Sentences with phrase «many other artists of her generation»

Tino Sehgal is not like other artists of his generation.

On the secondary market, the specialist continues, «Diebenkorn doesn't come up at auction as frequently as other artists of his generation,» partly because West Coast artists never received as much critical attention as their New York counterparts.

To nearly everyone's surprise, Stella appreciated Hawkinson as someone who has inexplicably made memorable art from «gestures as lightweight, banal and self - absorbed» as those any other artist of his generation practice.

Like her husband, Gwendolyn Knight preferred creating figural compositions rather than the Abstract Expressionist paintings that other artists of her generation embraced.

LeWitt, like no other artist of his generation, has always maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.

She will also contextualize Frankenthaler's practice with that of other artists of her generation on view in the PMA's galleries, ranging from Anthony Caro and Louise Nevelson to Lois Dodd and Alex Katz.

Surprise and humor often distinguish his art from a more severe and programmatic approach taken by other artists of his generation.

Robert Ryman and Ellsworth Kelly were both working steadily, granted, but so distinctively as to be inimitable by younger artists — not that Heilmann seems to have ever resorted to simple mimicry, despite the frequency with which other artists of her generation have used it as a tool.

I am excited to showcase Andre's work as well as that of other artists of his generation like Guy De Cointet, alongside a younger group.

They're not going to burn out as sometimes happens with younger artists... and normally the prices are far below the other artists of their generation, so you're offering a value to someone.»

Over the next decade, Motherwell's production of large - scale collages even outpaced his creation of paintings; his enthusiasm for and dedication to the collage technique for the remainder of his career sets Motherwell apart from other artists of his generation.

While many other artists of his generation were appropriating images of American flags or movie stars or newspaper clippings, Mr. Kelly was relentlessly immersed in abstraction: creating color spectrums and panel paintings with nothing but a giant curve or rectangle, or making drawings depicting the simple outline of a leaf.»

Like other artists of his generation, he trained at Tama Art University in Tokyo before becoming one of the key figures of the Mono - ha movement in the 1960s.

I don't know whether anyone has made a count, but LeWitt probably had more solo exhibitions worldwide than any other artist of his generation, certainly far more than anyone else producing site - specific work.

Yi uses tools other artists of her generation would largely ignore, particularly science and scent.

It might also seem that it would be more accurate that this commentary be called Reprising Postmodernism and Conceptualism, since Hardinger and Rooney, among many other artists of their generation, make each object the subject of a contextual scheme, and for Hardinger an eco-political one.

In his work, he achieved what other artists of his generation, particularly Jules Olitski, had aimed for: the ability to transcend painting and simply float color in a dazzling spectacle before viewers.

Born in Newcastle and trained at the Glasgow School of Art, Murphy's concerns are a world away from the post-internet, conceptual or political focus of other artists of his generation.

She attended the Emily Carr University of Art and Design, where, like other artists of her generation, she encountered the instructor and abstract painter Elizabeth McIntosh, whose fresh and expansive approach to abstract painting has played a critical role in Mouton's art.

Perhaps more than any other artist of his generation, Judd shaped the cultural discourse of his time - not only through his radical sculptures, but with his prolific writing on his peers.

That was her entry into the art world — Cindy Sherman worked at the front desk then, she said, and it was where she first met Messrs. Longo and Prince and other artists of her generation.

In 1959, he painted Tomlinson Park, part of the Black Paintings series that catapulted his career when he was just 23 years old and influenced other artists of his generation to move away from abstract expressionism and create work that was more painterly, more thoughtful and more experimental in terms of the use of space in and around the canvas.

By removing substantial parts of the rectangular field, Stella provocatively questions traditional conventions of art unlike any other artist of his generation.

Like other artists of his generation, Zucker used minimalist logic to structure his artistic practice, but he sought to expand this logic to maximal effect.

Like no other artist of his generation he maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.

LeWitt, like no other artist of his generation, had always maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.

[Kruger's work] supplies another chunk in the history of postwar American art... Her life - size figures, portrait busts and political asides are in step with other artists of her generation, including Bill King and Marisol.

For all of his separateness as an artist, particularly in relationship to other artists of his generation, it behooves us to see Brodie's work both close - up and in the largest context possible.

Fishman's narrow - gauged though prodigious output demonstrates that she, like many other artists of her generation (Brice Marden, Robert Mangold, Bill Jensen, Pat Steir, Robert Ryman), is uninterested in extravagant experimentation with concept, approach, or materiality.

Not exact matches

Delete emails from studios begging to sign the most successful independent artist of this generation and most others?

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Starring Daniel Radcliffe, Dane DeHaan, Ben Foster, Michael C. Hall, Jack Huston and others, our own reviewer found the film «fairly interesting and relatively compelling, but far from an enlightening or deep story into the hearts and minds of these artists who would define a generation.»

As it currently stands, it will jeopardise the future success of our creative industries by significantly reducing opportunities for the next generation of musicians, technicians, designers, artists, actors and all the other vital roles in the industry.

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

It's a chance to see works by three generations of the famed Wyeth family of artists — N.C., Andrew and Jamie — as well as others.

Although Giacometti and Klein, were artists born a generation apart and couldn't be more different the two artists lived and worked within a mile of each other, in Montparnasse, Paris, but there are few clues in their work to suggest that they shared the same artistic milieu.

While a younger generation of artists, led by Katharina Grosse, Carol Bove, and others, are finding renewed significance and surprising rewards in extemporaneous abstract painting and sculpture, certain veterans like Emily Mason never lost faith in its limitless possibilities.

Over dinner with Smith and others from the museum, she talked about a followup to her previous book, The Wild Wild East, that she was researching, about the new generation of Chinese artists.

EXHIBITION «Black Eye,» a group show that explores the shifting dynamics of race and identity over the past two decades, opens May 3 featuring 26 Black contemporary artists, a who's who among two generations — Sanford Biggers, Nick Cave, David Hammons, Deanna Lawson, Simone Leigh, Steve McQueen, Toyin Odutola, Gary Simmons, Xaviera Simmons, Hank Willis Thomas, Kehinde Wiley and Nari Ward, among others.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

He also promoted and collected the work of a younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.

Yoshitomo Nara and the Tokyo Pop art movement reflect the experiences of a generation of artists who grew up during the post-World War II economic boom in Japan that was characterized by, among other things, an influx of popular culture from the West, including the animation of Warner Bros and Walt Disney.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

A great rendering of this period was the 2014 British Museum exhibition (Germany divided: Baselitz and his generation from the Duerckheim Collection), where, among other key post-war artists, Baselitz participated with eleven of his Heroes series and other iconic works of the late 1960s.

Proposals are evaluated on the basis of the following criteria, which are weighed equally: How well a project aligns with the MAP Fund's goal of supporting experimentation and innovation in all traditions and disciplines of live performance, especially work that brings insight to the issue of cultural difference, be that in class, gender, generation, race, religion, sexual orientation or other aspects of diversity The artistic strength of the proposed project The viability of the project, based on the applicant's professional capabilities as demonstrated in the project narrative, bio and artist statement, and work samples.

At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

I think that that argument, that line, might very well have led to Wade and lots of other smart artists who are making paintings for reasons that are really quite different than the artists of my generation.

At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.