Sentences with phrase «mark on cinema»

For nearly three decades he has made his mark on cinema.

Not exact matches

Today's #GoogleDoodle marks the 104th birthday of Mexican actress Maria Félix, whose impact on film, art, music and fashion established her as an icon of international cinema → https://t.co/ILDpw7IELh pic.twitter.com / jyEcICaahi

There are some good names on the list including: Dallas Mavericks owner Mark Cuban (who sold Broadcast.com to Yahoo in 1999), venture capitalist Adam Dell, two Hollywood heavyweights (former Universal chairman and CEO Frank Biondi and New Lines Cinemas co-chairman and CEO Robert Shaye) and, of course, none other that Carl Icahn himself.

The Public Choice Award ultimately went to two very different films but both have left an indelible mark on the Nigerian cinema landscape over the past year.

Whilst Harry Potter and the Prisoner of Azkaban is not wonderful, it is a marked improvement on ep's 1 & 2, and if the trend continues we can look forward to some great cinema by the end of the series.

Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.

It's the single best work she's ever done, and one that leaves her mark on the history of cinema forever.

The film, which will see the return of Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Michael Caine, Mark Ruffalo and Morgan Freeman, will hit Stateside cinemas on the 10th June, 2016.

Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master GEORGE A. ROMERO, is one of the great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.

In movies, gay has never truly gone mainstream, and, considering the state of our cinema, not to mention our country, at this point it never might (as Mark Harris wrote in the November / December 2016 issue of Film Comment, «they don't include gay people in their movies because they don't have to; we don't move the needle on revenue, and we rarely protest our absence»).

Michael Haneke's stunning requiem of love and death made its mark on a packed cinema at the IFI to such an extent that there was a palpable feeing of raw emotion as the film's credits rose in silence at the end.

Yesterday Ryan Reynolds took to Twitter to mark the fact that the Deadpool movie would arrive in cinemas in a year's time by teasing the costume design for the Merc with the Mouth, and now tonight we have some casting news on the X-Men spin - off.

He has also released a new film called «Begin Again» featuring Mark Ruffalo and Keira Knightley, who stars as an aspiring singer / songwriter, which will be in Irish cinemas on July 11.

Rounding out the panel are Vulture critic Mark Harris; FC columnist Farran Smith Nehme; and critic Imogen Sara Smith, whose September / October feature on classical cinema and the San Francisco Silent Film Festival inspired this conversation.

Paul Franklin has made his mark in cinema in the dizzying world of visual effects, having done work on the likes of a few Harry Potter films, a Bond movie, and most recently, Captain America: Civil War.

Ed Skrein may have had his big breakthrough with a brief role on Game of Thrones, but he had already made a mark on British cinema in Ill Manors and The Sweeney.

Mark Felt — The Man Who Brought Down the White House will debut at this year's Toronto International Film Festival before releasing to Stateside cinemas on September 29th.

Although Cloudy added to the 3 - D cinema trend that sharply marked 2009 moviegoing (especially in the computer animation domain), the movie happily refrains from dwelling on food - in - your - face illusions.

The Bird With the Crystal Plumage Blu - ray (1970 — Italy) In 1970, young first - time director Dario Argento made his indelible mark on Italian cinema with «The Bird with the Crystal Plumage,» a film that redefined the «giallo» genre of murder - mystery thrillers and catapulted him to international stardom.

Night of the Living Dead (1968) Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, «Night of the Living Dead,» directed by horror master George A. Romero, is one of the great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.

Christopher Nolan's three Batman films have made an indelible mark on 21st century cinema.

Directed by Rian Johnson and starring Daisy Ridley, John Boyega, Oscar Isaac, Laura Dern, Carrie Fisher, Mark Hamill, Adam Driver, Gwendoline Christie, and Benicio del Toro, Star Wars: The Last Jedi opens in cinemas on December 15, 2017.

Directed by Rian Johnson and starring Daisy Ridley, John Boyega, Oscar Isaac, Laura Dern, Mark Hamill, Carrie Fisher, Adam Driver, Gwendoline Christie, and Benicio del Toro, Star Wars: The Last Jedi opens in cinemas on December 15, 2017.

In essence, though, a director leaves a project that's been covered in the entertainment media, and everyone presumes — out loud or deep down — that it's some kind of apocalyptic foul - up that will further tarnish a studio's mark on modern cinema.

As of today, July 1st, I've seen only a movie or two below the 150 mark, so I've hit on almost all of the worthwhile bits of cinema that have come out between now and January 1st.

With its aching musical soundtrack and its exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping - bin, this film has been a major stylistic influence on the past decade of cinema, as well as a milestone in Wong's redoubtable career.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

Filmmaker Costas - Gavras, moderator Mark Boal and LAFF artistic director David Ansen attend «An Evening With Costas - Gavras» during the 2013 Los Angeles Film Festival at Regal Cinemas L.A. Live on June 17, 2013 in Los Angeles,... Más

The November / December issue of Film Comment has arrived, and the highlights include Mark Harris on queer representation in contemporary cinema, Violet Lucca on the power of digital VFX software, and Eric Hynes on the forty - year history of t...

For a director so intent on using cinema as a tool for contemplation, «Pi» easily marks Aronofsky's best achievement.

Although the China Film Archive launched the distribution of foreign and local arthouse titles through National Arthouse Cinemas Alliance in Oct. 2016, «On Body and Soul» will mark the first foreign film licensed by China Film Archive and the first European feature film to be screened through the National Arthouse Cinemas Alliance.

Over at Badass Digest, writer Devin Faraci argues that the Marvel model has made an irrevocable mark on franchise cinema: where Harry Potter turned film franchises into an annual event, Marvel is striving to make them obsessive.

Check out Mark «The Movieman's» thoughts on this piece of horror cinema.

Let's transfer that «adventurous» inside quotation marks, because it's when the film takes on stylistic airs that Ross demonstrates his continuing inability to develop any solidly based notion of what cinema is and how it works.

The exhibition is accompanied by an illuminating and unusual volume, in equal parts artist's book and exhibition catalogue, which includes a trio of essays by curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky that reflect on Williams's engagement with his artistic peers and predecessors, with cinema (particularly the film - essay), and with modes of display and publicity in the art world.

February 2016 marked the artist's return to Halcyon Gallery to exhibit Multiplied, a series using mixed media on large - scale wood panels as part of his continuing exploration of cinema, abstraction and found imagery.

The man who acts under the name Will Oldham and sings and composes under the name Bonnie «Prince» Billy has, over the past quarter - century, made an idiosyncratic journey through, and an indelible mark on, the worlds of indie rock and independent cinema.

An exhibition focusing on cinema and politics in 1970s Italy curated by Mark Nash.

The first discussion, moderated by editor Mark Welzel, took place in Berlin and featured Diedrich Diederichsen (writer on music, art, cinema, theatre, and politics), Jörg Heiser (director of the Institut für Kunst im Kontext at the Universität der Künste, Berlin), Olaf Nicolai (artist), Susanne Pfeffer (director of the Museum für Moderne Kunst in Frankfurt), and Steffen Zillig (artist and writer), in addition to Parkett's founding editors, Bice Curiger and Jacqueline Burckhardt.

As part of the BFI's season Unbound: Visions of the Black Feminine, a new restoration of Daughters of the Dust was released at selected cinemas across the UK on Friday 2 June to mark the film's 25th anniversary — see the BFI website for more information.

Before opening in China on Friday, the Marvel Studios movie directed by Ryan Coogler had already grossed well over $ 900 million from cinemas globally, and it is expected that by Monday the movie will have crossed the $ 1 billion mark in just four weeks.

That said, it does feel dated, overdone and a little bit creaky in places, and A View To A Kill really marks the end of the road for «classic» Connery - Lazenby - Moore Bond - cinema was moving on, and it was time to bring the iconic spy film franchise into the modern era.