Sentences with phrase «marked by hard work»

They do this in a high - pressure environment that is marked by hard work and intellectual challenge.

Born in 1940 in Muskegon, Michigan, Bakker was reared in a working - class family marked by hard work, little affection, and fervent Pentecostal religion.

Not exact matches

Chairman Clayton said the SEC was «working the beat hard» to crack down on ICOs, but chose not to answer a question posed of him by Senator Mark Warner of Virginia, namely whether the SEC will «go back» and scrutinize earlier ICOs.

That idea worked well for the postulated hard particles of pure physics; but it certainly leads to mischief when it inspires the notion of supposedly separate «sovereign states,» each within its own body (a «body politic») marked off from the rest by the sharp lines defining their collision.

It is same thing as in our life as a student you work hard but you realise your ability only when you get some accolades and good marks then you would be appreciated by fellow classmates.

The hard work and long hours (often spent in waist - deep cold water) are paying off: The calf, named Tyonek (tye - OH - nehk) by ASLC staff, is passing critical milestones similar to those we mark to monitor the well - being of belugas born at Shedd

Word of Bratton's surprise resignation leaked out shortly before the formal announcement, and Hizzoner was upstaged by City Council Speaker Melissa Mark - Viverito, who issued a statement to thank Bratton «for his years of service to New York City and commend him for working hard to keep crime low and our city safe.»

The hard work of Orangeburg native, RCC Honors - grad, and Georgetown University senior Mark Svensson, has received notice by the American government.

To cite an example using traditional grading marks, a student who started out as a rather weak writer in 10th grade English and earned three «Ds» on initial writing assignments but worked hard to improve his skills and earned three «Bs» by the end of the term should receive a «B» as a final mark on writing, not a «C» (the average).

Mark Waid: Besides working for free on my own end of it, the hardest part by far has been making the jump from print to digital in terms of story construction.

Keith Skeoch, Chief Executive of Standard Life Aberdeen, commented: «Today marks the culmination of many months of hard work and preparation by our business, and the beginning of a new chapter in our history as Standard Life Aberdeen plc..

Schapiro's hard - edge abstractions from this period are mature, confident works with great graphic impact, and it must be emphasized that the later works for which she's best known, where paint is replaced by or interacts with collaged textiles, are still highly geometric in their underlying structure; it is the inclusion of textile, with its gendered connotations, that marks them as a break from her formalist past.

The Automatiste movement gave way in the mid-1950s to a rigorous form of hard - edge abstraction first marked in the work of Leduc and the Plasticiens, a group that was formed in 1954 by the critic Rodolphe de Repentigny (who painted under the pseudonym Jauran) and 3 other painters; it first exhibited in 1955.

However, his rejection of the expressive brushwork employed by other abstract expressionists such as Clyfford Still and Mark Rothko, and his use of hard - edged areas of flat color, can be seen as a precursor to post painterly abstraction and the minimalist works of artists such as Frank Stella.

These new paintings were inspired by a string of Chinese embroidered pandas purchased by the artist from the Pearl Emporium in New York, which Rae describes as having given her «a reason to make a painting» explaining that «sometimes it's hard to justify the act of painting; its expressive and gestural marks can seem unwarranted and unconnected to anything much in the so - called real world...» Cartoon - like pandas recur somewhat mysteriously throughout the works, combined in other cases with mathematical and astronomical symbols.

Follow along as Everett illustrates Johnson's journey — marked by determination, strengthened by hard work, and bolstered by the support of influential artists — that led him to become one of the greatest American artists of the 20th century.

Among an ever expanding (and as Karen Barad might say, «entangled») list, I am inspired by the complex and contradictory city I live in (the city of Chicago) and the incredible community of hard working, sincere, talented artists who I am surround by and have the privilege of working alongside and in collaboration with every day (too many and to diverse to name individually here) / / by mentors A. Laurie Palmer and Claire Pentecost and Anne Wilson and Ben Nicholson / / by Simon Starling and Andrea Zittel and Mark Dion and Sarah Sze and Phoebe Wasburn and Mierele Laderman Ukeles and Joseph Beuys and Eva Hesse and Hans Haacke and Robert Smithson / / by writers and philosophers Karen Barad and Jane Bennett and Rebecca Solnit and Italo Calvino and Steward Brand and the contributors to The Whole Earth Catalog (of which my father gave me his copies) and Ken Issacs and Carl Sagan and Neil deGrasse Tyson and William Cronon and Bruno Latour and Deluze and Guttari and Jack Burnham / / by ideas of radical intimacy and transformation and ephemerality and experimentation and growth and agency and mobility and nomadicism and balance and maintenance and survival and change and subjectivity and hylozoism and living structures / / by mycelium and soil and terracotta and honey and mead and wild yeast and beeswax and fat and felt and salt and sulfur and bismuth and meteorites and microbes and algae and oil and carbon and tar and water and lightening and electricity and oak and maple / / by exploration and navigation and «the Age of Wonder» and the Mir Space Station and the Deep Tunnel Project / / by Lake Michigan and the Chicago River and waterways and canals and oceans and puddles... to name a few.

In the early 60's, inspired by the work of senior painters like Piet Mondrian and Josef Albers, Jackson moved away from the gestural style that had marked his work of the» 50's, developing his signature style of austere, hard edged geometric compositions on square and diamond shaped canvases.

Curated by TAL, bringing together the works of Diana Coelho, Fabian Albertini, Gabriela Maciel, Gioia Di Girolamo, João Paulo Serafim, Mark Kraus, Paulo Arraiano and Rafael Alonso, Swipe, Baby Swipe presents visual equations about a moment in time where mater / non-mater dialogue in a layer of digital blandness, mood manipulation and the non-spontaneity of trying «too hard» as a mode of indifference, is part of our daily scrolls.

Hard Targets includes works by Schorr, Mark Bradford (Season 4), Harun Farocki, Brian Jungen, Shaun Leonardo, and Joe Sola.

No. 36 (Black Stripe) by Mark Rothko is an exceptional work, a solitaire within the collection from which it is hard to separate, however through its unique position within the collection as a whole it lent itself as the best option to implement our long - term plan to part from a work and further refine the collection.

«America is Hard to See» includes works by the following African American artists: Malcolm Bailey Richmond Barthé Jean - Michel Basquiat Romare Bearden Mark Bradford Elizabeth Catlett Eldzier Cortor Roy DeCarava Kevin Jerome Everson LaToya Ruby Frazier Charles Gaines David Hammons David Hartt Richard Hunt Ulysses Jenkins Rashid Johnson William H. Johnson Jacob Lawrence Norman Lewis??

The styles embraced by this term include Hard - Edge Painting, illustrated by the works of abstract painters like Al Held (b. 1928), Ellsworth Kelly (b. 1923), Frank Stella (b. 1936), and Jack Youngerman (b. 1926); Colour Stain Painting, exemplified by Helen Frankenthaler (b. 1928), Joan Mitchell (1926 - 92), and Jules Olitski (b. 1922); Washington Colour Painters, such as Gene Davis (1920 - 85), Morris Louis (1912 - 62) and Kenneth Noland (b. 1924); Systemic Painting, which covered the work of Josef Albers (1888 - 1976), Ad Reinhardt (1913 - 67), as well as Stella and Youngerman; Lyrical Abstraction, including works by Mark Tobey (1890 - 1976), Frankenthaler and others; Colour Field Painting, illustrated by the works of pioneers Barnett Newman (1905 - 70), Mark Rothko (1903 - 70), Clyfford Still (1904 - 80), and Hans Hofmann (1880 - 1966), as well as Frankenthaler, Noland, Stella, Olitski, Morris Louis, Ellsworth Kelly and Richard Diebenkorn (1922 - 93); and Minimal Painting which referred to pictures by Robert Mangold (b. 1937), Agnes Martin (1912 - 2004), Brice Marden (b. 1938), and Robert Ryman (b. 1930).

A survey by PathMotion has found that over 40 % of undergraduates also fear their degree has no relevance to the world of the work, making it harder for them to make their first mark in the world of work.

«As The Foundation celebrates its 20th anniversary year, its accomplishments are amplified by reaching the $ 5 million mark - a goal that seemed almost unimaginable to the board members and volunteers who have worked so hard to improve the lives of people throughout Southern California since its inception on May 16, 1995.»

This date will mark the culmination of a lot of hard work by the people at CBL, says Lebovitz.