Sentences with phrase «many people in the film»

«Bennett has become a master of storytelling through character, and while there are clearly no people in these films, it was clearly a very human story, which we knew a director such as Bennett would zero in on and draw out very real human - like emotions from these poor inanimate objects,» Lennon said.

They spent 2,000 hours comparing people in the films and their behaviours and came to some rather counter-intuitive conclusions.

Records from last year show people in the film industry have been big contributors to Cuomo and to political party housekeeping accounts, which can accept unlimited donations.

Tim, who has co-written over 400 commercial treatments and music videos with directors including: Wim Wenders, Richard Ayoade and Jonas Ackerlund, for clients and artists such as: Lady Gaga, Honda, and Louis Vuitton, opined that, though he haven't watched Ghanaian movies before, he likes African stories and since he's in Ghana to learn and see how to assist both the needy through Obiba Foundation and people in film - making, he has started watching Ghanaian films.

In keeping with these earlier findings, Parkinson and her colleagues found activity in a widely distributed network of brain regions was sensitive to the social status of the people in the film clips, with individual regions responding to different aspects of it.

Do you root for different people in the films you used to enjoy?

But Chris — a major contender, in an admittedly strong field, for the dumbest person in the film — has a plan.

The collapse of the US banking system in 2008 had been forecasted years before it happened by the people in this film.

Perhaps it's because I felt so emotionally connected to the horses, and the people in the film.

I don't know how nerdy the people in this film are in real life, but most everyone in this cast is some kind of a reject who has done hardly anything before.

The surprise star is Eileen Atkins, the most endearing person in the film who is at once insightful yet optimistic about the mystery of life.

He always has A-listers and recognisable people in his films, but also he's always bringing fresh faces in front of the camera and introducing us to fresh talent.

In fact, «quiet» is how most people in the film describe her (that adjective pops up more than half a dozen times).

The people in the film did nt seem to be too frightened or in too much of a rush to get away from this, this «thing».

Doc obliges, as Doc does with many people in the film, but the movie never really cares about solving this mystery.

On the one hand...: Writing about Dustin Lance Black's script for Milk (2008; see US # 14) I gave Black a hard time for the lack of characterization for most people in the film.

Almost every person in the film is set up to be the culprit, but through sheer process of elimination, it shouldn't be terribly difficult to determine who the killer is.

Many people in the film's target audience probably can't read.

Artists see them as similar but people in the film industry do not.

Robert Pattinson is clearly relishing putting the Twilight franchise ever further in his career's rear - view mirror, but even when you think his Jerome is just about the only vaguely moral person in this film's twisted universe there comes a twist which throws you completely off, as the script essentially points out that Hollywood is a corrupt and corrupting place where no real human values apply.

He allows our sympathies to fall on each and every person in the film, who have all been affected by the different paths their lives have taken.

There are a few other people in the film, but taking the time to talk about them would be pointless.

SRI is a report that maps the quantity, quality, and diversity of LGBTQ people in films released by the seven largest motion picture studios and their subsidiaries: 20th Century Fox, Fox Searchlight, Lionsgate, Roadside Attractions, Paramount, Sony, Sony Pictures Classics, Universal, Focus Features, Disney, and Warner Bros..

Still, she says, «Do I think all of the four main people in the film should have been white with blonde hair and blue eyes?

Curzon Soho is the home of our Filmmakers Club, a very special film club that allows people in the film industry to see the best new independent releases for a fiver on a Friday morning.

«She is one of the most influential people in film.

After all, the nicest person in the film is Tracy Letts as the father, not unlike the nicest person in The Florida Project being Willem Dafoe.

There is never in doubt about who are the truly dangerous people in the film, signalled in comic book - like terms by the bad guys being caked in dirt, whether it is Gale (John Goodman) and Evelle (William Forsythe), two criminal acquaintances of H.I. who escape from prison in a rainstorm and emerge from the ground covered in mud, or the shotgun - blasting, baby - hunting biker Leonard Smalls (Randall «Tex» Cobb), a lawless wanderer emerging through hellish flames with a pair of baby shoes attached to his belt that jingle like cowboy boot spurs.

DuVernay wasn't thinking about making a movie about Dr. King, but she did feel an urgent need for better images of black people in film and not just «images of black people in hindsight.»

A documentary examining the representation and portrayals of disabled and handicapped people in film and television.

It's «the lack of representation of black people in film, in genre.

Both Baldwin and Davis play their roles as the only normal people in the film with charm and fine comedic timing.

We know where the people in his film are coming from, and perhaps where they're going.

The viewer is closer to the dogs than to most of the people in the film.

It seems to take her a long time to come to that conclusion - anyone else would have sucker punched Philip five minutes after meeting him - but hey, at least there's one person in this film who exhibits some form of personal growth.

Though we may not feel for individual people in the film, I think that Paris I love You manages to do what the filmmakers set out to do — it captures the look, feel, vibe, and importance of the city of Paris to its inhabitants, and the world at large.

Roger called him the International Man of Mystery and said he probably knew and introduced more directors, actors, distributors, exhibitors and critics than any other single person in the film industry.

when in real life she is Christine Taylor and one of the few people in the film who was actually a model.

A crowd - pleaser tends to move at a rapid pace and has great appeal to popular, i.e. massive, tastes, and the people in the film that you're rooting for will, despite initial setbacks, come out as winners.

But this one specifically became a metaphor for the prison - industrial complex, the lack of representation of black people in film, in genre.

Oscar - nominated actress Ruth Negga, Outlander star Caitriona Balfe, Martin Short, singer - songwriter Glen Hansard also received Oscar Wilde Awards, which recognize the contributions of Irish people in film, television and music.

What would have to happen in order for many of the people in this film to be happy?

It spoke about the teacher and it mentioned that she was one of the most realistic people in the film.

Now that John and family are the only sympathetic people in the film, let's pour on more syrup on the film with the fact that the public is all on his side as well, including almost all of the hostages.

Several people in this film are actually afraid or have a dislike of Paddington (voice of Ben Whishaw), if you can believe it.

Scott is potentially the most intriguing person in the film — a combustible blend of emotional inarticulacy and vocal prejudice — but because we only ever see him in the context of his driving lessons with Poppy, we never learn what makes him tick.

Every person in the film is a colorful eccentric, from those with mental disabilities to successful lawyers and musicians.

While the first entry featured heavily stylized violence and over-the-top action scenes, the premise is that every person in the film is rooted in the so - called real world, where they have everyday problems and ability to get hurt.

This assembly uses film clips to explore the reasons for a variety of cultural celebrations, and how young people in films deal with celebrations linked to religious and cultural rites of passage.

Combining the wisdom of the young people in the film with world - class thought leaders in positive psychology, neuroscience and mindfulness, the book is a synthesis of best practices in all these areas.