and it's often tough to place whether it's trying to be original or aiming for satire and, therefore, winds up feeling like a failed attempt at both.
The main complaints against it appeared to be its sluggish pace and generic plot, which were indeed my main issues with the film, fo...
Apparently, there were framing issues with the film's previous DVD releases — as if a cropped fullscreen transfer had further been cropped — but I detected nothing of the sort here.
Perhaps the greatest issue with this film will be the question of its appropriateness for some of the youngest admirers of the novel.
The great issue with the film is that we've seen all that it has to offer in countless other...
The great issue with the film is that we've seen all that it has to offer in countless other better dramas before.
This is an ongoing issue with the film industry in recent years.
One of the biggest issues with the film is that the visual effects are never overly convincing, which is a huge issue for a film that relies so heavily on them.
In fact, we have to say that our main (only) real issue with the film was that we wanted more: Jodorowsky's presence is like a gently hallucinogenic and instantly addicting drug, and 90 minutes of it just isn't enough.
Despite my personal issues with the film, the special features that appear here are well worth the time of those seriously interested in the events of 9/11.
My biggest issue with the film is without a doubt the human element of the story.
While some teachers took issue with that film, this particular video's message is simple and straightforward.

Not exact matches

While many people have taken issue with how the film portrays both Batman and Superman, there's an even worse aspect of the movie.
Wes Anderson's «Isle of Dogs» has received near universal acclaim from film critics (the movie currently has a 93 % on Rotten Tomatoes), but even some who have enjoyed the stop - motion film have taken issue with the director's representation of Japanese culture.
Fans had issues with it too, and the second installment in the trilogy, 2002's» Attack of the Clones,» won the dubious distinction of being the least commercially successful film in the «Star Wars» canon.
A representative for Weinstein issued a statement hours later saying the onetime film studio chieftain had «neither defamed Ms Judd nor ever interfered with Ms Judd's career.»
Questions such as whether torture is permissible in Tolkien's world view, whether war is glorified (with a side - debate about how the films differ from the books in this respect), and how victory and defeat are characterised, are worth considering and will encourage readers to think more deeply about LOTR and appreciate how nuanced Tolkien's treatment of these issues is.
Though some critics took issue with Gibson's creative choice, beyond its artistic merits, The Passion remains one of the more important Bible films ever made: Taking in nearly $ 400 million, it is the highest - grossing R - rated film of all time, and it helped usher in a new era of Hollywood creating content for Christian audiences.
Your own church could easily experiment with films as a way of opening the human issues in religion to full understanding and care in the community.
You recall that the SABC, the South African Broadcasting Corporation, the exclusive state monopoly for radio and television, had the night before run an American Defense Department film version of their latest report on «Soviet Military Power,» with Secretary Casper Wineberger issuing dire warnings as animated hammer - and - sickle emblems marched menacingly down the coast of Africa.
Since its organization in 1963, the panel has struggled with the issues of interpretation and sought to prepare a slate of «award» caliber films for the B.F.C.'s consideration.
Focus on the Family, known for its right - of - centre approach on moral issues, called the film a «great opportunity» for Christians «to have conversations with friends and family about matters of eternal significance».
His story — and erratic behavior of being involved in the deaths of three trainers over a two - decade period — was used in the film to underscore some of the issue associated with keeping «killer whales» in captivity.
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