Sentences with phrase «mark of the other colors»

The yellow ring, in particular, bears the mark of the other colors, giving the entire set a very «played with» look in just a few days.

Not exact matches

Imitation weapons colored other than black, blue, silver or aluminum and marked with an orange stripe on the front and sides of the barrel are exempted from the ban.
, ®, PANTONE Consumer Color Preference Study ®, PANTONE Wherever There's Color ®, Wherever There's Color, There's PANTONE ® and other Pantone trademarks and service marks hereunder are the property of Pantone.
COMPATIBLE PARTNERS, EHARMONY, COMPATIBILITY PROFILE, COMPATIBILITY MATCHING SYSTEM, and several other marks, colors, and images are registered and common law trademarks of eHarmony, Inc..
EHARMONY, COMPATIBILITY PROFILE, COMPATIBILITY MATCHING SYSTEM, 29 DIMENSIONS, SECURE CALL, PROFILE ADVISOR and several other marks, colors, and images are registered and common law trademarks of eHarmony, Inc..
EHARMONY, COMPATIBILITY PROFILE, COMPATIBILITY MATCHING SYSTEM, 29 DIMENSIONS, EHARMONY LABS, SECURE CALL, PROFILE ADVISOR and several other marks, colors, and images are registered and common law trademarks of eHarmony, Inc..
Once you add up all of the available options, including the autonomy pre-payment, you're at $ 59,500 before incentives if you want the larger wheels and any color other than black — a long way from the much - hyped $ 35,000 mark.
Options: Engine: 3.5 L V6 Ecoboost - Inc: Auto Start - Stop Technology Gvwr: 6 750 Lbs Payload Package Integrated Trailer Brake Controller Electronic Locking W / 3.55 Axle Ratio Transmission: Electronic 10 - Speed Automatic - Inc: Selectable Drive Modes: Normal / Tow - Haul / Snow - Wet / Ecoselect / Sport (Std) Equipment Group 501A Mid - Inc: Reverse Sensing System Universal Garage Door Opener Blind Spot Information System (Blis) Cross-Traffic Alert And Trailer Tow Monitoring (Blis Sensor In Led Taillamp) 110V / 400W Outlet Power Glass Sideview Mirr W / Body - Color Skull Caps Power - Folding Heat Turn Signal Memory And Auto - Dimming Feature (Driver's Side) Remote Start System W / Remote Tailgate Release Led Sideview Mirror Spotlights High - Intensity Led Security Approach Lamps Trailer Tow Package - Inc: Towing Capability Up To 11 100 Lbs Higher - Capacity Radiator Pro Trailer Backup Assist Higher - Power Cooling Fans Upgraded Front Stabilizer Bar Wheels: 20 6 - Spoke Premium Painted Aluminum Front License Plate Bracket - Inc: Standard In States Requiring 2 License Plates Optional To All Others Voice - Activated Touchscreen Navigation System - Inc: Pinch - To - Zoom Capability Siriusxm Traffic And Travel Link Note: Siriusxm Traffic And Travel Link Includes A 5 - Year Prepaid Subscription Siriusxm Traffic And Travel Link Service Is Not Available In Alaska Or Hawaii Siriusxm Audio And Data Services Each Require A Subscription Sold Separately Or As A Package By Sirius Xm Radio Inc If You Decide To Continue Service After Your Trail The Subscription Plan You Choose Will Automatically Renew Thereafter And You Will Be Charged According To Your Chosen Payment Method At Then - Current Rates Fees And Taxes Apply To Cancel You Must Call Siriusxm At 1 - See Siriusxm Customer Agreement For Complete Terms At All Fees And Programming Subject To Change Sirius Xm And All Related Marks And Logos Are The Trademarks Of Sirius Xm Radio Inc Extended Range 36 Gallon Fuel Tank Tires: P275 / 55R20 Bsw A / S - Inc: 245 / 70R17 All - Season Spare Tire Lead Foot Lariat Sport Appearance Package - Inc: Unique Interior Finish Box Side Decals Accent - Color Angular Step Bars 2 - Bar Body - Color Grille W / 4 Minor Bars Black Surround And Black Mesh Body - Color Front & Rear Bumpers Wheels: 18 6 - Spoke Machined - Aluminum Magnetic Painted Pockets Single - Tip Chrome Exhaust Turbocharged Rear Wheel Drive Power Steering Abs 4 - Wheel Disc Brakes Brake Assist Aluminum Wheels Tires - Front All - Season Tires - Rear All - Season Conventional Spare Tire Heated Mirrors Power Mirror (S) Integrated Turn Signal Mirrors Power Folding Mirrors Rear Defrost Intermittent Wipers Variable Speed Intermittent Wipers Privacy Glass Power Door Locks Daytime Running Lights Automatic Headlights Fog Lamps Am / Fm Stereo Cd Player Satellite Radio Mp3 Player Auxiliary Audio Input Bluetooth Connection Power Driver Seat Power Passenger Seat Leather Seats Split Bench Seat Heated Front Seat (S) Driver Adjustable Lumbar Passenger Adjustable Lumbar Seat Memory Cooled Front Seat (S) Pass - Through Rear Seat Rear Bench Seat Adjustable Steering Wheel Trip Computer Power Windows Wifi Hotspot Leather Steering Wheel Keyless Entry Keyless Start Cruise Control Climate Control Multi-Zone A / C Woodgrain Interior Trim Auto - Dimming Rearview Mirror Driver Vanity Mirror Passenger Vanity Mirror Driver Illuminated Vanity Mirror Passenger Illuminated Visor Mirror Floor Mats Mirror Memory Steering Wheel Audio Controls Smart Device Integration Adjustable Pedals Engine Immobilizer Security System Traction Control Stability Control Front Side Air Bag Tire Pressure Monitor Driver Air Bag Passenger Air Bag Passenger Air Bag Sensor Front Head Air Bag Rear Head Air Bag Child Safety Locks Back - Up Camera
The crossover marks the debut of sequential turn signals for the Toyota brand, with other highlights including two new exterior colors (Radiant Green Metallic and Metal Stream Metallic), as well as dedicated 18 - inch aluminum wheels.
Any base color other than black; absence of all markings.
Disqualifying faults are: entropion, ectropion, overshot, undershot (when incisors do not touch or mesh); wry mouth; two or more missing teeth, unilateral cryptorchid or cryptorchid males, long coat, any base color other than black and absence of all markings.
No dog shall be eligible to compete at any show and no dog shall receive any award at any show in the event the natural color or shade of natural color or the natural markings of the dog have been altered or changed by the use of any substance whether such substance may have been used for cleaning purposes or for any other reason.
Color is actually governed by several sets of genes, some that produce the color itself, others that influence intensity, pattern, amount and distribution of white markings, or distribution of pigment on individual hColor is actually governed by several sets of genes, some that produce the color itself, others that influence intensity, pattern, amount and distribution of white markings, or distribution of pigment on individual hcolor itself, others that influence intensity, pattern, amount and distribution of white markings, or distribution of pigment on individual hairs.
Usually there are a very large ranges of sizes, coats, colors, markings, and other distinctive characteristics.
The dominant coat color should be white, with markings of any color other than liver, brindle, or red.
But there are over 30 breeds of livestock guardian dogs, & most of them come in many other colors, including white but also black, black & tan, brindle, sable, agouti, particolor, ticked, gray, fawn, red, blue, liver, etc., & can be any of these with any varying degrees of white markings or no white at all.
The ARBA accepts only one color of Thrianta rabbit and that is its signature fiery red throughout its entire body with no other body markings.
This breed exhibits a ground color of white with reddish - brown or yellowish - red markings in most cases, though other colors are permitted for the markings.
Cocker spaniels exhibit a wider range of coat colors and markings: black, black and tan, parti - color, tan points and any other solid color, from light cream to dark red.
Therefore, any dog bred by EQ Bostons that is sold on full registration must only be bred according to this standard and may NOT be bred to dogs with disqualifying characteristics, including but not limited to: splash markings, any other color besides black, brindle and seal, any color not accepted by BTCA even if covered by a brindle pattern, a dog not possessing the required markings, over marked dogs, dogs with blue or any trace of blue in its eyes, any dog with serious conformational faults.
«Balance, Expression, Color and White Markings» should be given particular consideration in determining the relative value of General Appearance to other points.
Permit applications must include basic information that should be readily available to the importer: The name and address of the person intending to export the dog; the name and address of the importer; the number of dogs to be imported and their breed, sex, age, color, markings, and other identifying information; the purpose of the importation; the port of embarkation and mode of transportation; the port of entry in the United States; the proposed date of arrival in the continental United States or Hawaii; the name and address of the person who will take delivery of the dogs; and, if the dogs will be used for research, the USDA registration number of the research facility.
The coat color is a rich golden liver with no other color, markings or shades of liver.
Chihuahuas come in a wide variety of colors and markings and no color is more valuable than any other.
Manes, tails, primitive markings and other dark areas are usually the shade of the non-diluted base coat color.
Notify the public animal shelter that serves the locality where the companion animal was found and provide to the shelter contact information including at least a name and a contact telephone number, a description of the companion animal including at least species, breed, sex, size, color, information from any tag, license, collar, tattoo, or other identification or markings, and the location where the companion animal was found.
When we refer to that yellow or red - fawn coat color in the Boerboel and many other similarly - colored breeds, we could include the white - marked dogs that have portions of their colored coat replaced with white markings (patches where pigment is lacking).
Records shall (i) include a description of the companion animal, including species, color, breed, sex, approximate weight, age, reason for release, owner's or finder's name, address, and telephone number, and license number or other identifying tags or markings, as well as disposition of the companion animal, and (ii) be made available upon request to the Department, animal control officers, and law - enforcement officers at mutually agreeable times.
One can stand back to compare its dimensions, brushwork, and tape marks with other colors set against uniform squares of Plexiglas.
I really appreciate the color interaction, the movement, the joy of the marks and hues in continuous combination, and most of all that you found a way to do something so specifically that I think many of us have wanted to do when when looked at Rothko, Albers, Mitchell, or other work.
Avery's daring color juxtapositions and abstracted depictions of classic subject matter exerted a highly important influence on Post-War American painting and anticipated the works of Mark Rothko and Adolph Gottleib, among others.
Like other master harnessers of color such as Mark Rothko and Yves Klein, Judd recognized the power of color to exert physical reactions in those who observed his work.
In these paintings, gestural lines sinuate around, sometimes emerging into vague shapes, other times into obscure forms, creating a rich schema of marks, symbols and colors - self - contained and relating to each other within the boundaries of the canvas.
Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.
Though it also sports burn - marks and blemishes, the composition of Opus assumes a sort of organic geometry, with portions of dyed fabric cut into rectangular and square shapes whose colors bleed into each other.
Some others who merit the scholar's effusive phrase: Dan Flavin, whose misnamed «Minimalism» was actually marked by the brilliant use of high color, and Frank Stella, «our greatest living artist.»
With the exception of only one other painting, this marked the artist's first use of color and a turning point in his career.
Influenced by both textiles and jazz, these paintings create around themselves a field of active energy as color interaction and mark improvisation blend and riff off each other.
The layering of marks, painterly swirls and colored fields create forces within the composition that act upon each other resulting in a dynamic spin that sends the allusion of landscape and space into sweeping movements.
However, his rejection of the expressive brushwork employed by other abstract expressionists such as Clyfford Still and Mark Rothko, and his use of hard - edged areas of flat color, can be seen as a precursor to post painterly abstraction and the minimalist works of artists such as Frank Stella.
Other hallmarks of this new generation of painters, according to Greenberg, were thinned - out paint, a lack of an identifiable artistic mark (as in Pollock's «drips» and «skeins»), a focus on saturated and intense color, and a lack of interest in spontaneity.
Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.
By manipulating colored monofilament and other tendril - like materials, I mean to construct a kind of substantive ephemerality, an accretion of marks and their shadows delineating maelstroms of visual noise; a luminous expanse in suspended animation, conjuring microscopic activity, arterial systems, dust, and weather.»
The exhibition begins with work by Mark Rothko, Barnett Newman and other Abstract Expressionists who favored expanses of pure color.
The mark is made up of overlapping colors and transparencies, but I really wanted to «feel» the glow of each shape bleeding into the other so it was important to have them separate.
By not priming the canvas first, the medium spread out from where it was originally applied, creating organic swaths of color that revealed no brush marks or other remnants of the artist's hand.
In others, the ovals are filled with multicolored hash marks and scribbles too frenetic to read as separate gestures, but loose enough that the artist can put a clear, clanging blue right on top of a fire - engine red and know that the colors will harmonize, like the instruments of a brass band.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
Stella is the artist who launched 10,000 careers; artists as varied as Peter Halley, Sarah Morris, Ugo Rondinone, Matthew Ritchie, and Thomas Scheibitz, who have used Stella's structures, compositional strategies, and specific colors, to Isa Genzken, Mark Grotjahn, Jessica Stockholder, Katharina Grosse, Steven Parrino, and countless others who've followed Stella into the expanded fields of painting.
But the increased color palette adds new dimensions to the work that draw attention away from the qualities of the marks and into a deeper examination of the other formal qualities of the painting.
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