Sentences with phrase «marked by darkness»

The journey sends you through sequences of events that detail what has happened to Ethan, each one is surprising and strange but marked by darkness.

Bookended from a child's point of view, the movie opens with fragments of a dream through which we enter a world marked by darkness and brutality as well as by joy and redemption.

Paul envisions the life of believers, individually and corporately, as a grace - full «war» against an age marked by darkness — exploitation, subjugation, enslavement — a struggle in which the «Christ weapons» are made of light: zealous love of strangers and enemies, wily grace, inventive nonretaliation.

Not exact matches

Castro's and Beck's stories, on the other hand, are marked by episodes of abuse and long periods of darkness.

Spring officially arrived on the morning of Tuesday, March 20th marked by the Spring Equinox when light and darkness are equally balanced.

That unknown lurks in the darkness of the vast swamplands and marshes of the Southern Reach, marked by the beauty and horrors of nature run amok, and perhaps more disturbingly in the disquiet of confronting those same mysteries within oneself.

And Soon the Darkness by D. B. Bates — December 22, 2010 — It comes close to greatness but misses the mark as a result of some clumsy foreshadowing and director / co-writer Marcos Efron emphasizing the film's familiar plot rather than its unique, fairly compelling characters.

Special mention goes to Garn (Yarn, Una Lorenzen, Heather Millard & Þórður Bragi Jónsson, 2016)-- a film that I have very personal reasons to love for its subject and its yarnbombing attitude And as 2016 was largely marked by the (second) coming of VR, my nomination for the best use of VR goes to Notes on Blindness: Into Darkness (project creators Arnaud Colinart, Amaury Laburthe, Peter Middleton & James Spinney)

The focus here is on railroads at night, a visual paradigm that has produced startling combinations of darkness and light photographs that look like film noir stills, marked by sparks, stars and smoke.

They hunted till darkness came on, but they found Not a button, or feather, or mark, By which they could tell that they stood on the ground Where the Baker had met with the Snark.

Garth Greenan Gallery / 529 West 20th Street, 10th Floor / www.garthgreenan.com / Mark Greenwold The Rumble of Panic Underlying Everything / Feb 18 — Mar 26, 2016 Bortolami Gallery / 520 West 20th Street / bortolamigallery.com / Daniel Buren Daniel Buren / Miami / Dec 1, 2015 — Nov 30, 2016 Skarstedt Gallery 550 West 21st street / skarstedt.com / Nice Weather / Feb 25 — Apr 16, 2016 / Curated by David Salle DANESE / COREY / 511 West 22nd Street / danesecorey.com / Emily Eveleth New Paintings / Mar 18 — Apr 16, 2016 Sikkema Jenkins & Co. / 530 West 22nd Street / sikkemajenkinsco.com / Keiichi Tanaami visible darkness, invisible darkness / Mar 17 — Apr 23, 2016

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

In the course of over 20 years she has founded the Israel Museum's international contemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, Jerusalem.

The highest price for a flipped work last week belongs to a 2011 painting by Mark Grotjahn, «Untitled (In and Out of the Darkness Face 43.01),» which sold for $ 6 million.