Sentences with phrase «market moved the other way»

Had the market moved the other way, losses relative to our investment would have been larger too — both risk and reward are increased.

Not exact matches

Another way to assess labor market tightness is to look at labor flows — in other words, how workers move between being employed, unemployed (not working, but looking for work), and out of the labor force (neither employed, nor looking for work).4 Figure 11 shows the flow from being employed to unemployed.

The options market indicated traders were anticipating big moves one way or the other on the company's stock following earnings, RiskReversal.com's Dan Nathan said on CNBC's «Fast Money.»

His rant about 600 employees and other english clubs inflating the market price shows how much he has lost in touch with the way things are moving..

-- This may vary depending on the size of the publishing house, but most publishing houses have at least one person on staff dedicated to marketing and promoting their titles (so yes, we will do everything we can to promote your book), but if you are thinking of hiring a freelance publicist any way (perhaps to continue promoting a book a year after it goes on sale and we've moved on to other titles), it goes without saying you should inform the in - house publicist (preferably before doing so).

One other way, that most people don't have the time for or don't want to do because it is a pain in the butt... if the market keeps moving like this, a simple moving average cross system using «some» time frame, used to «just follow price», buying / selling as price moves above / below the MA cross, works very well, using a stock index ETF or the futures.

Most academic types say that because so many variables move the market, it's nearly impossible to analyze all of them and figure out how they relate to each other in a way that allows the investor to know with any certainty what will happen tomorrow or next week.

Once the market started moving the other way, it moved back quickly.

Following the example, you'd need to see an increase of 66 % or more in your holdings, which would equate to a 33 % move in the market (for your leveraged holdings, one way or the other).

Ideally you want to wait for a price action setup to form at a key level after the market has pulled back a bit, a good example of this would be if your initial position moved in your favor and then pulled back to around 50 % of the way back to your entry and then formed a pin bar at a key level, or some other price action setup at a key level; this would be a logical spot to add to a position by averaging in.

The proper way to trade this divergence opportunity is not to jump right in and sell short the moment that the MACD divergence is noted, but to wait for other signs, such as candlestick patterns or moving average crossovers that indicate that the market is indeed making a turn.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

With almost every other discipline, from marketing to accounting, moving away from the billable hours model, it can only be a matter of time before most law firms go the same way.

While it's a way of working that has been used for years in other fast - moving industries such as tech, she says it's a very different thing to have a legal team operating in this environment that deals primarily with the needs of getting financial products to market.

«LG has a rich legacy of innovating in the wearable audio market, and our products have become the standard by which all other earphones are judged,» said Michael Park, vice president of Innovative Personal Devices Business Division at LG Electronics, Inc. «We are committed to leading the way in this fast moving market by developing exciting new products which appeal to every music - loving and convenience - seeking individual.»

So the market could move in a way that's favorable for Google — or for any other company driven to be highly innovative, for that matter — in a very short period of time.

Will market share only move from $ 600 phones to $ 300 phones, and never the other way?

Sometimes 4 Pts was allocated to the co-op, never less than 3 of it, and other times the extra was allocated to expensive marketing, (seller's choice) that often, although produced quickly, didn't get delivered fast enough before a sold sign went up (even in a dead or quiet market); I had already designated a «sold card» repeat, and since the artwork was already at the printer, things then moved quickly, because even when agents many times said my listings were overpriced, my listings 99:100 times sold fast, even in dead markets, and way back when, even, generated multiple offers.

As newspapers and other internet content providers are discovering ways to move forward on the internet, and increase their market share and adapt to the information age, they will again emerge, most likely as more profitable and relevant then ever before, but of course we will continue to fall backward struggle to compete for ad space along side my grandma selling her knitted sweaters out of her basement.

As we continue to go through a glut of foreclosures and falling housing prices, there are opportunities for you to work with investors and others who are exploring ways to move from a turbulent stock market to new assets.