There's
an obvious metaphor in that.
Discovered one night by troubled little Samuel (Noah Wiseman) and read to him by his mom, long - suffering palliative - care nurse Amelia (Essie Davis — stardom awaits), the book foretells the arrival of a Jack White - looking thing (Tim Purcell) that serves as an unfortunately
obvious metaphor for repressed grief.
But for all that Braff loves
an obvious metaphor, he doesn't seem to know quite how to fit this one in.
There are some too -
obvious metaphors (like Wilson struggling in the deep end of a swimming pool), but you forgive them.
He infuses many
obvious metaphors into the mix, most notably in the opening scene which reveals the match between the father and mother while the boys take up their sides.
Lucky has the same affection pouring out of it, which makes it easy to forgive its clumsier attempts at symbolism (there's a much - discussed lost tortoise that serves as a cheerfully
obvious metaphor for Lucky's own hard - shelled existence) and its mostly caricatured picture of community.
We get plenty of conversation,
obvious metaphors such as mirror gazing and metamorphic amphibians, but truly salient points about identity and limitation seem just out of reach.
So I couldn't help but cringe with
the obvious metaphor opening scene where Hugh Jackman's character (Keller Dover) experiences one of those life - bonding moments with his teenage son Ralph (played by Dylan Minnette).
Unfortunately, the more
obvious metaphor of de-construction captivated the avant - garde power structure, especially in Germany.
Of all
the obvious metaphors in the Harry Potter series, Mad Eye's crazy eyeball replacement is one of the clearest.
Not exact matches
It is
obvious, then, what sin is in this
metaphor of the world as God's body: it is refusal to be part of the body, the special part we are as imago dei.
It is a
metaphor with no
obvious point of reference.
To say the
obvious (but it has so often been lost during the period of modernity)
metaphors can be profoundly true, even if they aren't literally or factually true.
The house - keeping
metaphors continue to be almost too
obvious to make.
There is no
obvious bouba / kiki - like dynamic that would link a young, female, doomed romantic lead with a bright orb in the sky, yet the
metaphor is immediately sensible to anyone who hears it.
There's an
obvious carnality
metaphor here (college is a time for experimentation) and there's a clear entertainment factor in watching a meek character assert herself.
And some surreal filmmaking touches add an inner life to the character, even if the final visual
metaphor is a bit
obvious.
In a very
obvious way, Raw is a
metaphor for what can and often does happen to a sheltered girl when she leaves home for college.
There is, of course, no structural reason for the stage in terms of narrative — Melanie Oliver's editing is, after all, more responsible for the film's allegro tempo than Wright's staging — but as a
metaphor for the aristocratic world wherein the majority of the film takes place, it has some appreciated if
obvious bite (Wright ensures his intentions by juxtaposing natural environments when Levin returns to his home in the country).
(Ramsay, fond of
obvious and familiar visual
metaphors, leans hard on the image of suffocation to reflect Joe's mental affliction.)
Many argue for the more
obvious theory that the creature is a
metaphor for sexually transmitted diseases, given that the curse that attracts it to victims is passed on via sex.
Even if you take its unfathomable action as a
metaphor for maternal anxiety — which is surely the point of the exercise — it's dismally
obvious stuff.
As he edges further and further from the church he'd once cocooned himself in, Toller sees his body degrade more rapidly, an
obvious but effective
metaphor for the miserable state of the world.
It's tennis - playing - style as (
obvious)
metaphor for human relationships.
There's also an unfortunate moment in which an
obvious horse
metaphor is explained to us.
As for the movie's heart, the most effective speech is probably when Jason Segel muses on the stale donuts, even though Mindy Kaling nearly ruins it by making the
metaphor obvious later in the movie.
However, connoisseurs of graphic design and poetic
metaphors may find themselves mesmerized by movie's amazing art direction and the script's
obvious attempts to draw parallels between the heroine's real and imaginary worlds.
For this sad but ultimately optimistic tale of estranged brothers reuniting under strained, phony circumstances, Anderson, Coppola, and Schwartzman set up a literal scenario to showcase the old
metaphor that life is a journey, and while some of that theme gets blatantly
obvious near the somewhat problematic end, the journey of the film itself more than compensates.
Sure, it could be that that's the point, that's the
metaphor; in a time when the president is easily caricatured by a sickly orange blob and a swoop of yellow, it's
obvious that the ridiculous can be very real.
Though initially
obvious, this
metaphor has a few unintended effects.
Metaphors may not be as
obvious as similes, but they are commonly used in both written and spoken English.
The Nash equilibrium, once it is explained, sounds
obvious, but by formulating the problem of economic competition in the why that he did, Nash showed that a decentralized decision making process could, in fact, be coherent — giving economics an updated, far more sophisticated version of Adam Smith's great
metaphor of the Invisible Hand.
Strip out all of the
obvious weaknesses of «Seize the Night» — the maddening, superfluous detail upon detail; the overworked similes and
metaphors; the ridiculously impossible plot; the improbable oh - so - cool banter — and you still have a book well worth reading.
Has he run into an
obvious contradiction, in using color as a
metaphor and in breaching the senses while declaring it irreducible?
Setting aside the
obvious racial
metaphor, the clash of black and white offers a dialectical contrast that alludes to the many conflicted states of marginalized identity, and to conditions of visibility and invisibility.
If the
metaphors seem
obvious, Cotton is enjoying it all as much as the next guy — or, more likely, a good deal more.
In the visual
metaphors of his videos, sculptures and drawings, Cass highlights the materiality of elements — through the intensity of colors, the texture of objects and the brutality of actions — in order to reach for a poetic, political and spiritual meaning, beyond what is
obvious and visible in the work.