Sentences with phrase «many wide shots»

The company has used cameras at center ice and behind the goal in arenas, and offered wider shots at the NFL stadium event.
Big wide shots of still, bright scenes are the easiest for cameras to pull off.
Wide shots of waves crashing on shorelines were breathtaking.
Scott confirmed, according to numerous reports, that it is Spacey in that wide shot and that he was unable to reshoot it.
There were times I'd think a team was in field goal range only to then have a wide shot show they were on the opposite side of the field.
He said: «BASC's position today should be seen as a watershed moment for the association and for the wider shooting community, and one from which there can be no retreat.
Despite being just a small crowd of Tory activists, television news did not supply the wide shot that would have exposed this staged managed event.
BASC is urging its members and the wider shooting community to plan ahead and follow the advice endorsed by government after Defra confirmed a bird «flu outbreak at a third site in Lancashire.
When we're zooming in on Mars and looking at terrain on really wide shots, we based it on terrain that we know exists on Mars.
I love the wide shots that show how your house flows together; I love the close ups which show the attention to detail; I love your story... wait.
Especially that wide shot with the gate.
For example, a wide shot of you standing at the edge of the Grand Canyon imparts a sense of adventure while still showcasing your whole body.
Basque was metal dating london a ladies man, and often liked to chase down a wide shot as that would allow them to marry outside.
He tries to compose his usual wide shots, but it's as if his efforts are faltering in the chaos; it's almost a brilliant parody of a robbery scene.
On a few brief occasions, wide shots came across as slightly ill - defined.
I thought some of the film appeared a little soft in wider shots.
Only the slightest hint of softness ever appeared, and this made a couple of wide shots look just a wee bit tentative.
Wide shots are miles - deep, with impressive clarity and effects integration.
Hollywood movies prefer to mask differences in actors» heights, but Beatriz At Dinner repeatedly utilizes Hayek's short stature (she's 5» 2») in wide shots, separating her from both the male guests (including the 6» 4» Lithgow) and the women, who teeter precariously on expensive heels.
Even when the movie went with wide shots — which happened a lot — the elements remained accurate.
Separately, they inhabit a chilly, overcast world of houses (no homes) and rituals, wandering through in medium - wide shots.
On an exploratory trip to Auschwitz in order to truly understand the layout, the scene starts with an excruciatingly long high and wide shot of the camp.
Even during the film's wider shots, the flick stayed tight.
Despite the many wide shots and the relatively - minuscule nature of lots of onscreen objects, the picture appeared very crisp and well - defined at all times.
During some of the film's wider shots, I detected a modest amount of softness, but these instances provided no real concerns.
A couple of wide shots looked a smidgen soft, but those were the exception to the rule, as the majority of the flick was accurate and detailed.
Wide shots occasionally looked a little soft, but those instances weren't often problematic.
Wide shots came across as slightly soft, but most of the movie demonstrated reasonably solid clarity and accuracy.
The compositions stress the location over the people, dwarfing them in wide shots of ornate rooms, or leaving them off - balance in tilted angles which necessitate constant re-oriention.
Close - ups reveal everything; wide shots stretch forever.
Too many of the wide shots and battle sequences are all too obviously green - screen, in that they consist of actors running around somewhat aimlessly, looking for their marks and trying to use their imagination.
Even wide shots appeared crisp and concise, with nary a hint of softness in sight.
And it's meticulously designed by Katarzyna Sobanska and Marcel Slawinski; the lounges and bars echo the mood of the underground spaces of Wajda's Fifties films (a friend also detected a flavor of early - Sixties Forman), but more than anything I was reminded of the melancholy retro of Aki Kaurismäki's Take Care of Your Scarf, Tatiana, while a wide shot of a car in a glum garage yard made me think of early Jarmusch.
A mural maker fluent in the extended, meandering, zooming wide shot, Altman could swallow elaborate social environments like Hollywood in a single gulp; and by peopling those environments with actors set free to improvise, he allowed an uncanny degree of naturalistic behavior to indemnify the real - lifeness he collected by, it seems, just rolling and rolling film and looking around him.
Also, while the film overall boasts bold visuals, certain wide shots of the ship at sea look hopelessly CGI'd and I'm certain that at one point the tip of a boom mike was visible in frame.
In today \'s official Smash Bros. update to round up the week, Sakurai has given us a wide shot of the new 3DS stage, Tortimer \'s Island.
This leaves the natural scenery (including wide shots of the expansive oceans, mountain ranges, grassy slopes, and sunrises / sunsets) to provide the bolder and more vibrant colors.
Without the benefit of a wide shot, we can't tell where in space the object is in relation to him.
However, those instances were restricted to wide shots and didn't occur frequently.
While the film does not suffer from the major framing problems seen on Blackbeard's Ghost, some shots do seem to be poorly - framed, particularly in wide shots when a fourth monkey's face isn't entirely in the frame or the shot of the town festival sign which loses one or two letters on each end.
With so much detail paid to crowd, it's no wonder Ross constantly indulges in them via a series of wide shots.
A smidgen of softness affected a few wide shots, but those were minor.
While the occasional wide shot betrayed a sliver of softness, the majority of material appeared accurate and concise.
In the last decade or so, beginning with Bryan Bertino's 2008 «The Strangers,» horror movies have increasingly built tension not through rapid editing but with static wide shots in which a flicker of movement portends the onset of danger — a technique institutionalized through the security - cam aesthetic of the «Paranormal Activity» series.
It makes for a very stupid wide shot.
I found a lot of the overhead shots really helped make us feel like they were a can of sardines, and it was about finding the right distance to be far enough away from our characters so we could get these graphic, composed wide shots that look like little dioramas, with our people stuck inside, that never felt like we were breaking a wall.
«Cool, clean, and precise» is how the festival guide describes it, presumably referring to the movie's severely desaturated tungsten palette, absence of detail, and the fact that it contains precisely one memorable image, a wide shot of the heroine walking home past a decrepit MiG - 15 monument.
I think it proves far more stunning and visually cinematic seeing the hordes of apes ascending into the colony and fighting with a wide shot.
Silver Lining Playbook highlighted his ability to find greatness in depth as there are so many wide shots that capture amazingly emotional scenes.
We have to wait for the film to pull back to a wide shot to understand what we're looking at.
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