«In the end, all comes down to a contest between T'Challa and Killmonger that can only be read one way,» writes Christopher Lebron in a well - argued piece in Boston Review, «in a world
marked by racism, a man of African nobility must fight his own blood relative whose goal is the global liberation of blacks.»
Not exact matches
The exact time they opened their 1st Temple in a country primarily populated
by people carrying the
mark of Cain (melanin), they backed off their previously virulent
racism.
The transition is tragic because the moderns failed to understand, just as the originators of classical cultures had, how the liberative potential of reason as the human ability to raise ever further relevant questions is alienated and frustrated in authoritarian societies deeply
marked by classism, sexism,
racism, technocentrism, and militarism.
These four
marks of the Fascist spirit» nationalism and
racism, a love of violence and war, irrationalism, and revolutionary presumption» though not exhaustive, help us to understand its appeal during the first half of the twentieth century, particularly where democratic institutions were feckless and resentments bred
by World War I festered.
Repossession will present monumental collages and drawings inspired
by the writings of Dr. Martin Luther King Jr., W.E.B. Du Bois, and
Mark Twain, exposing and illustrating the power of the written word to both confront and perpetuate
racism and difference.