And if you play the cello, it's maybe best not to join
a marching brass band.
Not exact matches
As an underwear - clad
brass band and two dozen strippers
march through the office, the camera lingers on the woman a beat or two longer than is comfortable — a few loose wisps of hair emerging from her patchy scalp, a fake smile plastered across her face as she tries to prove she's a good sport.
January 16, 2013 • The Stooges
Brass Band got its start when members of two rival high - school
marching bands in New Orleans decided to join forces.
A high school
marching band practiced hip - shaking New Orleans
brass band classics.
Live entertainment on the KidsQuad Stage, from the School of Rock all - kid classic rockers to The Superbroke
brass, tin and strings
marching band!
Pantomime horses, a harp and
brass marching band, a caped prom queen adorned in flowers and more accompany artist Mike Kelley (b. 1954, USA) wearing a floppy straw hat.
The top floor of the Soho space includes a huge multi-screen video installation in which figures
march and dance from screen to screen, led by a
brass band and holding up like propaganda silhouettes of figures from Kentridge's drawings.
6 September 2017 - 4
March 2018 Start time 11.10 am daily Pantomime horses, a harp and
brass marching band, a caped prom queen adorned in flowers and more accompany artist...
For More Sweetly, Mr. Kentridge enlisted the diverse sounds of a South African
brass band and a team of sound and animation engineers in order to create a dizzying pastiche of cultural references for this unique version of the ancient dance, which riffs on Mardi Gras jazz and regalia, Mexican Dia de los Muertos imagery, Catholic funerary
marches,»60s protest chants, traditional African dance, college
marching band choreography, and military parades, just to name some of the influences present.
Mr. Kentridge again conflates a variety of international dances, including South African traditional movement, Western ballet,
brass band dances, African protest
marches and martial arts, for this rapturous endeavor, which was beautifully orchestrated by the South African choreographer and longtime Kentridge collaborator Dada Masilo and her troupe.