Kiss Kiss Bang Bang is
a marriage of old film noir elements with more modern black comedy techniques, and the result is an occasionally funny and entertaining film that ultimately tries too hard and can not maintain the breakneck pace that the first act antes up.
Not exact matches
While
old pros Steenburgen and Jenkins sketch in enough detail to suggest where the family dynamics have gone awry, and why the step - brothers would fight to save their
marriage, the
film never makes the mistake
of taking itself too seriously.
Mila Kunis (Jupiter Ascending, Third Person) plays 32 - year
old wife and mother
of two, Amy, whose already stale
marriage in the Chicago suburbs (
filmed in New Orleans) hits an impasse when she catches her hubby having an online affair.
If the
film feels
Old Hollywood in that the stars are pretty, the heroes are tough, and the sex is good but the brutality is better, then excavate the ways that this period in our history dissolves into period noir: shells
of men entrusted with the rebuilding
of our society, with dangerous women and effete men (abortion rights and gay
marriage vs. the evacuation
of civil rights and ground wars in the Middle East) embodying the greater peril.
Those in the running include Ghanaian - British multi-media artist Amartey Golding whose
film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness
of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms
of the
Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian
marriage portraits.