Sentences with phrase «mark as a young artist»

Not exact matches

«Portrait of the Artist as a Young Ape» by Nathaniel Gold Today marks the one year anniversary of The Primate Diaries in its latest incarnation here at the Scientific American blog network as well as my collaboration with the artist, and fellow primate, NathanielArtist as a Young Ape» by Nathaniel Gold Today marks the one year anniversary of The Primate Diaries in its latest incarnation here at the Scientific American blog network as well as my collaboration with the artist, and fellow primate, Nathanielartist, and fellow primate, Nathaniel Gold.

As an amateur artist on my free time I see stretch marks as nature's drawings on human body, I love observing nature's patterns which includes mine and my husband's stretch marks created by rapid growth when we were younAs an amateur artist on my free time I see stretch marks as nature's drawings on human body, I love observing nature's patterns which includes mine and my husband's stretch marks created by rapid growth when we were younas nature's drawings on human body, I love observing nature's patterns which includes mine and my husband's stretch marks created by rapid growth when we were young.

However, for those familiar with the great painter's works, as well as the prevailing spirit of the Era of Enlightenment and the style of the other great artists of various mediums who used their craft to comment on the blights of the world around them, Goya's Ghosts speaks on a level that transcends just the story of two men looking after the welfare of a young, unfortunate woman caught up in the hysteria of power that marked the end of the Spanish Inquisition's stranglehold of power, as well as the outrageous hypocrisy in their manner of governance.

As a young artist, he made his name alongside friends and close collaborators Ryan McGinley and Dash Snow in a milieu marked by abundant drink and drugs.

Gorvy is recognized as an expert and passionate advocate of the work of Francis Bacon, Jean - Michel Basquiat, Lucian Freud, Alberto Giacometti, Willem de Kooning, Pablo Picasso, Mark Rothko, Cy Twombly, and Andy Warhol, as well as a younger generation of artists such as Martin Kippenberger, Jeff Koons and Richard Prince.

Key works by Jean Michel - Basquiat, Mark Bradford, Cecily Brown, Marlene Dumas, Keith Haring, Jeff Koons, Glenn Ligon, Reinhard Mucha, Elizabeth Peyton, Richard Prince, Cindy Sherman, Rosemarie Trockel, and younger artists such as Josh Kline, Serge Alain Nitegeka, Michail Pirgelis and Lior Shvil, are exhibited along with text from the artists.

Five exhibitions each year profile the work of established international figures such as Tom Friedman, Mark Dion, Rivane Neuenschwander, Alfredo Jaar and Superflex; as well as that by younger and mid-career British artists such as Oscar Murillo, Eva Rothschild and Ryan Gander.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

As a young artist, Wool had seen these paintings of Reed's when they were first exhibited, at New York's Susan Caldwell Gallery in 1975, and they had marked him deeply.

The Painted World includes paintings by important historical figures such as Paul Feeley (1910 - 1966), Yayoi Kusama, and Myron Stout (1908 - 1987); Moira Dryer (1957 - 1992) and Steven Parrino (1958 - 2005), two influential artists whose lives were cut short; and younger artists who are seriously pursuing abstraction, such as Mark Grotjahn and Ann Pibal.

Moving from art - school grad to accomplished young artist - his shows include Kavi Gupta gallery, Chicago's Museum of Contemporary Art, a recent attention grabbing appearance at Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialism).

Hockney also turned to his openly gay friend Mark Berger as the subject for several prints showing the young artist being rescued by a male lover from a vagina dentata and then threatened by a giant phallic snake.

The new space was inaugurated with an exhibition by well known LA artist Mark Ryden, who has a following not only among serious art collectors, but among young, hip crowds as well.

Solidary & Solitary ties together artists like Norman Lewis and Mark Bradford in an intergenerational history and presents a story of mutual aid and care, of artistic inspiration — the power for a young artist of seeing another black person as a creative producer.

He ran it until 1996, and displayed large - scale works by Mr. Caro, Alexander Liberman, Alexander Calder, Mark di Suvero and George Rickey as well as the work of emerging younger artists like Keith Haring.

One of the featured artists, Daniel Boccato, met us at the space, to dive deeper into his own personal relationship to pigmentation, as well as his experience as a young and rising International artist making his own intense and colorful mark on NYC.

To me, Mark Bradford represented the next generation of L.A. artists and one that I felt an instant connection to as a younger art enthusiast trying to find my way.

As the Venice Biennale opens, we consider the work of Mark Bradford, Geoffrey Farmer and Samson Young, three artists who in different ways reflect on sociability and social engagement as tools in aAs the Venice Biennale opens, we consider the work of Mark Bradford, Geoffrey Farmer and Samson Young, three artists who in different ways reflect on sociability and social engagement as tools in aas tools in art

Soon after arriving in the city in 1963, he began working as an educator and art handler at the Pasadena Art Museum (now the Norton Simon Museum), where he met artists such as Mark di Suvero, Robert Rauschenberg, and Richard Serra, who were invited to exhibit there by the museum's iconoclastic young director and curator, Walter Hopps.

Edited by Diana Tuite, who also acts as the Katz curator of the New England institution that is the Colby Museum of Art, the book brings together insightful essays by the likes of Guggenheim Fellow, Richard Shiff, Brand - New & Terrific Alex Katz in the 1950s «marks the first in - depth study of work finished by Katz in the 1950s, introducing us to a young artist who destroyed most of his works before finding his stride and style in subsequent years.

The museum's collection includes paintings, drawings and sculptures by Willem de Kooning, Mark Rothko, Cy Twombly, Jasper Johns, Robert Rauschenberg and Pollock, as well as work by young artists like Christopher Wool, Charles Ray, Robert Gober, Brice Marden and the Swiss duo Peter Fischli and David Weiss.

Banksy describes his 2015 extravaganza, Dismaland, as «a showcase for the best artists I could imagine,» so Haberny's inclusion in this internationally recognized art installation is a significant mark in this dynamic young artist's career.

As a sneak peek to the knock - out exhibition «Fresh Perspectives» at Mark Moore Gallery surveying a selection of young, emerging artist opening September 12th, Beautiful / Decay conducted an exhibition preview extravaganza.

As well as Hirst, notable artists associated with the Young British Artists «movement» include: Tracey Emin, Jake and Dinos Chapman, Douglas Gordon, Marcus Harvey, Gary Hume, Rachel Whiteread, Gillian Wearing, Mark Wallinger, Marc Quinn, Steve McQueen, Chris Ofili, Jenny Saville and otherAs well as Hirst, notable artists associated with the Young British Artists «movement» include: Tracey Emin, Jake and Dinos Chapman, Douglas Gordon, Marcus Harvey, Gary Hume, Rachel Whiteread, Gillian Wearing, Mark Wallinger, Marc Quinn, Steve McQueen, Chris Ofili, Jenny Saville and otheras Hirst, notable artists associated with the Young British Artists «movement» include: Tracey Emin, Jake and Dinos Chapman, Douglas Gordon, Marcus Harvey, Gary Hume, Rachel Whiteread, Gillian Wearing, Mark Wallinger, Marc Quinn, Steve McQueen, Chris Ofili, Jenny Saville and artists associated with the Young British Artists «movement» include: Tracey Emin, Jake and Dinos Chapman, Douglas Gordon, Marcus Harvey, Gary Hume, Rachel Whiteread, Gillian Wearing, Mark Wallinger, Marc Quinn, Steve McQueen, Chris Ofili, Jenny Saville and Artists «movement» include: Tracey Emin, Jake and Dinos Chapman, Douglas Gordon, Marcus Harvey, Gary Hume, Rachel Whiteread, Gillian Wearing, Mark Wallinger, Marc Quinn, Steve McQueen, Chris Ofili, Jenny Saville and others.

It's trajectory — marked by his emergence on the international art scene in Haunch of Venison's group show «Cluj Connection» in Zurich in 2006 to his current position as one of the most respected young artists in the world — is perhaps the steepest of all the Cluj artist.

The artist formed intimate, pivotal relationships with Arshile Gorky, Mark Rothko, Jackson Pollock, and Robert Motherwell, who remembered Matta as «the most energetic, poetic, charming, brilliant young artist that I ever met.»

In 1988 she participated in the exhibition Freeze curated by the artist Damien Hirst (born 1965), a show that is widely acknowledged as marking the beginning of the YBA (Young British Artist) movartist Damien Hirst (born 1965), a show that is widely acknowledged as marking the beginning of the YBA (Young British Artist) movArtist) movement.

Born and raised south of San Francisco, Norling hails from a recent generation of artists raised on the fun and gun ethos of graffiti and the mark - making of urban street culture; from stickers to wheat - pasted posters, it is from this street aesthetic; one that is in dialogue with Norling's teacher Raymond Saunders, as well as younger artists such as Barry McGee and the late Margaret Kilgallen, that Norling's paintings, sculptures and installations derive much of their impact.

[3] There he displayed large - scale works by, among others, Alexander Calder, Beverly Pepper, Bernar Venet, Tony Rosenthal, Isaac Witkin, Mark di Suvero and George Rickey, as well as the work of younger artists like Keith Haring..

On display are works by the most widely known sculptors of the 20th century such as Joan Miro, Donald Judd, George Segal, John Chamberlain, by celebrated contemporary artists such as Olafur Eliasson, Ernesto Neto, Jason Rhoades, and young 21st century artists such as Mark Dion, Will Ryman, and Florian Baudrexel.

In the spirit of Frieze Week this Evening auction focuses on outstanding young artists such as Cory Arcangel and Mark Grotjahn.

Next to Wachtel we have Mark Leckey as UK - based artist who won the Turner Prize in 2008, he's a very established practitioner now but is one that many of the younger British artists in this show would cite as a reference.

The annual exhibitions programme takes place across the main and first floor galleries and profiles the work of established international figures such as Mark Dion, Ryan Gander, Tom Friedman, Sanja Iveković, Michael Landy and Rivane Neuenschwander, as well as that by younger and mid-career artists such as Alice Channer and Oscar Murillo.

Over the course of a week, eight young artists nominated by a nationwide group of artist - run spaces will participate in an intensive series of tutorials, workshops, reading groups, studio and gallery visits and seminars led by artist Doug Fishbone and guest artists including Turner Prize winner Elizabeth Price, Turner Prize nominees Marvin Gaye Chetwynd and Mark Titchner, and Matthew Darbyshire as well as Zabludowicz Collection curators.

Ten years ago the late, great Pat Hearn teamed up with Matthew Marks for the brazenly titled Painting Now and Forever, Part I. Billed as a «highly subjective, celebratory survey of contemporary painting» it featured over 40 artists, old, young, alive and dead.

New York artist Mark Dion (American, born 1961) attended Hartford Art School in the early 1980s and, as a young artist, found inspiration and delight in the Wadsworth Atheneum's collection.

Visitor favorites by Loïs Mailou Jones and Jacob Lawrence; abstractions by Washington's own Sam Gilliam, Felrath Hines and Alma Thomas; contemporary works by Mark Bradford, Faith Ringgold and Mickalene Thomas; key pieces by self - taught artists such as Clementine Hunter and Purvis Young; and influential works by Benny Andrews, John Biggers, Edmonia Lewis and Augusta Savage are included in the installation.

The late 1980s and 1990s saw the rise of a UK avant - garde group known as Young British Artists (YBAs), whose members included the Turner Prize Winners Mark Wallinger (b. 1959), Rachel Whiteread (b. 1963), Gillian Wearing (b. 1963), Damien Hirst (b. 1965), Douglas Gordon (b. 1966), Chris Ofili (b. 1968), and Steve McQueen (b. 1969).

Curator David Brown discussesthe self - portrait J.M.W. Turner painted as a young artist marking an important moment in his...

In addition to such vaunted names as Jackson Pollock, Mark Rothko and Barnett Newman, «hot» young artists born after 1955 are earning top auction prices.