Featuring works from Stewart Uoo, Wu Tsang, Juliette Bonneviot, Andrea Crespo, and Morag Keil, the show explores the relationship between
mass digital culture and identity — and how the former informs the latter — through film installations, sculptures, paintings, and photography.
What we are trying to do is to move the ICA from the world of mass popular culture to
mass digital culture.»
Not exact matches
Warby Parker is the
mass - customization, fast fashion interpretation of eyewear, a merger of
digital start up
culture and fashion.
«Neither children nor adults acquire critical thinking skills about
mass media, popular
culture, or
digital media just by using technology tools themselves,» she writes.
Internal organ chemistry profiles and Electrolytes Complete blood counts Urinalysis and Urine
culture and sensitivities ECG
Digital Radiology Ultrasonography Cytology of growths and
masses Blood pressure readings Intraoccular Pressure Check Endocrine testing Nutritional counseling
Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming
culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's
mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a
digital age; and what the future of internet art might be in light of a broader assimilation of
digital technologies.
Drawing inspiration from Agnes Martin's oeuvre, Signal Failure looks to emerging artists whose work resist the fast - pace of
mass media
culture and the ever - expanding proliferation of
digital imagery.
The ICA has a longstanding fascination with the evolution of Pop
culture in our
mass digital age.
The exhibition was the last project Hamilton directly participated in and illustrates the array of mediums, genres and themes the artist employed and approached over the course of his career: from photography, drawing and prints, to industrial design, advertising and the
digital manipulation of images; from portrait, self - portrait and interiors, to metalinguistic investigations — for instance on the limitations of different forms of representation and the relationship between vision and movement — via a political critique and a reflection on consumerism and
mass culture.
Whilst referencing marketing techniques that deftly seduce the viewer, Simmons renders any didactic message redundant, calling into question the speed and proliferation of
mass marketing in a
digital age and the commoditisation of youth
cultures.
Sherwin draws a wonderful parallel between baroque and contemporary
cultures equating the rise of modernity, that coincided with the
mass production of printed texts, with our current transition from a text - based rhetoric to a pervasive
digital sensibility.