Chief curator of this summer's Manifesta 11, German artist Christian Jankowski speaks candidly about his artist - meets - nonartist plan for the global event, as well as his own irreverent artworks — videos that parody today's
mass media formats and art world mores.
Not exact matches
Selling
media buyers, especially those focused on
mass TV audiences, on the concept isn't necessarily a slam dunk, either, because Blue Ant is trying to push out so many different content
formats, which appeal to different demographics and different sorts of advertising strategies.
So, memo to Neil Young: when you attempt to bring the world a better quality of
media experience, know that you're battling against more than a century of business experience that shows the best - quality
formats seldom, if ever, win out in the
mass market.
Farocki's practice is largely defined by an experimental documentary
format integrating his own material with footage appropriated from various sources, including
mass media, surveillance, and political propaganda.
His oeuvre frequently calls into question many widely - held attitudes about such issues and much else — the importance of stylistic consistency, the «natural» evolution of individual artistic sensibility, the spontaneity of creativity and the relationship of technological means and
mass -
media imagery to traditional studio methods and
formats.
She uses digitalized
mass -
media images from newspapers, magazines, TV and re-presents them in recontextualized
formats.
Ranging from photo - based pictures to gestural abstraction, Gerhard Richter's diverse body of work calls into question many widely - held attitudes about the importance of stylistic consistency and the relationship of technological means and
mass media imagery to traditional studio methods and
formats.
Video and conceptual artist Christian Jankowski was chosen as the sole curator of Manifesta 11 thanks to the central principles in his artistic investigations: collaboration, the inclusion of new, non-art-professional audiences and the reflection on
mass -
media formats.
The «natural» evolution of individual artistic sensibility, the spontaneous component of creativity and the relationship of technological means and
mass media imagery to traditional studio methods and
formats.