For a movie billed and
marketed as a romantic comedy, you'd have to be pretty deranged to find a trace of either.
Not exact matches
It was
marketed as a formulaic
romantic comedy — its theatrical trailer shows just that — despite the fact that it is anything but.
Stiller made his directorial debut with Reality Bites, a sweet
romantic comedy that had the misfortune of being
marketed as the defining film of Generation X. Stiller's next film
as a director, The Cable Guy, was an ambitious black
comedy that was overshadowed by the hype surrounding Jim Carrey's then - unprecedented $ 20 million payday and dark role.
So far the Hollywood movies screening at Cannes — Woody Allen's
romantic roundelay «Cafe Society,» starring Kristen Stewart, Shane Black's hit - man
comedy «Nice Guys» starring Ryan Gosling, and Jodie Foster's Wall Street thriller «Money Monster» starring George Clooney and Julia Roberts — have played out of competition, more
as red - carpet plays and
marketing junkets than surefire Oscar launches.
It says a lot about the state of women and other marginalized groups in film that Trainwreck is being
marketed (and praised)
as «not your mother's
romantic comedy.»
The lovingly crafted
romantic comedy and zombie horror film — a «rom - zom - com,»
as marketing called it — remains, perhaps, the most satisfying of any of them.