Sentences with phrase «many other abstract painters»

But in her work, and that of other abstract painters I've mentioned, the issue of whether there is anything already in such paintings, as opposed to what we might «read» into them, is often raised.

Artists I know personally, such as Christian Haub and other abstract painters, do not often get a show for me to review, but just as well.

But among the things they had in common was a rejection of the gestural painting favoured by the abstract expressionists and other abstract painters, and the personal agonising associated with Auerbach, Bacon and what would come to be known as the School of London.

How is this abstract painter different from all other abstract painters?

• For details of other abstract painters and sculptors, see: Irish Artists: Paintings and Biographies.

Ad also spoke of his regard for other abstract painters, such as Carl Holty, Balcomb Greene, and Burgoyne Diller.

Other abstract painters associated with Orphism include the French - Czech painter Frank Kupka (1871 - 1957), Francis Picabia (1879 - 1953), Jean Metzinger (1883 - 1956), Marcel Duchamp (1887 - 1968), Fernand Leger (1881 - 1955), and others.

In 1964, Noland - along with other abstract painters including Jules Olitski (b. 1922), Ellsworth Kelly (b. 1923), Al Held (b. 1928) Helen Frankenthaler (b. 1928) and Frank Stella (b. 1936)- was labelled a member of Post-Painterly Abstraction, by the critic Clement Greenberg (1909 - 94).

Other abstract painters who belonged to the group included the likes of Willem de Kooning (1904 - 97), and Jackson Pollock, as well as the abstract sculptor David Smith (1906 - 65).

Ryman withheld the same level of praise for other abstract painters, particularly Barnett Newman, who, as far as Ryman was concerned, did not achieve the same strict nonrepresentation.

It followed independent experiments by other abstract painters like his wife Krasner and the influential art teacher Hans Hofmann (1880 - 1966)- see the latter's 1940 painting Spring (Private Collection, Connecticut).

Following separate experiments by other abstract painters like Hans Hofmann (1880 - 1966) and Lee Krasner (1908 - 84), Pollock himself began employing his splash / drip method in 1947, partly as a result of the surrealists» experience, and also (reportedly) after seeing how Navajo Indians in New Mexico made their sand paintings by sprinkling earth onto the ground to form intricate patterns.

• For details of other abstract painters, see: Irish Artists: Paintings and Biographies.

Not terribly long ago I saw a late career retrospective of an elderly Chicago artist who basically spent his whole life imitating the work of other abstract painters.

Essentially self - taught, he had educated himself in the city's museums and art galleries and through his association with other abstract painters.

Ding's crosses, then, may have become simply the language he uses, but their accumulated units prove ambiguous enough to allow both microscopic and macroscopic projections from the world, and at the same time to trigger multiple echoes of other abstract painters.

He formed Painters Eleven with ten other abstract painters (most of whom had also been in the Abstracts At Home event) soon after.

The school at that time had a highly traditional curriculum, but Opper was pulled in a modern direction by a visit to the Pittsburgh International Exposition in 1928, where he saw the work of Picasso, Matisse, Braque, and other abstract painters for the first time.

Not exact matches

Included in the collection are specially commissioned works by portraitist Gilbert Stuart, contemporary abstract painter Maggi Brown, Martha Lloyd, Joe Greene, Tony Evanko, Ben Freeman, and other artists whose works are featured in guestrooms and throughout the hotel.

On the other hand, a Lucien Smith rain painting, despite the seemingly endless hype for the abstract painter, left the block without an owner.

She wrote that Mueller and a number of other painters were the «generation that essentially reinvented American abstract painting in the 1970s and»80s.»

Müller is often grouped with other figurative painters from the 1950s including Fairfield Porter and Bob Thompson - painters who married abstract expressionist technique and earlier influences, most notably the Nabis.

Some other formative influences are apparent in the show's first room of paintings: for Krasner, it was the abstract painter and pedagogue Hans Hofmann; for Lewis, the Harlem art school director Augusta Savage.

TO It's a big issue because she precedes other abstract people, but they sometimes undermine her, saying she was illustrating a spiritualist belief and thus not an abstract painter.

Greenbaum is among a generation of women painters — Carrie Moyer and Amy Sillman are others — reclaiming abstract expressionism.

Piero Dorazio (Rome, June 29, 1927 - Perugia, May 17, 2005) was an Italian painter, whose work was related to Color field, Lyrical Abstraction and other forms of abstract art.

As with other abstract movements, these painters emphasized color and how the work corresponds with their own inner emotions over shape or form.

PAUL CUMMINGS: Well, there was a time when a lot of the painters felt there was a while conspiracy on Hess» part to promote certain abstract painters and not others.

Now emerging abstract painters play with projections and simulations as one more medium among others.

The other version came in March at the Whitney Biennial, as a likeness of Emmett Till in his coffin was included in a series of abstract paintings by the white painter Dana Schutz.

Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.

Unlike anything Malevich — or indeed any other modern painter — had done before, these geometric, completely abstract works were a shock to everyone who saw them.

The gallery represents each of these artists, as well as other influential mid-century abstract painters including Roger Kuntz, June Wayne, and James Jarvaise.

While the movement is closely associated with painting, and painters such as Arshile Gorky, Franz Kline, Clyfford Still, Hans Hofmann, Willem de Kooning, Jackson Pollock, and others, collagist Anne Ryan and certain sculptors in particular were also integral to abstract expressionism.

And he was doing it with the kind of deeply seductive, gutsy painterliness that, say, Philip Guston, that other abstract - turned - figurative painter — and upstate New Yorker — wasn't.

Meanwhile, other action painters, notably Willem de Kooning, Arshile Gorky, Norman Bluhm, Joan Mitchell, and James Brooks, (see gallery) used imagery via either abstract landscape or as expressionistic visions of the figure to articulate their highly personal and powerful evocations.

These startling, purely geometric and completely abstract paintings were unlike anything Malevich, or indeed any other modern painter, had ever done before.

An abstract painter, Greenbaum «wields a vast visual glossary, with her works sometimes reading like punchy, assured, confrontational statements and at other times ballooning quietly across the page like slow - capture botanical animation, never arriving at any kind of declaration,» Ali Fitzgerald has written.

Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy of German painting, or even of Albert Oehlen himself — the panel will consider abstract painting in relation to other contemporary manifestations of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations of form, the notion of style).

A possible correction: I don't know abstract painters or surrealists but I do know photographers: Ernst's other woman «Dorothea» is likely not Dorothea Lange as stated in the first part of the article but the Dorothea Tanning mentioned in the second.

He was a German - French, or Alsatian, sculptor, painter, poet and abstract artist in other media such as torn and pasted paper.

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

The addition of motion and sound brought new dimensions to the abstract art pioneered by Wassily Kandinsky and other avant - garde painters of the early twentieth century.

In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by other artists who have had a significant impact on their thinking and the development of their practice.

A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary Weatherford, and Stephen Westfall, among others.

September 24 - October 29, 2011 MINUS SPACE is delighted to present the exhibition Ted Stamm: Paintings, an overview of paintings, works on paper, street interventions, and other materials by the late NYC - based abstract painter.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

For Australian abstract painters to look back at this moment, and compare it to their own, could prove quite beneficial, and force a complete reversal of what we are always taught, that Blue Poles and other paintings like it signify the end of the line for painting, the last port of call before the inevitable disembodiment into performance and conceptual art.

Trained as a realist painter, he became a pioneering abstract artist after seeing works by Van Gogh, Gauguin, Matisse, Picasso, and other European modernists at the Armory Show in New York in 1913.

Only within the microcosm of abstract painting itself, where one pole is dominated by the extreme reductiveness of the so - called «Radical» painters and the other is exhausted by the sheer scope of Gerhard Richter's all encompassing photo - expressionism could Reed be seen as decadent.