Like a mystery - novel sleuth, Brodeur got down on his hands and knees and studied the ball
marks on clay courts.
Not exact matches
(31) They said «We have been sent to a people (deep) in sin --(32) «To bring
on,
on them, (a shower of) stones of
clay (brimstone), (33) «
Marked as from thy Lord for those who trespass beyond bounds.»
I don't spend an early pick
on someone that sits locked in a safe
marked do not open until Brown is gone or Staley retires, and who is all
clay and not much proof.
Outkickthecoverage's
Clay Travis had this hot take
on Jim Harbaugh's tweet shot in the direction of
Mark Dantonio: «Harbaugh just seems to...
If I'm making something flat that will require lots of impressions and
mark making
on the surface, I like the
clay to be quite dry.
Now decorate each element; by rollering a stamped design or making
marks with a variety of different tools
on the
clay surface.
You can use an ink and
mark baby's print
on a shirt for mom, dad, or himself; choose to print it
on a piece of watercolor paper and have it framed; make
clay hand or foot prints; or purchase hand and foot print casts.
Take your leather strap and push one end a bit into the
clay (just where you want to thread it through later
on), then cut out the part where you left the
mark.
BEST PRODUCTION DESIGN Paul Denham Austerberry, Shane Vieau, Jeff Melvin — The Shape of Water - Winner Jim
Clay, Rebecca Alleway — Murder
on the Orient Express Nathan Crowley, Gary Fettis — Dunkirk Dennis Gassner, Alessandra Querzola — Blade Runne 2049 Sarah Greenwood, Katie Spencer — Beauty and the Beast
Mark Tildesley, Véronique Melery — Phantom Thread
Blade Runner 2049 — Dennis Gassner (Production Designer); Alessandra Querzola (Set Decorator) Dunkirk — Nathan Crowley (Production Designer); Gary Fettis (Supervising Set Decorator) Murder
on the Orient Express — Jim
Clay (Production Designer); Rebecca Alleway (Set Decorator) Phantom Thread —
Mark Tildesley (Production Designer); Véronique Melery (Set Decorator) The Shape of Water — Paul Denham Austerberry (Production Designer); Shane Vieau, Jeff Melvin (Set Decorators)
Directed by Dean Parisot; screenplay by Jon Hoeber and Erich Hoeber, based
on characters created by Warren Ellis and Cully Hamner; director of photography, Enrique Chediak; edited by Don Zimmerman; music by Alan Silvestri; production designer, Jim
Clay; produced by Lorenzo di Bonaventura and
Mark Vahradian; released by Summit Entertainment.
when you're playing
on clay, the ball and your player's feet leave
marks on the court.
What builds this proximal space is gesture:... of eating... laying the table, but also... the gestures which create the objects out of formless
clay...» p. 71 4
Mark Strand, «Art of the Real,» p. 32 5 Bryson, p. 9 6 Strand, p. 37 7 Strand, p. 16 8 Sol Lewitt, «Paragraphs
on Conceptual Art» (1967)
The gradual transformation and disappearance of the artist's
marking echoes the themes evident in the
clay work — the natural effects of time
on matter, and the beauty in loss and renewal of all forms.
These works are based
on sculpted figures of women he creates out of
clay,
marking a significant shift in his practice from working from live models.
Embarking
on a conceptual and physical exploration of site, Bosquê and Seisler collect these
clay objects after participants have made their
marks.
Mark Manders Room with Unfired
Clay Figures 2011 - 2015 Painted bronze, iron, wood, offset print
on paper 93 3/8 x 141 1/2 x 51 inches; 237.2 x 359.4 x 129.5 cm (large figure) 74 5/8 x 115 5/8 x 41 inches; 189.5 x 293.7 x 104.1 cm (small figure) Edition of 3, 1 AP
Jamie draws
on large smooth plates of wet
clay, by reacting to draw lines and create forms using both his hands, fingers, and a large needle to
mark shapes as he etches incisions, scratches, or stipples, which he then quickly scrapes or smooths out, in order to start again.
They are hand - formed
clay, cast in aluminium and painted in shocking day - glo colors; their placement
on plinths clearly
marking them as artworks more at home
on the gallery stage rather than
on a pine - cushioned forest floor.
Mark Manders Room with Unfired
Clay Figures 2011 - 2015 Painted bronze, iron, wood, offset print
on paper 93 3/8 x 141 1/2 x 51 inches; 237.2 x 359.4 x 129.5 cm (large figure) 74 5/8 x 115 5/8 x 41 inches; 189.5 x 293.7 x 104.1 cm (small figure)
In Baekje, a number of
clay tiles
marked with reliefs of landscapes appeared during the 7th century, heralding the arrival of landscape painting
on the Korean peninsula.