Sentences with phrase «marked by the complexity»

Many of the ancient myths, like our dreams, are marked by the complexity of the plot and sub-plots, the lack of consistency in the characters and their actions, and the introduction, without warning, of further players in the cosmic drama.

The drawings he made while living in rural Alexander Valley were marked by complexity and ambition.

Not exact matches

Therefore, histone marks represent an epigenetic marker or code that can be used by the cells to expand their plasticity and complexity.

Her incisive comic timing, withering looks and mega-watt smile are familiar to late - night TV viewers, but it's her impressive acting range that stands out here, marked by vulnerability, complexity and an easy chemistry with co-stars — both the actors playing her young students and the ever - affable O'Dowd.

Sharp's screenplays are marked by a narrative complexity and situations gravid with implication and doom.1 Take the moment in the Arthur Penn - helmed Night Moves where broken - down P.I. Harry Moseby (Gene Hackman, reuniting with Penn for the first time since Bonnie and Clyde), after discovering a body in a sunken wreck off the coast of Florida, watches as his two sleazeball hosts (John Crawford and Jennifer Warren)-- who've previously exchanged an odd nod and a knowing glance in which something is silently decided about how to handle this new, inquisitive element dropped in their midst — break into a broken tango to a tune on the radio.

Adapting mostly from the first of 11 novels in Burroughs» Barsoom series that was written over three decades, Stanton (who co-wrote the script with Pixar co-worker Mark Andrews, with revisions by novelist Michael Chabon) does try to make Carter as adventurous as Burroughs» books were, while also attempting to include allegorical complexity.

She further develops the complexity of her compositions by adding oil painted motifs that mimic her original marks, saturating portions of the fabric with pools of solid color, and interrupting the surface of the canvas by cutting out sections to create mysteriously dark breaks in its form.»

Composed in vivid, high - key hues, the portraits presented in the upcoming exhibition are marked by a contrived beauty and innate strangeness that mirrors the psychological complexity of human beings.

On view at Michael Rosenfeld Gallery from September 10 through October 30, 2004, this period interior offers a glimpse into the 1930s: a decade of unparalleled contradiction and complexity marked by the depths of the Great Depression and the height of the modern age.

Here, pieces by Andreas Gursky, Mark Manders, Andro Wekua, David Claerbout, etc. exemplify the complexity of the forms of expression shown.

A mark, thus, that excavates, little by little, the surface of the silver faced foam panel, revealing the density of an aggressive and intense force — in a rainbow of different dark shades, as the final aesthetic outcome; a mark also clearly crystallized in kaleidoscopic patterns inspired by the Arizona Petrified Forest; a mark condensed, finally, in a system that re-draws all the complexity of a structure that is expressed by abstraction.

This school of photography was marked by pictures that depicted the growing complexities of the American landscape with «stylistic anonymity» as Jenkins put it.

The Complexity of the Simple, L & M, New York, NY Fit to Print, Gagosian Gallery, New York, NY Past, Present, Future Perfect: Selections from the Ovitz Family Collection, H&R Block Artspace, Kansas City, Art Institute, Kansas City, MO USA Today: New American Art from The Saatchi Gallery, Hermitage Museum, St. Petersburg, Russia L.A. Desire, Galerie Dennis Kimmerich, Düsseldorf, Germany Painting as Fact — Fact as Fiction, curated by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland Warhol and..., Kantor / Feuer, Los Angeles, CA James Turrell / Mark Grotjahn / Carl Andre / John McCracken, Galerie Almine Rech, Paris, France Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London, UK Like Color in Pictures, Aspen Art Museum, Aspen, CO [cat.]

Commenting on the DfES review, The Rt Hon Sir Mark Potter, President of the Family Division, said in July 2007 «There was an early recognition by all agencies involved that a key factor in delay in care proceedings was insufficiencies in the pre-proceedings work of the local authorities» and «the number and complexity of child care cases are increasing in a way that is straining resources to the limit.»

Study subjects asked to «talk» their way through mazes used more verbal fillers when confronted with mazes that could be navigated using multiple routes.33 Conversely, mazes with a single path (and fewer choices) produced fewer fillers.34 But the maze study produced another interesting result: When study subjects were told they could use only four words to talk their way through the maze (left, right, up, down), they began to use more verbal fillers, even when describing simple mazes.35 Researchers posited that the «lexical suppression» created by limiting speakers to four words triggered a stopping and starting of the speech apparatus that prevented speakers from developing a normal speech rhythm.36 Thus, while verbal fillers are a mark of task complexity, they also appear where, «for some other reason, the flow of speech is disrupted.»

That has resulted in a steady migration of work from firms in - house and a marked increase in the size, breadth, geographical reach, and complexity of matters handled by law companies like UnitedLex, Elevate, and Axiom.