Sentences with phrase «many such exhibitions»

Such exhibitions generally occur each night when the moon is full.

Despite such exhibitions and what appeared to be a mini-revival of his skills at the Wyndham, many golf watchers — Miller, included — remember the shocking chipping yips Woods displayed at the end of 2014 and to start his 2015 season.

By comparison, when they made their AFL debut in 1966, the Dolphins had to seek such exhibition hideouts as Jacksonville (11,000 vs. the Jets in 1966) and Akron (7,000 vs. the Broncos in 1967).

Yet, it is such exhibition of near - zero institutional memory, as Ogun crassly showed, that condemns contemporary Nigeria to repeating avoidable mistakes!

Such exhibitions of agility and bravado are the behavioral equivalent in humans of physical attributes such as antlers and horns in animals.

The historical importance of McCall's work has been recognized in such exhibitions as «Into the Light: the Projected Image in American Art 1964 - 77,» Whitney Museum of American Art (2001 - 2); «The Expanded Screen: Actions and Installations of the Sixties and Seventies,» Museum Moderner Kunst, Vienna (2003 - 4); «The Expanded Eye,» Kunsthaus Zurich (2006); «Beyond Cinema: the Art of Projection,» Hamburger Bahnhof, Berlin (2006 - 7); «The Cinema Effect: Illusion, Reality and the Projected Image,» and Hirshhorn Museum, Washington DC (2008); and «Dreamlands», Whitney Museum of American Art (2017).

Examples of such exhibitions included artists Earl Staley, Melissa Miller, and Vernon Fisher.

In addition to teaching at Newton Country Day School as a visual art instructor, she has also featured work in such exhibitions as the Blue Ribbon Show with South Shore Art Center, MA, Eve (olution) with Riverside Library, NY, Women Coast to Coast with Prince Street Gallery, NY and Personal Renaissance in Canada.

Would any museum even attempt such an exhibition?

Among Langsam's other activities, she is curator of such exhibitions as Color as Structure at Frederieke Taylor Gallery in NYC and The Big Bang at SPACES Gallery in Cleveland, OH.

With critical judgement suspended, the paintings should have offered an escape into the comparative certainties of the past, which is perhaps the main appeal of such exhibitions, especially for senior citizens.

Young's decision to remove himself from the New York art world at a time when his paintings were included in such exhibitions as the Corcoran Biennial, Nine Young Artists / Theodoron Award at the Guggenheim, and a two - person show with David Diao at Leo Castelli, was the opposite of anyone who wished to embrace the limelight.

The Pennsylvania Academy of the Fine Arts offers a comprehensive retrospective of the career of Norman Lewis, the first such exhibition to be devoted to this African - American Modernist painter and one that invites viewers to consider Mr. Lewis's place in the history of the country's art.

(Scott told Alan Bowness that, in 1946, he had seen an exhibition in Paris called A thousand years of still life painting; as there is no record of such an exhibition in Paris that year the exhibition he remembered must have been La Nature Morte de l'Antiquité à nos Jours, which opened at the Orangerie des Tuileries in April 1952).

McNeil doesn't have half of de Kooning's cachet, and such an exhibition would require more bravery (and independence) than most curators can muster.

Prior to working at the Whitney, De Salvo served for five years as a Senior Curator at Tate Modern, London, where she curated such exhibitions as Open Systems: Rethinking Art c. 1970 (2005); Marsyas (Anish Kapoor's 2003 work commissioned by Tate Modern for its Turbine Hall); and Century City: Art and Culture in the Modern Metropolis (2001).

One might think that such an exhibition would reaffirm the overwhelming fear of what various futures might hold, but flashes of poignant humour remind us that our reactions are still our own, despite the warnings that surveillance is the biggest tool for oppression.

Such exhibitions have been dedicated to Michel Foucault, Thomas Mann, Greta Garbo and Jean Genet, among others, alongside numerous thematic exhibitions.

In its spacious facility, OK Harris is able to mount five one - person shows simultaneously and has seven such exhibitions in the course of a year.

Without going too far down the proverbial rabbit hole, Someone Else's Dream acknowledges the personal efforts by each artist and asks what such an exhibition can unlock.

She added, «It takes a special kind of curator to successfully organize such an exhibition, and we are delighted to have Ingrid on board.

Sandra S. Phillips is senior curator of photography at SFMOMA where she has organized such exhibitions as History of Photography from California Collections (1989), and a 1989 retrospective of John Gutmann.

Curated and co-curated such exhibitions as «New National Art» (Museum of Modern Art in Warsaw); «Early Years» (KW Institute for Contemporary Art, Berlin); The Sculpture Park in Bródno, (incl.

It is interesting to conjecture on the potential form remaking such an exhibition might entail.

That makes it the largest such exhibition ever in the United States.

Connie Butler is Chief Curator of Drawings at the Museum of Modern Art in New York, where she has curated such exhibitions as «Marlene Dumas: Measuring Your Own Grave» (2008 - 09) and «Paul Sietsema Figure 3» (2009) and co-curated «On Line: Drawing Through the 20th Century» (2010 - 11).

Such exhibitions include displays especially designed for the Costume Institute, paintings from artists from across the world, works of art related to specific art movements, and collections of historical artifacts.

Occupying a space between sculpture, cinema and drawing, his work's historical importance has been internationally recognized in such exhibitions as Into the Light: the Projected Image in American Art 1964 - 77 at the Whitney Museum of American Art, New York (2001 - 2); The Expanded Screen: Actions and Installations of the Sixties and Seventies at the Museum Moderner Kunst, Vienna, Austria (2003 - 4); The Expanded Eye at the Kunsthaus Zurich, Switzerland (2006); Beyond Cinema: the Art of Projection at Hamburger Bahnhof, Berlin, Germany (2006 - 7); The Cinema Effect: Illusion, Reality and the Projected Image at the Hirshhorn Museum, Washington, DC (2008); The Geometry of Motion 1920s / 1970s at the Museum of Modern Art, New York (2008); and On Line at the Museum of Modern Art, New York (2010 - 11).

««Drawing Surrealism» is an example of just such an exhibition,» he continued.

Her work has been included in such exhibitions as, Another Place, Museum of Modern Art of São Paulo, Brazil (2011), and When Lives Become Form, Yerba Buena Center for Arts, San Francisco, CA (2009) which was also on view at Contemporary Art Museum, Tokyo, Japan (2008).

Dashper's work from the last 25 years has recently been the subject of a major touring retrospective in America (the first ever such exhibition for a resident New Zealand artist), curated by Christopher Cook and David Raskin.

Prior to MoMA, Ms. Temkin was the curator of modern and contemporary art at the Philadelphia Museum of Art from 1990 to 2003, where she organized such exhibitions as Barnett Newman (2002), Constantin Brancusi (1995), and Thinking is Form: The Drawings of Joseph Beuys (1994).

[73] It had been preceded by other such exhibitions in Mannheim, Karlsruhe, Dresden, Berlin and Vienna.

We hope to stage at least one such exhibition every year.»

The intimate proportions of Dulwich Picture Gallery provide a very different environment for viewing such an exhibition.

For although increasing attention is paid to art from this region on the international level — with biennials in Istanbul and Sharjah, Catherine David's ongoing project «Contemporary Arab Representations,» and the visibility of the Middle Eastern art - and - culture magazine Bidoun — there is still a paucity of such exhibitions in London.

In 2015, MoMA will once again show Picasso's sculptural works in a show titled «Picasso Sculpture,» marking only the second time such an exhibition has opened on the continent.

People lined up on the street to see such exhibitions as an Ilya and Emilia Kabakov retrospective and a show of works from the François Pinault Foundation.

Like the house in the novel by Mark Z. Danielewski from which the exhibition borrows its title, the museum hosting such an exhibition becomes a productive medium in its own right, involving visitors in the (co) production of an artistic situation: the exhibition as deferred action and mental space.

Following his first exhibition at the workshop, Homeland, a meditation on rural South Africa, Sekgala's work has been presented in such exhibitions as My Joburg at la maison rouge in Paris; Transition at Les Rencontres d'Arles in France; and The Rise and Fall of Apartheid, organized by Okwui Enwezor and shown at the International Center of Photography in New York, Haus der Kunst in Munich, and Museum Africa in Johannesburg.

His work has been included in such exhibitions as «Out of Site: Fictional Architectural Spaces» at the New Museum of Contemporary Art, «Open House: Working in Brooklyn» at the Brooklyn Museum of Art, «Material Matters» at the Johnson Museum (Cornell University), and «The 183rd Annual» at the National Academy Museum.

Presenting an exhibition of the work of the prizewinner or providing financial support for such an exhibition

The physical and metaphorical distance between Kassel and Athens fundamentally alters the way visitors will experience documenta 14 — bringing into play feelings of loss and longing while redefining their understanding of what such an exhibition can be.

He has also written monographs on Polly Apfelbaum, Richard Artschwager, Jeremy Blake, Vija Celmins, Toba Khedoori, Monique Prieto, and Wolfgang Tillmans, among others, and contributed to such exhibition catalogues as Helter Skelter and Public Offerings (both Museum of Contemporary Art, Los Angeles, 1992 and 2001 respectively).

Drawing on anthropologist Mary Douglas's interpretations of sociologist Ludwik Fleck, the exhibition juxtaposes works that were produced in collective environments in the 1990s with new structures and films produced alone; as such the exhibition reflects on the contradictions that arise between the individual and the group in relation to the production of art.

In «Mainstream Capers» from 1986 he acknowledges the significance of such exhibitions, which were events unimaginable at the beginning of the 80s; but Chambers also points out that the shows were realised on terms dictated by white gallery directors.

He organized such exhibitions as Harry Callahan: Eleanor (2007), Road to Freedom: Photographs of the Civil Rights Movement, 1956 — 1968 (2008), The Portrait Unbound: Photographs by Robert Weingarten (2010) and Signs of Life: Photographs by Peter Sekaer (2010), accompanied by critically acclaimed scholarly publications.

Drexler's latest revival, along with such exhibitions as the Brooklyn Museum's 2010 show «Seductive Subversion: Women Pop Artists, 1958 — 1968» and last year's «International Pop» at the Walker Art Center (both of which included her work), is part of a recent reevaluation of Pop art that goes beyond the largely Anglo - American, white male artists with whom it has historically been associated.

Often such exhibitions exist frankly as filler, but often they are among the more satisfying experiences offered.

The Indivisible Present is the first such exhibition, focussing on unconventional perspectives on time.