As it points out, Bochco's series may have been hugely influential, with a devoted audience, but few garnered
massive audience figures.
Not exact matches
The characters are delightfully typecast - there's the tragic
figure of our much put - upon anti-hero who is driven to commit violence for what he believes is a justified cause; a truly dastardly old - Etonian poetry - spouting villain (who, if this was a play, would receive hisses from the
audience every time he came on stage); the exceedingly wealthy and influential Lord Tansor, living off the gains of his brighter ancestors; a dead - ringer for Uriah Heap; plus a
massive supporting cast representing every strata of society, both urban and country; and last but not least, Evenwood House itself and its great library - the representation of everything that Edward yearns for but that remains tantalizingly out of reach.
As pointed out here by Scott Greenfield on his Simple Justice blog, Gradeless appears to have found a way to monetize his
massive following on Twitter through a service called Sponsored Tweets, which hooks «Tweeters» like Gradeless up with advertisers who want to reach their supposedly vast
audiences (although as discussed here, a person's numbers of Twitter followers can be a pretty meaningless
figure).
Smart law firms will quickly
figure out that their
audience is diverse and its preferences even more so; but if
massive international media companies can gauge all their specific mini-audiences, I'm pretty sure a law firm can do the same.