March saw his landmark debut with Nosei: Jeffrey Deitch praised his «ability to merge his absorption of imagery from the streets, the newspapers and TV with the spiritualism of his Haitian heritage, injecting both into
a marvellously intuitive understanding of the language of modern painting» (J. Deitch, quoted in Jean - Michel Basquiat, Tony Shafrazi Gallery, New York, 1999, p. 326).