Sentences with phrase «marker drawings by»

Untitled Diptich 1 is a limited edition print of marker drawings by Robert Witz.

Not exact matches

The researchers solved this problem by developing markers to label the cells of interest and then testing different enzymes and other reagents to draw them out of tissues.

As an aside, though I didn't have lipid panels drawn, I did happen to have key inflammation markers measured pre - and post - backloading with zero impact by the diet.

Start by using a marker to draw the shapes typically found while camping.

David Bordwell contends that Tarantino deliberately signals his sources to his audience, «in order to tease pop connoisseurs into a new level of engagement,» while Aaron C. Anderson writes that by using framing markers and calculatingly phony distancing devices (like, for example, the black - and - white process shots in Pulp Fiction), «Tarantino draws attention to his film's status as a film, as a constructed work of fiction, and as a «simulation.

The contest, sponsored by Expo, a producer of dry - erase markers and whiteboards, drew more than 11,500 entries nationwide, according to the St. Louis - based company.

Dogs are drawn to urine marks left by other dogs and are apparently able to get information by sniffing the urine, such as the identity, the sex and the reproductive status (whether a dog is neutered or spayed) of the marker.

The artist first began to make a profound engagement with the medium in the mid-1960s, working with master printer Kenneth Tyler, who convinced Stella to make his first prints by filling a Magic Marker — the artist's preferred drawing implement — with lithography fluid.

The exhibition will include Doug Aitken's recent monumental video installation Interiors (2002); large - scale photographs from Fischli / Weiss Airport series (1988 - 1998); Atomium Phi (2004), a light - based sculpture by Carsten Höller; preparatory materials (storyboards, photographs, notes and drawings) for Chris Marker's legendary 1962 film La Jetée; Bruce Nauman's celebrated Green Light Corridor (1970); a large photography and sound installation, Sleep (1999), by Ugo Rondinone; as well as preparatory materials for Ed Ruscha and Lawrence Weiner's 1978 book, Hard Light.

The typed pages, heavily annotated and edited by Huillet using yellow, green, blue, and red markers shows the filmmakers» creative working process, majestically transforming typed pages into a series of abstract drawings.

Street scenes show floods of brown water, expressively drawn with marker; the Superdome is depicted as a yellow and gray monolith surrounded by stranded civilians.

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation

Whether looking at her geometric collages — the brilliant video of her immediate drawings executed by her dancing hand with the thickest possible black marker — or an outstanding series of drawings inspired by Bertholdt Brecht ’s

Stocking his Brooklyn studio with paint brushes, pens, markers, and a couple of humongous computers, his lettering style and technique — whether hand - drawn, painted, digitally crafted, or sculpted — is influenced by his Texas heritage, vintage type specimens, painted signage, and the great Fauvist painters.

The gallery's presentation will include a new drawing by Banks Violette, a large - scale Photoshop gradient by Cory Arcangel, marker - embellished photographs by Slater Bradley from his Perfect Empathy series, and substantial new photographs by Ryan McGinley from the artist's latest cross-country journey.

, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK

Materials in the exhibition vary from hand - painted ceramic sculptures, documentary drawings, and frame - by - frame erasures of video images, all intricate material processes that consider found natural and synthetic objects as markers of larger metaphysical questions.

A drawing by Toyin Odutola («New Growth (Maebel),» 2013, pen ink and bronze marker on board) is featured on the January 2014 cover of ART News, illustrating «Making Cutting - Edge Art with Ballpoint Pens,» an article in which she is featured.

Jenny Cox's marker drawings featured in her Fleisher / Ollman exhibition Like Logs consist of conglomerations of brightly - colored lozenges each containing words and various hatch marks — refugee text balloons from comics as if they were somehow stolen from their original sources, completely transformed by the artist, and stacked one on top of the other like logs.

POPE.L Failure Drawing # 1 2004 - 10 Acrylic, ballpoint pen, oil stick, marker, correction fluid, coffee, paper, cellphone tape and colored pencil on hotel stationery 31.875 by 22 in.

POPE.L Failure Drawing # 636 Far Above the Ocean 2009 - 2010 Ink, acrylic, ballpoint pen, oil stick, marker and correction fluid on map 24.75 by 32 in.

POPE.L Failure Drawing # 252 Green Sky Red Mountain 2005 - 06 Ink and colored marker on hotel stationery 5 1/2 by 4 1/4 in.

POPE.L Failure Drawing # 33 Red Clouds 2004 - 06 Ink, black marker, ballpoint pen, acrylic, stains and newspaper collage on joined brown paper 4.75 by 9.875 in.

Among the items acquired were the 1968 aluminum - and - rubber - hose - work Pipe by Bill Bollinger, and five untitled graphite - on - paper drawings by the same artist from the same year; a 2009 nine - minute 35 mm slide projection, free fotolab by Phil Collins; two 8 mm videos, Eastern Morning, 2008, and Three Screen Ray, 2006, by Bruce Conner; an untitled 1971 acrylic - on - wood sculpture by Carmen Herrera, plus three untitled 1966 ink - on - paper drawings by the same artist; a 1966 — 98 video installation, 16 Millimeter Earrings, by Meredith Monk; and a 2000 — 9 paint and marker on photo collage by William Pope L.