Sentences with phrase «mark over the film»

Not exact matches

The visual effects required for «The Irishman» are part of the reason the film's budget is over the $ 100 million mark.

The White House's disclosure about the case helped keep allegations about the president and the adult film actress in the national spotlight for a second day and marked the latest twist in the ongoing legal drama over Daniels» efforts to abandon a confidentiality agreement.

The Public Choice Award ultimately went to two very different films but both have left an indelible mark on the Nigerian cinema landscape over the past year.

With this technique, the Empa team has again been able to significantly increase the energy conversion efficiency from sunlight into electricity using CIGS thin film solar cells on flexible plastic foils — to a new record level of 20.4 %, representing a marked improvement over the previous record of 18.7 % established by the same team in May 2011.

Here's one of the best scenes from the first film, when Mark Darcy and Daniel Cleaver fight it out over Bridget.

Arthouse specialist Kino Lorber typically scores well with critics for its mix of documentaries and foreign films, and 2013 marked a slight improvement over scores that were already fairly high in 2012.

Filming scenes all over again required not just having him around so computers could play magic, co-stars Mark Wahlberg and Michelle Williams had to return to the set, money to the reported tune of $ 10 million dollars, was spent on the re-shoots, editing and revamping of the PR campaign.

The film marks Adam Sandler's third Netflix movie after The Ridiculous 6 and The Do - Over and sees him starring alongside Jennifer Hudson, Kevin James, Terry Crews, Lamorne Morris, Nick Swardson, Rob Schneider, Jane Seymour, Carl Weathers and Arsenio Hall; check it out below after the -LSB-...]

He directed Mark Ruffalo in the latter's breakout role in «You Can Count on Me,» a movie over which death hangs like a fog, but it was young Rory Culkin whose presence amplifies both Ruffalo's and co-star Laura Linney's work in that film.

It also marks the addition of Don Knotts, the comic actor who has made a number of Disney films over the years and voices a character in next year's Chicken Little.

Already decorated with over 20 honours, including the 2016 Santa Barbara International Film Festival's Best Live Action Short Film award, Graffiti marks the Barcelona - born director's return to both short films and the Oscar race; he was previously shortlisted for 2005's Avatar.

Marking its 61st year, the San Francisco International Film Festival closed April 17 after screening more than 180 films over the course of its two weeks.

Perhaps the only major gripe I have with the film as a whole is the fact that it extends well over the two hour mark in order to tell its rather simple story.

Starring Taron Egerton, Mark Strong and Colin Firth, the film earned over $ 400 million worldwide.

The film starts with a wonderfully devised set piece, as a confused, kidnapped professor (none other than Mark Hamill) finds himself rescued from a ski chalet over and over again, each time by a spy more outrageous than the last.

Over 50 films have opened above the 4,000 mark.

Oprah Winfrey, for one, has drawn strong marks for her performance in the film, and she seems like a pretty solid bet to land her second Oscar nomination in over two decades.

He's made quite the name for himself over the years in the world of genre film, writing three movies for Danny Boyle (two of which he directed), — «28 Days Later,» «Sunshine,» and «28 Weeks Later» — one for Mark Romanek («Never Let Me Go»), and he also penned the 2012 cult fave «Dredd.»

That period drama also marked the start of a productive phase in Mankiewicz's career, which saw him helming twelve 20th Century Fox films, many of which he also wrote, in just over six years.

I had the pleasure of interviewing Mark Boal, the celebrated journalist and screenwriter of «The Hurt Locker,» over a beer in London last week, and was glad to find him as alert and interesting a subject as the film he wrote.

Rounding out the top 10 you have «The Fault In Our Stars» (almost over $ 110 million domestically), «X-Men Days Of Future Past» (crossing the coveted $ 700 million mark worldwide, around $ 223m at home which suggests Brett Ratner's X - film will still hold the highest grossing Mutant film Stateside) and Jon Favreau's «Chef» which, like almost every weekend of its 8 weeks of release, had the best hold with only an 8 % drop.

Again, I use figures adjusted to today's ticket prices so that puts films like The Incredibles and Toy Story 2 over the $ 300 mil mark.

Meanwhile, World War Z walked quietly over the half - billion - dollar mark, neatly putting paid everyone's assertions of the importance of film reviews and the notion of pre-judgment altogether.

The news came just a few weeks after we learned Bob Peterson had been removed from the film as director and a brain trust consisting of John Lasseter, Toy Story 3 director Lee Unkrich, replacement Brave director Mark Andrews, and Party Cloudy short director Pete Sohn were put in place to take over the project.

Lovesick also marks the feature film debut for its writer Dean Young, though he has honed his skill over 25 years in television comedy, where he has written and produced the likes of «Mad About You», «King of the Hill», and «Community.»

Shot for $ 1.5 million over 30 days, Laughlin's film, while heavy on extended takes and a few awkward edits, overall looks very nice, and Elite's transfer marks the first time the film's been available with its original, evocative Technicolor - styled cinematography by Louis Horvath (who also photographed «Chandler,» and Laughlin's other directorial efforts); and in its original aspect ratio, which, in previous full screen versions, chopped Condon's second appearance as a «dead kid».

The number came down to $ 215 million and the Lone Ranger team got the go - ahead again, but now THR reports that the film, which started shooting on February 28th in New Mexico, is days or maybe even weeks behind schedule and is running over budget, nearing that $ 250 million mark yet again.

This story puts together a past for the very first film we saw in the 1970's, and then hands it over to the First Film people of Harrison Ford, Mark Hamill, Chewbacca, R2 D2, C - 3PO and Carrie Fisher.

Alexander Payne's Sideways emerges as a full - fledged film, with a brilliant use of cinematic language and pacing, but also has a novelistic breadth without spilling much over the 2 - hour mark.

«Solo» is the fourth film in Disney's revamped franchise machine to creatively malfunction: Director Josh Trank exited a still - unmade Boba Fett spinoff in 2015; Oscar - nominated filmmaker Tony Gilroy was brought in to save 2016's «Rogue One: A Star Wars Story» when director Gareth Edwards» efforts missed the mark; and «Jurassic World» helmer Colin Trevorrow — who was originally hired to direct the next «Star Wars» movie, «Episode IX,» in 2019 — was shown the door following clashes over the script.

The cast had to prepare long and hard to hit every cue and mark at just the right time, or the filming would have to start all over again.

Starring Leslie Mann (Knocked Up), the film marks the second directorial effort from Lucas and Moore after 21 & Over, and is based on an original screenplay from the duo.

In anticipation of «Kick - Ass 2» opening this Friday, more press has begun to come up about the upcoming «Kick - Ass» sequel, including an interview over at Digital Spy where creator Mark Millar, director Jeff Wadlow and star Christopher Mintz - Plasse discusses the film and what actually got cut from the film.

GO By Mark Olsen A grand swell of orchestral music rises up over the Columbia Pictures logo, just as it has in countless films, the ritualistic opening of movies as we know it.

Another questionable item concerns how humans were able to deduce the creatures» limitations prior to their rampant depletion (at least if tabloid fodder is any indication)... so the film's resolution feels a bit like M. Night Shyamalan's Signs (2002) and those hydrophobic aliens trying to colonize a planet mostly made of water (and speaking of printing techniques, how Evelyn has a calendar to mark her due date well over a year into isolation also seems suspect).

The film marks Sandler's fourth movie for the streaming service, following The Ridiculous 6, The Do - Over and Sandy Wexler.

As the Hulk fans hold their breath for a solo film starring Mark Ruffalo, the actor himself as come out to stomp a Hulk - sized foot over any dreams of a standalone film starring the character.

The success of Shelton» 2009 film Humpday, a comedy of sexual awakening starring Mark Duplass and Joshua Leonard, proved her style could cross over to general audiences, and after directing episodes of Mad Men and New Girl, Shelton's confidence in her abilities rose along with her status in the industry.

And against a backdrop of American indie film that has of late favored tone and mood over more finely honed narrative, it marks Dunham as a fresh new voice and unique multi-hyphenate.

The beginning of June marked the one year anniversary for this column, and in that time we've featured over 400 different films spanning years from 1903 - 2008 and representing more than eighteen different countries and pretty much every genre.

Tristan + Isolde marks the latest effort from director Kevin Reynolds, a criminally underrated filmmaker who has only helmed eight films over the span of a 25 - year career.

While the film centered around Korean resistance fighters looking to overthrow Japanese forces successfully plays out as a period piece — the stylization of the entire era from costumes to scenery hits the mark a million times over — the film is quite safe among the other releases of 2016.

This is the fifth feature film for director Mark Steven Johnson, and he's displayed some genre versatility over the course of his career, moving from family drama (Simon Birch) to superhero action (Daredevil, Ghost Rider) to romantic comedy (When in Rome) and now lean thriller.

They teased audiences with brief cross-overs and then, after years of setting it all up, brought together the team: Robert Downey's cheeky, cocky Iron Man, Chris Hemsworth's warrior prince Thor, Chris Evans» earnest Captain America, and Mark Ruffalo taking over as Bruce Banner and The Hulk (the third actor in as many films), giving the character a haunted, embittered edge.

All of these films will join the others we've been announcing over the last few months at this new edition of the Festival, marked by the new manifestations of evil, as is the case with Only God Forgives, the new film from Nicolas Winding Refn; Jim Jarmusch's most recent work, Only Lovers Left Alive, a unique story of eternal love between two vampires; a bizarre, surreal, comedy from Roman Coppola, A Glimpse Inside the Mind of Charles Swann III; The Congress, the spectacular Stanislaw Lem adaptation directed by Ari Folman; Real, director Kiyoshi Kurosawa's return to fantastic cinema; or La danza de la realidad, the new work by multifaceted Alejandro Jodorowski.

«Starting with «Humpday,» Magnolia has proven to us over and over again that genre and marquee names don't mean everything in indie film, and that they will passionately get behind a wild movie like Sean Baker's «Tangerine» simply because it is unique, inspired, and flat out entertaining,» Jay and Mark Duplass said in a joint statement.

Feature TV film about the first Doctor Who, William Hartnell, played by David Bradley, created as part of BBC America's celebration of the 50th anniversary of «Doctor Who,» to be marked with a special airing Nov. 23 before Matt Smith hands over the keys to the TARDIS to Peter Capaldi sometime during the eighth season.

As the film begins we meet our heroes: Jack Silva (Krasinski), a real estate agent back for a much needed payday; Tyrone «Rone» Woods (Dale), a grizzled veteran of over a dozen missions hoping to make a better life for himself and Mark «Oz» Geist (Max Martini), a hulking man with a kind heart.

Sangailės vasara (The Summer of Sangailė, Alanté Kavaïté, 2015) Lithuania's first queer film is a delight; director Kavaïté's additional credit as co-writer of Évolution marks her as a major talent to keep an eye on over coming years.

This film marks the first film to cost over $ 100 million to be directed by a woman of color, neAva DuVernay.