Sentences with phrase «many quality sequels»

Which is a shame, not just because the game deserved better, but because it means the chances of a good quality sequel are even more distant than ever.

As long as they keep pumping out new IP's and quality sequels to successful franchises, we as gamers will always have something awesome to play.

Coming up to 13 years later, and despite a couple of high quality sequels and almost a decade of increasingly fevered begging from fans, there's been nothing like it ever since.

Not exact matches

And many, many sequels aren't executed with the thought or care of their far - superior original films, especially in series that have stretched over many years — as one sees in the chasm of quality between «The Terminator» (1984) and «Terminator Genisys» (2015).

The sequel, which is shaped less like a baseball and has a built - in handle, sports real 4K video resolution and offers live streaming capability too, although image quality is limited to 2K in that case.

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The sequel of Hand of Fate convinced us that its unique mix of card game and real - time combat could be more than a one - shot gimmick, though it still has a long road to achieve an even quality across all its areas.

Futurlab doubles down and delivers a sequel that beats its predecessor in quality on every level.

The first and less substantial angle is that it's not as bad as it could have been, given the general quality of threequels and animated sequels in general.

After the origin stories, the sequels sliding all over the quality spectrum, one Civil War, a Ragnarok, an Age of Ultron, and a gazillion buckets of popcorn sold the world over, the Marvel Cinematic Universe ascends to a state of supernova in Avengers: Infinity War.

Too bad for a technical section that is at times really problematic, which fortunately can not tarnish the excellent qualities of this sequel: a title that fans should play without hesitation.

The point with a sequel to such original work is to prove to the masses that the first attempt wasn't just lightining in a bottle, and the same quality and irreverence can be duplicated for some time to come.

There are a few laggy moments both in campaign and online, so if they can improve on that and add a longer campaign mode plus add some more unique game modes, I think the sequel can go up to a 9 or more in terms of quality.

«Despite the surplus of summer sequels, I was pleasantly surprised by the quality family fare released in 2004.

Along with high - quality cinematic cutscenes, multiple endings, a unique three - day timed mission structure and unlockable sandbox mode, it was unlike anything released before (until its sequels) and remains my favourite Dead Rising game to date.

Steve Carell is an undeniably funny guy, but not in that «carry a bad film to success» way that Carrey was able to do earlier in his career, When you realize that Carell got more laughs in the miniscule amount of screen time he had in Bruce Almighty than he does in the 90 minutes he is in front of the camera for this sequel, that's really all you need to know in terms of this film's overall comedic quality.

Financial success should not be an indicator of quality, however, as even if the sequel is superior, those not enamored by the first probably won't give it a chance.

The sequel could see an even better performance, with a star - studded voice cast that also includes Chiwetel Ejiofor, Maggie Smith, Michael Caine, Stephen Merchant and Mary J. Blige, Elton John on board co-crafting original music, and a higher quality of animation.

It isn't that Scary Movie and its immediate sequel are masterpieces or even very good, but there's a pronounced drop in quality once Keenen Ivory Wayans left as director and took his brothers with him.

-- Namco Bandai understands that fans want more Tales game in English — Time and money get in the way — Namco Bandai has taken steps to alleviate the issues above, and hopefully we can now look forward to seeing more Tales games worldwide — It's been difficult to fit the game on the 3DS card due to size restrictions — Voice data in particular was challenging to put on the card and feels they solved the problem while keeping the quality high — «Every part of the game, with the exception of the animated cut - scenes, has been redone in 3D» — Yoshizumi believes this makes the game seem more real / immersive than before — Character models rebuilt to improve performance — Rest of the game has been ported over seamlessly — Some changes made to «in - game parameters» to compensate for control differences — No other additions, no new weapons / artes — No communication features (StreetPass, SpotPass)-- Namco Bandai have talked about a sequel, but haven't yet come up with something that would be good enough for a full game — Yoshizumi says he appreciates the comments he receives on Twitter from worldwide fans, and he hopes that more Tales games can make it over in the future — Load times have been improved on significantly — Steadier frame rate (may have been referring to the world map specifically)-- Skits will remain unvoiced

This sequel - split has at least one more important virtue; clarity — a quality that ofttimes gets compromised in high - power sci - fi extravaganzas.

Halloween is another solid sequel but at times it's pretty weak, but it does have a lot of redeeming qualities only diehard Halloween fans would love.

«Our goal is to make each sequel better than the last, unlike any horror franchise ever,» Brad told me via text adding «We know that's a bold and nearly impossible task, but we're trying our best to deliver quality horror that we can be proud of.»

Closing Thoughts - Return to Never Land is a schlocky sequel that lacks every winning quality of Peter Pan.

Avildsen and screenwriter Robert Mark Kamen (perhaps the most immodest human being on a planet that knows M. Night Shyamalan) return for this sequel and the next — proving a lot of things, chief among them the truism that quality fades with each successive Xerox and that maybe Avildsen is a hack who happens to have stumbled upon a couple of entertainingly macho soapers.

However, it still delivered Super Mario Maker — a Game of the Year contender — alongside the unique multiplayer hit Splatoon, the underrated Yoshi's Woolly World and JRPG masterpiece Xenoblade Chronicles X. Gloss over the trashy filler and poor sequels (Amiibo Festival, Mario Tennis Ultra Smash, Mario Party 10 and Devil's Third) and Wii U was home to as many top quality exclusives as Xbox One, and more than PS4, in 2015.

Other than that glaring anachronism, I have no complaints about Wrath of the Titans, a 3D sequel which is a rarity in that actually eclipses the original in quality.

As dull a hero as Lightning was, his qualities are no comparison to the promotion of the third - rate comic relief to the role of the sequel's protagonist.

Many were surprised to hear that Two Worlds was getting a sequel after its questionable quality.

Previous sequels in this franchise haven't remotely approached the quality of John McTiernan «s 1987 classic, but the main reason we're excited about this one is because it's co-written and directed by Shane Black, the guy behind movies like Kiss Kiss Bang Bang, The Nice Guys, and one of Marvel Studios» very best films, Iron Man 3.

This special effects dominated sequel spent most of its budget on the visuals, with not much left for basic things like a quality script or even the ability to retain the mostly no - name actors from the first film, with only Robin Shou (Beverly Hills Ninja) and Talisa Soto (License to Kill) reprising their roles.

We've got four high - quality new stills from 20th Century Fox's highly - anticipated comic - book sequel uniting the cast of X-MEN's past and present!

Still, given that sequels generally do drop off in quality, the goods are still delivered for those that enjoyed the first film, enough to make this interesting and exciting enough for most viewers looking to see more of the Rocky Balboa saga.

The sequel proved to be stronger, both in quality and at the box office, than the original film.

«The Exorcist» has enjoyed even greater longevity in the Industry, from the still - chilling 1973 original film adapted from William Peter Blatty's book and directed by William Friedkin to the many sequels and prequels of varying quality that have ensured over the past 43 years.

Mass Effect: Andromeda The gaming press and community have unfortunately been perpetuating the idea that if a sequel doesn't surpass the quality of its predecessor, it's automatically trash.

This may have seemed like a good idea (and judging by the quality of the sequels after Season of the Witch, I think it was), but once again, audiences just walked out pissed off.

In terms of quality, Weinstein, Craven and the crew pulled off their return to Woodsboro, but not as an honest sequel; it was more of a cheap shot, scrambling for laughs by poking fun at itself.

It spawned three sequels (with a fourth on the way) and influenced innumerable, lesser quality ripoffs.

How fitting, then, that the subtitle of this sequel is Island of Lost Dreams, for Rodriguez has let his vivid imagination run even more amok in waking, cinematic life for this second adventure of «tween secret agent siblings Carmen (Alexa Vega, who displays her star quality in a startling closing credits sequence) and Juni (Daryl Sabara) Cortez.

However, predictability in the script ultimately keeps this sequel from achieving the overall quality of the original in terms of intelligence, though lovers of bullets, explosions and gore may find certain aspects preferable in this more immediate, visceral approach.

People who aren't looking hard enough will tell you that modern cinemas are only full of franchise fare and sequels, but that opinion ignores the staggering amount of quality releases we've been able to enjoy over the past year.

«You don't expect never - ending returns when it comes to sequels, but it definitely speaks to the quality of the talent at the Marvel Studios team and the way they're thinking about each film out of the gate.»

While it's not in the same ballpark as the best Disney animated films, this light comedy offers brisk diversion and definitely ascends above the low quality of schlocky, direct - to - video sequels.

Dredd was a notorious box - office bomb, while The Crow has attained a cult status largely due to the unfortunate circumstances of Lee's demise — its three sequels were of ever - diminishing quality, and a planned reboot with Jason Momoa attached appears to be mired in production purgatory.

His sequel to an idea from an interlude in another not - always - successful effort feels like just that: all barely - there concept, sustained by passion and perseverance rather than quality content, with no follow through in the execution.

Perhaps their respective promises to cinemagoers — more live - wire Eddie Murphy racial / class subversion; Thailand; a ratcheting - up of Jump Street meta - movie commentary — were lively enough to sustain interest in those franchises (though it is telling that in the case of Beverly Hills Cop 2 and The Hangover Part II quality eventually outed, and the sequels grossed less than the originals).

Five sequels of variable quality followed, plus an anthology TV series and Wes Craven's New Nightmare, in which the director tried to take back his character and make him frightening again.

Filmmaker Viet Nguyen impressively sustains suspense and paranoia, qualities he first demonstrated with the 2010 short of the same title and its 2013 sequel that loosely serve as the basis for this film.

I found the original to be a sweet movie with a bit of a kick thanks to Maggie Smith's zingers, and while the nature of sequels makes me doubt this follow - up will match the quality of that first film, the prospect of seeing this cast play off of each other once again is enticing enough.