Not exact matches
At the
film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form
of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale
of love ground down by the mill
of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story
of a fighter - plane designer as a grand romance
of struggle and failure, with animation's supreme living
master contemplating the price mankind can sometimes pay in the name
of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled
pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.
Whatever you find lurking subtextually, it remains a
film of impeccable surfaces; one only need look at the spider - robot set -
piece to witness what a
master filmmaker can do with his A-game.
Soderbergh's direction is different than what he's done before, as is his custom, and shows how much
of a
master of all trades he is when he can make such a good
film in a genre he hasn't done before, especially if you consider what a complex
piece he has chosen start off with.
It's a period
piece that feels remarkably present, a little bit
of magic from the
master that allows the
film to become a parable as much as it is a history.
So - called
Master of Suspense (yeah, right) Dean R. Koontz adapted this
piece of trash from his lackluster novel and makes one
of the most gruesome and dull
films to come out in some time.
Giallo - like in its plot convolutions as well as its stark, shadowy visual style, this rare foray into strict horror by dark crime thriller
master J. Lee Thompson is perhaps best known for its infamous shish - kebab murder scene, but the underappreciated slasher
film has much more to offer, with a whole slew
of show - stopping death set
pieces and a stellar supporting cast, including Glenn Ford as Virginia's doctor.
Clocking in at 196 minutes, Turkish
master Nuri Bilge Ceylan's latest is probably not a
film to double - bill with Interstellar — at least, not if you have plans for the rest
of the week — but it rewards audiences» patience with an immaculately crafted character
piece.
Special Features Restored 4K digital transfer, with 7.1 surround DTS - HD
Master Audio soundtrack on the Blu - ray, both supervised by director David Lynch 7.1 surround DTS - HD
Master Audio soundtrack on the Blu - ray, supervised by Lynch Alternate original 2.0 surround soundtrack, presented in DTS - HD
Master Audio on the Blu - ray The Missing
Pieces, ninety minutes
of deleted and alternate takes from the
film, assembled by Lynch Interview from 2014 by Lynch with actors Sheryl Lee, Ray Wise, and Grace Zabriskie New interviews with Lee and composer Angelo Badalamenti Trailers PLUS: Excerpts from an interview with Lynch from Lynch on Lynch, a 1997 book edited by filmmaker and writer Chris Rodley
The archetypal Film Comment issue might have been «
Masters of Mise - en - Scène,» comprised
of clusters
of pieces illuminating individual
films by Welles, Murnau, and Ophuls.
Guillermo Del Toro's next
master piece to add to his
film catalog is one that will spark dialogue
of debate and intrigue for those who take the picture for more than what they see.
Though this later period has its high points, the
films also find Egoyan, a
master of cinematic puzzles, sometimes laboring to retro - fit the
pieces of someone else's design.
Among the
pieces for sale (all prices in Australian dollars): the armored vest worn by Crowe's Gladiator character general Maximus Decimus Meridius ($ 20,000 reserve, or about $ 15,400 in U.S. dollars); a replica Roman chariot from that same movie ($ 10,000 or $ 7,700 U.S.); a Leandro Bisiach Sir violin that Crowe used in the
film Master and Commander: The Far Side
of the World ($ 100,000; $ 76,800 U.S.); a bunch
of jewelry from Crowe's ex-wife; and even a Grammy award that was originally presented to Johnny Cash.