Live is informal — and by definition, unscripted — which means
viewers feel like they're getting a more intimate experience.
It was offering them precisely what they wanted, like Netflix figuring out what
viewers feel like watching next.
The ideal balance is making
your viewers feel comfortable listening, while sounding credible and reliable.
Based on the feedback, they chose the highest rated film, which left
viewers feeling really good, and used it as a stand - in for an extraordinary experience.
Watching Legion,
the viewer feels for Haller, wondering how horrifying it must be to be imprisoned and force - fed a barrage of anti-psychotic drugs each day.
Aware of series creator Matthew Weiner's fetish for prop - selection, and aware of the star status of costume designer Janie Bryant,
viewers feel challenged to nail down why the creative geniuses have put onscreen the things they put onscreen.
Please look into it, perhaps some of your other loyal
viewers feel the same way.
Mixed Reality gives video
viewers a feel of what Virtual Reality is all about and this Assetto Corsa race at old - school Monza is a great example of it.
One of Jackson's gifts that made him so, so good at college football games was to make
the viewer feel at home wherever the game might be.
The film includes video diaries of preteens and teens who are fighting obesity and, rather than being exploitative, their stories make
the viewer feel on a visceral level just how intractable this problem is.
Viewers feel the same instinctive alienation with politicians.
Making this jump is crucial to making
your viewers feel invested in the cause.
With them safe in the bag, scriptwriters go out of their way to make lefty
viewers feel comfortable too.
Such feeble responses do not make Tory
viewers feel proud that this man is their party Chairman.
A journalist at CBS News, reporting a school of blue whales putting on a show off Southern California, felt the need to give inland readers and
viewers a feel for just how large a blue whale is.
It serves as a nice «warmup» and gives
the viewer the feeling that the presentation is more individually customized for them.
He has a great way of capturing moments to make
the viewer feel like they are actually there.
casual and make
the viewer feel close to the subjectall.
Mosaic is an interesting mystery that, as a series, unfolds a little more awkwardly than expected, giving
viewers the feeling that it was something else previously and was repurposed.
No matter how familiar the material, he makes it seem as though he's discovering it afresh — so
the viewer feels that way, too.
I'd be curious to find out how many of
those viewers felt satisfied with the film.
Holland has said that she wanted her harrowing and rewarding epic to run long so it would make
viewers feel that they're in the sewers as well.
I LOVE the crazy sibling idea and the writers are actually making
the viewers feel bad for «SPOILER» Charles.
Depressing, cliche, and quite unwatchable at times, Dear John really doesn't have an interesting story to tell, and despite it being in the romantic genre, the film makes
the viewer feel nothing more than annoyance.
Still, it aims low for a film that seeks to make superstars out of its performers, and doesn't succeed even in its limited aspirations, such that perhaps From Justin to Kelly actually benefits from its perpetual critical derision, as only the very lowest of expectations can have
viewers feeling pleasantly surprised by the miniscule returns in entertainment the film provides.
This feeling, along with the slow pace of the film leaves
the viewer feeling a bit detached as well.
Sicario also boasts an incredible score that almost feels designed to make
viewers feel uncomfortable, and disgustingly dirty in need of a shower after the credits roll.
It's rather inconsistent and somewhat incoherent first half are made up for by a tight second act the leaves
the viewer feeling satisfied.
Very well - made and solidly acted, this nonetheless has such a grim and despairing view of human nature that it will make
viewers feeling more miserable than entertained.
Jamie Foxx has been rescued from a shaky period and puts in an awesome performance with plenty of intense staring, surprising comic timing and the ability to make
the viewer feel both empathy and revulsion.
This is a ruthlessly efficient primal scream generator that somehow doesn't leave
the viewer feeling ill - used, and audiences are going to go bananas.
The ultra-widescreen cinematography of Jody Lee Lipes makes
the viewer feel the cold of the setting, the near - desolation of the long winding roads that swing around the forest that feeds the paper mill.
The voice belongs to Gary Oldman, who plays Churchill with an obvious relish and a sense of fun that
the viewer feels and shares almost instantly.
These all do give
the viewer the feel of being on the mountain with the climbers.
I hope the experience was cathartic for Frank, because to
the viewer it feels...
However, I hesitate to recommend it, as the slow pace and overlong running time may leave many
viewers feeling increasingly frustrated as it goes on, and while the ending is satisfying and solves the mystery, I was more relieved to have finished the film more than anything.
A brilliant performance done by Gary Oldman as Winston Churchill makes
the viewer feel as if they are looking into a flashback from the past.
When Justine's appreciation of the world begins to suffer, and her senses slip away,
the viewer feels panicked along with her.
And like the best heist movies, Logan Lucky keeps wowing us with its inventiveness — and then it makes sure the ending doesn't leave
viewers feeling robbed.
But
some viewers felt that the Academy may have missed a few men.
These criticisms may not be entirely fair, but ignoring them makes the film feel something like a Hallmark channel movie, meant to make
the viewers feel good, even at the risk of over-sensationalizing a topic.
Frying chicken may indeed «make you feel better about life,» as one of Skeeter's maid - informants tells her, but The Help doesn't make
the viewer feel anything.
The best of them haven't just made familial themes a focus, but have developed their onscreen relatives well enough to make
viewers feel like they're part of the extended clan — or at least invited to the dysfunctional reunion.
However, when the answer finally came,
some viewers felt the payoff was a letdown.
But at nearly three hours long, this bloated sea tale drags on and on, leaving
some viewers feeling like they've been to the end of the earth and back.
Larraín's filmmaking style is so calm and unsensational — shabby even, much like the grizzled protagonist and his troupe — that moments of sexual explicitness, homicidal violence and transgressive outrage barely register, leaving
viewers feeling as numb to it all as the characters themselves.
Director Lav Diaz's slow, patient approach opens the film up in a way that lets
viewers feel every small detail of the world Diaz creates, teleporting them into characters» lives in ways a more traditional narrative feature couldn't do.
It's a good thing Can Evrenol's Baskin is smart about it, using its Tarantino-esque aesthetic of guys talking in an ominous restaurant as a chance to establish character detail and backstory, giving
the viewer a feeling of familiarity and camaraderie before these blue - collar policemen descend into a literal hell that would do Clive Barker proud.
The performances are decent and Stone offers up a few stunning visuals as well as a rather raw tone, but all of that amounts to nothing when the film is incapable of making
the viewer feel anything.
His talent for channeling his father is uncanny, and watching him drop diss track «No Vaseline» on his ex-running mates is liable to make
viewers feel like they're actually in the room watching the controversial track being minted.