Not exact matches
Plato, Aristotle, Epicurus, Epictetus, Cicero, Plutarch, Bacon, Hobbes, Hume, and Locke, all compiled into the
master text
of the
humanist scripture and all boldly proclaiming Grayling's motto
of enlightenment: «Dare to know.»
2 All these painters have been or can be classified as what Donald Kuspit calls the New Old
Masters who, though working in Old
Master techniques, are «neither traditional nor avant - garde, but a combination
of the two,» carrying on the spirituality
of the former and the critical consciousness
of the latter.3 Both Cooper and Kuspit read in new wave history painting and New Old
Master painting, respectively, a return to
humanist and modern existentialist themes absent in most mainstream contemporary art.
Rather, it is revealed dialectically as the artists psychically work through the ugliness and insanity
of contemporary life; their psychical mastery and emotional restoration
of the self are evidenced in their mastery
of technique and the aesthetic transcendence it elicits.8 At the same time, it is important to underscore just how alien both the figuration and content
of this new wave
of history painting would appear through the
humanist gaze
of traditional history painters and the Old
Masters.