Sentences with phrase «many of the icons»

He is also host of The Tim Ferriss Show, which deconstructs the habits and routines of dozens of icons, billionaires, and world - class performers.

Written by Jose Contreras with the help of Icon ID a group focused on merchandising, rebranding and store design, view Icon's services here.

Entrepreneur Cathie Reid, co-founder and current digital advisor of Icon Group, an Australian cancer - care company, talks to delegates at the Dell Women's Entrepreneur Network conference in San Francisco in July 2017.

In the earlier days of Icon Group, the company had a broad mandate to treat cancer care.

Blackberry sued Facebook for patent infringement, saying the social network's messaging apps infringed on the former phone maker's intellectual property related to such innovations as showing an unread message indicator on top of an icon and showing multiple incoming messages in an inbox.

An overwhelming number of icons and links?

«It's designed to be ingeniously simple,» says Kirk Hawkins, a former Air Force pilot and CEO of Icon Aircraft.

On the bottom of the screen, you'll see a row of icons on a white background.

When there's a new app, it shows up in a row of icons in your browser.

If your desktop is full of icons (such as screenshots you no longer need), you can hold down «command» then drag your cursor over several of them to select multiple files, folders or apps at a time.

You can also drag a Tag group (what's called a «Stack») from the Finder sidebar down to your Dock (row of icons) for easier access.

Essentially the Pexels of icons, Flaticons is home to 2,500 free icons and has the functionality to allow users to create their own as well.

One press of an icon alternates between the two.

Here are 10 of the icon's most memorable quotes about innovation, curiosity, creativity and fame.

Many on this list represent mistakes so large, and sometimes so systemic, they shook companies, startups, and nonprofits to their core, derailed (or nearly derailed) billion - dollar political campaigns, and destroyed the legacy of an icon.

Beers may be only vaguely familiar to tech watchers, but she's something of an icon among diehard sportswear afficianados.

Joe Horowitz is the managing general partner of Icon Ventures, a venture capital firm based in Palo Alto, California.

Since the inception of Icon Ventures, Sunny and the ABD team have been very successful in opening the Japan market for numerous portfolio companies including Brion Technologies (ASML Holdings), FireEye (FEYE), Infinera (INFN), Mimosa Systems (Iron Mountain), Palo Alto Networks (PANW), Proofpoint (PFPT), SiTime (MegaChips), and Vuclip (PCCW).

Joe Horowitz is the managing general partner of Icon Ventures, a venture capital firm based in Palo Alto, Calif he helped launch in 2003.

Bithumb, one of Korea's largest exchanges with a daily volume of $ 850 million (94,000 BTC), has announced the listing of ICON (ICX), which is being called «Korean version of Ethereum», to celebrate the launch of Bithumb PRO.

A lot of ICON partners are probably looking at the best way to optimize their IISS rating and how to keep issuing the optimal amount of ICX back to themselves.

Use of these icons and logos does not constitute endorsement of Thalmic Labs or the Myo armband by the 3rd parties.

If sex is an icon that points us to something far greater that itself, how have we lost sight of the icon?

I'm not going to essay and defence of icons, the Lossky / Ousspensky book (The Meaning of Icons) is....

Amy Mandelker has drawn attention to the term «reverse perspective» as used by Russian Orthodox theologians to describe the unusual dimensions of icon paintings, with the gaze of the viewer drawn to the level of earthly events and yet given a peculiar perspective, as from a heavenly seat, so that people and objects do not have their expected everyday appearance.

This aspect of icons separates them from Idols.

In other words, our theology often involves many words, while their theology often invokes silence (thus their use of icons as means of meditation during silence).

As a remedy to modern malaise and the perennial search for meaning, Hart offers his reader a glimpse into the world of the icon where the artistic and the theological are inextricably entwined.

It resonates with a sense of the spiritulal in its discussion of liturgy, ritual, spiritual stages, repentance and deification combined with a love of icons and art including mosaic, architecture and sculpture.

The book hits the ground running with what begins as a deceptively easy theology of the icon.

A sympathetic attempt to understand the value of images for Hindus has also helped me to appreciate the value of icons for Orthodox Christians and the many statues of Mediterranean or Latin American Catholic churches.

With his careful choice of very beautiful line drawings and colour plates of icons, Hart demonstrates that the spiritual life of the person who paints icons is of great significance.

Most Likely to Help Us Find God in the Everyday: Jennifer Fulwiler with «Praying Like You're Illiterate»» I don't know how long I sat there soaking up each aspect of the icon, but when I was finished I felt as enriched as if I had read chapters of sacred theology.

There he photographed a young Eritrean man, Abdullah; one of a number of artists who had decorated the makeshift sanctuary with paintings of icons and sacred triptychs.

It was something found in the aftermath, and became something of an icon in the aftermath, and while I wouldn't say it's truly historically significant, it is very closely tied to the event.

And yet, when the gifted musician / author Jeremy Begbie reviewed art historian Dan Siedell's book God in the Gallery in the current issue of Image, Begbie appeared - ever so subtly - to take issue that Dan Siedell, in a book about art, limited himself to «one particular current within the Nicene river, the Eastern Orthodox tradition... and the council of Niceae (787 CE), the conference which established the orthodoxy of icons.»

«The Word... offers itself to contemplation, as visual theology, in the form of the icon.

«The presence of the icon is a circle whose center is found in the icon, but whose circumference is nowhere.

One can not look deeply into the eyes of an icon and ever see the world in exactly the same way again.

The icon changes one by bestowing the vision of another world... to enter the world of the icon is to take on that world by spontaneous and largely unconscious response to it (Bozarth - Campbell, 118).

Besançon replies in kind, identifying the cult of the icon with, of all things, an aversion toward the Incarnation:

The author is quite serious when he calls Eastern veneration of icons «iconolatry.»

The magazine reflected that «In a secular culture that still aches for spiritual values of some kind, she slipped easily into the role of an icon of care».

Besançon first earned his reputation as a historian of Soviet politics and of Russian nationalism (toward both of which he entertains understandably dim views), and he thinks that the Russian nationalists of the nineteenth century, among their other sins, killed the genre of icon «painting when they began to praise the icon's superiority over Western art.

For the author, the cult of the icon has served to create a cordon sanitaire around the Orthodox churches, allowing them to immure themselves in a gated community of obscurantist ecclesiastical politics and attempted geographical hegemony whereby Western Christians (or Eastern churches in union with Rome) can not exercise their religious rights (and rites) in the lands of traditional Orthodoxy, but the Orthodox bodies are allowed to evangelize at will in the lands of the Western Enlightenment.

What is the role of the icon painter?

---- You know, Sam, Hitchens trampled a lot of eggs and made lots of waves in the water, and to many folks, he was somewhat of an icon.

Aidan Hart's collection of essays in his book Beauty, Spirit, Matter: Icons in the Modern World covers a wide range of topics that are united in their interest in the material world seen through the prism of the Orthodox Church's theology of the icon.

He found evidence for this in the Christian veneration of icons and believed he was restoring religious faith to its pristine purity, as first practised by the Israelite patriarchs.

All the expected topics are here: the founding of Constantinople, the building of the great church of Agia Sophia, the rule of Justinian and the codification of Roman law, the shimmering mosaics of Ravenna, the harsh consequences of the rise of Islam, the place of icons in Byzantine life and the iconoclastic controversy, the conversion of the Slavs and the creation of an alphabet for the Slavic tongue, Mount Athos, the outstanding historian Anna Komnene, the arrival of the Crusaders, the siege of Constantinople.