Get out there and make
your mark upon the world, adventurer!
Despite the variety of media and means available for artists to make
their mark upon the world, or add another object to it, painting will not go away.
Not exact matches
After all, who wouldn't want to make a
mark upon the business
world?
But nothing less than the recovery of real Christianity, with its ineradicable emphasis
upon human compassion, and its inexorable insistence
upon the transience of this
world and the reality of eternity, will ever put back into the disillusioned the faith, hope, courage and gaiety which are the
marks of a human being cooperating with his Creator.
In this time of waiting, in this age
marked only by the absence of faith in Christ, it is well that the modern soul should lack repose, piety, peace, or nobility, and should find the
world outside the Church barren of spiritual rapture or mystery, and should discover no beautiful or terrible or merciful gods
upon which to cast itself.
From the standpoint of geographic extent, new movements of
marked vitality, and effects
upon civilization the
world around, this was, as we have suggested, the greatest century which the influence of Jesus has thus far known.
There will again come such a time in the days of the Anti Christ where the
mark of beast will be
upon the
World and only a remnant of believers will survive.
We, the privileged of earth, have appropriated and exploited the earth and all that is in it, the
world and those who dwell therein; we have founded our folly now even
upon the seas; and we have established the ineradicable
marks of our vandalism over the virginal, variegated, speechless faces of the earth and, by the billion, on the innocent and until now largely submissive faces of the human family.
The Civil War as a Theological Crisis by
Mark A. Noll University of North Carolina Press, 216 pages, $ 29.95
Upon the Altar of the Nation: A Moral History of the Civil War by Harry S. Stout Viking, 576 pages, $ 29.95 Nothing in American history» not the Revolution, not the Second
World....
Endeavoring to explain these words
upon the lips of such a man as
Mark Twain, one can not say that
Mark Twain had a melancholy temperament, for he made the whole
world laugh.
If some visitor from another planet, knowing nothing at all about this
world of ours, should drop down
upon us, he would surely find that the biped who was erect had a peculiar characteristic
marking his behavior — he would observe this creature on his knees in what the creature called «the presence of the invisible God.»
... Delight in smooth - sounding platitudes, refusal to face unpleasant facts, desire for popularity and electoral success irrespective of the vital interests of the State, genuine love of peace and pathetic belief that love can be its sole foundation, obvious lack of intellectual vigour in both leaders of the British Coalition Government,
marked ignorance of Europe and aversion from its problems in Mr. Baldwin, the strong and violent pacifism which at this time dominated the Labour - Socialist Party, the utter devotion of the Liberals to sentiment apart from reality, the failure and worse than failure of Mr. Lloyd George, the erstwhile great war - time leader, to address himself to the continuity of his work, the whole supported by overwhelming majorities in both Houses of Parliament: all these constituted a picture of British fatuity and fecklessness which, though devoid of guile, was not devoid of guilt, and, though free from wickedness or evil design, played a definite part in the unleashing
upon the
world of horrors and miseries which, even so far as they have unfolded, are already beyond comparison in human experience.
First Minister Alex Salmond says the «eyes of the
world are
upon us» as he
marks the anniversary of the 1997 devolution referendum.
On the advice of Stanford Moore, a Rockefeller University biochemist whom he chanced
upon at Vanderbilt, Walter applied to the graduate program at Rockefeller, joining the lab of Günter Blobel in 1973 — a move that
marked the beginning of Walter's association with the international
world of cell biology.
LONG FORM ADAPTED «11.22.63,» written by Bridget Carpenter, Brigitte Hales, Joe Henderson, Brian Nelson, Quinton Peeples, Based on the novel by Stephen King; Hulu «American Crime Story: The People vs. O.J. Simpson,» written by Scott Alexander, Joe Robert Cole, D.V. DeVincentis, Maya Forbes, Larry Karaszewski, Wally Wolodarsky, Based on the book The Run of His Life by Jeffrey Toobin; FX «Madoff,» written by Ben Robbins, Inspired by the Book The Madoff Chronicles: Inside the Secret
World of Bernie and Ruth by Brian Ross; ABC «The Night Of,» written by Richard Price, Steve Zaillian, Based on the BBC Series Criminal Justice Created by Peter Moffat; HBO «Roots,» written by Lawrence Konner, Alison McDonald, Charles Murray,
Mark Rosenthal, Based
upon the Book by Alex Haley; History Channel
In an aside about the pay disparity between
Mark Walhberg and Michelle Williams for «All the Money in the
World» reshoots, Kimmel said
upon discovering that both actors were represented by the same talent agency that, «This one shook me.»
Kingsman agents Eggsy (Taron Egerton), Merlin (
Mark Strong) and a resurrected Galahad (Colin Firth) descend
upon the compound in order to save a substantial percentage of the
world's population from annihilation, and once they set foot in her realm, dubbed «Poppyland,» one of the best action sequences of 2017 spectacularly ensues.
Those first 3 chapters were
marked by monopoly / oligopoly, where only the anointed and the lucky were chosen to participate and then only to be fed
upon by the slew of parasites in the publishing
world.
This is a beautiful, patient, and timeless book, one that builds
upon centuries and shows how the smallest choices — like the chosen mix for yellow paint — can be the definitive
markings of an entire life» - Kirkus Reviews «The Last Painting of Sara de Vos is a tremendous story of art, deception, love, ambition and the place of women in the
world, and in history.
Marking the centenary of Auguste Rodin's death in 1917 and that of Gustav Klimt in 1918, this exhibition examines the diverse connections between these artists and their impact
upon the art
world.
2011 Dunne, Aidan, When you wish
upon a ribbon... you're making art, The Irish Times, 7 December Dunne, Aidan, A Day Like Any Other, The Irish Times, 11 November Clark, Robert & Sherwin, Skye, This week's exhibitions, The Guardian, 13 November Baldon, Diana, Polly wants a punctuation
mark, Texte Zur Kunst, 10 January Adam, Georgina, Collecting Special: Flying Time, Financial Times, 27 May Eltham, Ben, In the
World of Art, Everything New is Popular Again, Crikey, 8 April Hwang, Kellie, First Love at SMoCA, azcentral.com, 8 February Guggenheim in Bilbao presents The Luminous Interval: The D. Daskalopoulos Collection, Art Daily, 19 April Fox, Dan, On Nature, Frieze, March
Throughout a remarkable career that has spanned more than 70 years, she continued to create work that vulnerably explored the way she came into contact with the
world, often placing particular emphasis
upon the disjunctions between her own self - image and the way she was seen by others — as a woman, as a painter, and as a person living through the dramatic technological and cultural developments that have
marked the century of her lifetime.
Barcelona, Spain (October — September) Walker Art Gallery, Liverpool Biennial (October) Late at Tate Britain, (performance), London, (Friday 4 June, 18.00 — 22.00) 2010 Psychopomp Milton Keynes Gallery, Milton Keynes, UK Tomio Koyama Gallery in Tokyo, in conjunction with Daiwa Foundation Art Prize 2009 Marcus Coates, Kunsthalle, Switzerland Marcus Coates and Martin von Hasselberg, New Orleans Museum of Art Follow the Voice, Unitarian Church, Shrewsbury, UK Performance A Ritual For Elephant and Castle Coronet Theatre London Marcus Coates, Lisson Gallery, London, UK Trying To Cope With Things That Aren't Human, Air - Space Gallery, Stoke on Trent The Plover's Wing, Workplace Gallery, Gateshead, UK 2008 Performance, Pastoral Spirit, Wallspace, All Hallows Church, London Performance, Report, Channel 9 TV, Galapagos Islands, Ecuador Performance, This Wild Melody, Barbican Art Gallery, London Performance, Spirit Caravan, Hayward Gallery, London 2007 Performance, A Heligoland for Souls — Experiment Marathon, Serpentine Gallery, London Performance, HaPazura, Israeli Centre for Digital Art, Holon, Israel Exhibition, Cycle Parking and Prostitution, Rekord Gallery, Oslo, Norway Solo Screening, Dawn Chorus, Venice Biennale, Italy Exhibition, Marcus Coates, Whitechapel Gallery, London, UK Performance, Dawn Chorus, Arnolfini, Bristol, UK Exhibition, Dawn Chorus, Picture This, Bristol, UK Exhibition, Dawn Chorus, Baltic Centre for Contemporary Art, Gateshead, UK Performance, 100 Ways to Change the
World, Hayward Gallery, London, UK Performance, Pub Shaman, The Event, The Lamp Tavern, Birmingham, UK Solo Screening, Artesmundi, Cardiff, UK 2006 Performance, Kamikuchi, Grizedale Arts, Ikebukuru Tokyo, Japan Performance, The Mouth of God, Grizedale Arts, A-Foundation, Liverpool Biennial 06, UK Solo Screening, In Conversation with
Mark Wallinger, ICA, London, UK 2005 Solo Screening, Marcus Coates» Films 99 - 2005, Side Cinema, Newcastle, UK 2004 Exhibition, Journey to the Lower
World, Café Gallery Projects, London, UK 2003 Exhibition, Unbecoming, The Gymnasium, Berwick
upon Tweed, UK 2001 Performance, Chiffchaff, Compton Verney, The Bandstand, Leamington Spa and Herbert Gallery and Museum, Coventry, UK
This past hundred years
marks the first period ever in the history of Earth that any species has had the power to choose whether to end the
world as we know it or whether to limit the damage being wreaked
upon life on earth.
A much more radical view is taken by Prof
Mark Jacobson from Stanford University and
Mark Delucchi from the University of California Davies, who recently produced two papers for the journal Energy Policy, expanding
upon their article» 100 % wind, water, and solar power for the
world», published in Scientific American in November 2009.
Millions
upon millions of Indians live
upon the largest flood plain / delta in the
world, comprising about twenty - five to forty percent of India's land mass (when said twenty - five plus percent rests above the average high - water
mark between yearly monsoons of varying severity).
After all, now is the time in which you can meet new friends, try new hobbies, distinguish your personality and shape the future you want for yourself; the
world is your blank canvas to make your
mark upon, not much unlike the plain, off - white walls of your dorm room.