This is true of many entrepreneurial endeavors, not simply women's ministry; but if the majority of female leaders are operating in the marketplace (as opposed to the institutional church), women's ministry as a whole can reach a point of critical
mass where an
audience - centric philosophy creates wider
expectations about style, topics, and content.
Is it too much of a risk for the Tate, with its eye on attendance figures, to promote exhibitions of abstract painting to a
mass audience whose attention span has been shortened by the
expectation that contemporary art should be either shocking or fun?