Sentences with phrase «mastered figure study»

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If the Easter faith is understood primarily as the conviction of the exaltation of the crucified Jesus to be Lord and Savior, it is possible to understand how it could have arisen among the dispirited disciples as their response to the «offence» of the crucifixion of their Master, while they wrestled with that problem in the light of the impact made on them by the life and teaching of Jesus, and in the light of their study of the scriptures, of their current convictions about similar figures and of their belief about God.
Until this century primary education was mainly a matter of mastering the three R's, sometimes known as the four R's because religion figured pretty largely through the study of the Bible.
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Only occasionally does a master director implode it from within (Martin Scorsese with Raging Bull, less a conventional underdog tale than a character study that puts us in the ring with a defiantly confrontational and horribly fascinating central figure).
By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical landscapes, figures and still - life studies in a style that drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.
He figures in the books, 100 New York Painters by Cynthia M. Dantzic (Schiffer, 2006) and Black Paris Profiles by Monique E. Wells (2012) and is one of the artists studied in a recent Masters Thesis by Charlotte Barat, Artistes noirs américains à Paris (1945 - 1969).
The school's core program is a four - year Master Class comprised of 40 students and focused on the primacy of painting and drawing from observation, the human figure and in depth study and research after old and modern masters.
In 1952, Ms. Hartigan began making free studies after Old Masters and soon commenced the long exploration of «the vulgar and vital in American life» that has alternated with saints, Old Masters and historical figures throughout her work.
The selection spans over a century of British art, from Vorticist master Wyndham Lewis and Eduardo Paolozzi's animated line drawings inspired by Rembrandt to postwar Henry Moore and Lucian Freud's somber figure studies.
The show will examine his understanding of form and light in the composition of formal portraits, still lifes and figurative works that celebrate the sensual quality of nature and the human body.The works relate strongly to the museum's permanent collection of fine art that includes portraits from the eighteenth and nineteenth centuries, Dutch old master still lifes and studies of the nude and human figure, a staple of western art dating back to the classical forms of Greek sculpture.
Born in Stillorgan, County Dublin, the son of a solicitor, William Orpen studied drawing and painting at the Dublin Metropolitan School of Art and later figure drawing and figure painting at the Slade School of Art in London under Henry Tonks, where he studied the Old Masters, with particular emphasis on portraits from the Renaissance, Baroque, Neoclassical and ninteenth century eras.
Among the earliest works were a rare compositional sketch by the fifteenth - century Florentine master Fra Filippo Lippi, an exquisite red - chalk figure study by Michelangelo, and sheets by Annibale Carracci, Domenichino, Pietro da Cortona, and both Giambattista and Domenico Tiepolo.
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