Sentences with phrase «material culture of a city»

Not exact matches

While I believe there is already great material for men out there, as I surveyed the Bible and the culture of manhood (cross-ethnically), musical art, media, movies, magazines, the state of the church, urban dwellings, global cities, and the political climate of our country on gender, I continued to find the issue of manhood needing to be engaged.
1 Etymology 2 History 2.1 Prehistory 2.2 Medieval kingdoms 2.3 European contact (15th century) 2.4 Independence (1957) 2.5 Operation Cold Chop and aftermath 2.6 21st century 3 Historical timeline 4 Geography 4.1 Climate 4.2 Rivers 4.3 Wildlife 5 Government 5.1 Foreign relations 5.2 Law enforcement and Police 5.3 Military 5.4 Administrative divisions 6 Transportation 7 Economy 7.1 Key sectors 7.2 Manufacturing 7.3 Petroleum and natural gas production 7.4 Industrial minerals mining 7.5 Real estate 7.6 Trade and exports 7.7 Electricity generation sector 7.8 Economic transparency 8 Science and technology 8.1 Innovations and HOPE City 8.2 Space and satellite programmes 8.3 Cybernetics and cyberwarfare 8.4 Health and biotechnology 9 Education 9.1 Overview 9.2 Enrollment 9.3 Foreign students 9.4 Funding of education 9.5 Provision of educational material 9.6 Kindergarten and education structure 9.7 Elementary 9.8 High school 9.9 University 10 Demographics 10.1 Population 10.2 Legal immigration 10.3 Illegal immigration 10.4 Language 10.5 Religion 10.6 Fertility and reproductive health 11 Universal health care and health care provision 12 Culture 12.1 Food and drink 12.2 Literature 12.3 Adinkra 12.4 Traditional clothing 12.5 Modern clothing 12.6 Music and dance 12.7 Film 12.8 Media 12.9 Sports 12.10 Cultural heritage and architecture 13 National symbols 14 Tourism 15 See also 16 References 17 Further reading 18 External links
Their qualitative study of refugee parents in two schools in a declining northeastern city reveals that even in situations of material deprivation, public schools in the global North are more than capable of educating all of their students if they are able to accommodate new cultures of «space - making» and «identity - staking» for immigrant parents in their children's schools.
Job Description: • Represents the Kansas City Pet Project in a professional, polite and enthusiastic manner • Assists the veterinarians on a daily basis with preparing surgery patients, health assessments, and treatments of animals • Assist in medical rounds with Shelter Veterinarians or identifying animals that need to be seen by a Shelter Veterinarian • Administer medications to both cats and dogs in accordance with veterinarian's prescribed doses and ensure all treatment protocols prescribed for sick / injured animals are performed timely, safely, and humanely • Responsible for following best practices for sanitation protocols in all veterinary clinic and isolation areas to reduce / eliminate disease transmission • Input all medical notes, health assessments, vaccinations, surgeries, treatments, etc., into PetPoint • Provides support for other departments, such as Intake, Foster, Placement & Transport, or Adoptions by assisting as needed for vaccinations, deworming, blood draws, etc. • Prepares and sanitizes surgical instruments / packs each day to ensure packs are ready for use the following day • Assists with discharging animals to the public post-surgery or following up with sick pet appointments, explaining any medical issues, medications, after care instructions, etc. • Ensures adequate medical supplies and medications are available and reports any shortages to Vet Clinic Manager • Enforces and maintain KCPP safety and cleanliness, and all health and security rules and procedures • Follows disease prevention procedures and completes cleaning of veterinary clinic areas daily and ongoing throughout the day to decrease biological risks to humans and other animals • Care, feed, and safely handle animals to avoid injury to persons / animals • Properly store and maintain inventory of medical supplies, including Schedule II narcotics • Performs laboratory analysis techniques to assist Shelter Veterinarians • Reads, understand, interpret, and apply department policies and procedures • Prepares reports and other written materials in a logical, concise, and accurate manner • Functions calmly in situations that require a high degree of sensitivity, tact, and diplomacy • Communicates effectively with a variety of individuals representing diverse cultures and backgrounds and function calmly in all situations which require a high degree of sensitivity, tact and diplomacy • Treats employees, representatives of outside agencies, volunteers, and members of the public with courtesy and respect • Provides prompt, efficient and responsive service for all phone calls forwarded to the Vet Clinic.
2016 Toshodaiji Temple / Diana Al - Hadid, Culture City of East Asia 2016, Nara, Japan Material Consideration, John Berggruen Gallery, San Francisco, CA
In the same year, New York City based artist, writer, and musician, Paul D. Miller aka DJ Spooky's work pushed the work of sampling into a museum and gallery context as an art practice that combined DJ culture's obsession with archival materials as sound sources on his album Songs of a Dead Dreamer and in his books Rhythm Science (2004) and Sound Unbound (2008)(MIT Press).
2007 Material Culture, Longwood Art Gallery @ Hostos, Bronx, NY, organized by Juanita Lonzos Red Badge of Courage, Newark Council for the Arts, Newark, NY, organized by Omar Lopez - Chahoud Done by the Forces of Nature, City of College of New York, New York, NY organized by Roberto Visani Visual Jury, Fine Art Work Center, Provincetown, MA Defensive Mechanisms (part of INTERSECTIONS) Henry Street Settlement, Abrons Art Center, New York, NY organized by Martin Dust
Founded in 1979 New York City - based artist collaborative Group Material created over fifty exhibitions and public projects in the U.S. and Europe exploring the interrelations of aesthetics, culture and politics.
This material was included in the 1994 exhibition Essential City: New York Waterfront Survey and its subsequent publication The New York Waterfront: Evolution and Building Culture of the Port and Harbor (1997, revised in 2003).
Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.
Carolina Caycedo's Dependencia / Dependency (currency insertions)(2012), uses ink stamps on banknotes that carry the respective values of the minimum monthly wage, a gram of cocaine, and a liter of gasoline in six different cities (three Western and three Latin American) to show both the varied costs and question the means of establishing material values across a globalized culture.
1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...
This Californian city, with its vibrant film and pop culture, serves as source material, subject matter and muse for his art, in which he appropriates, transforms and comments on elements of the city's aesthetic and spirit.
Adobe Foundation The Andy Warhol Foundation for the Visual Arts Applied Materials ArtPlace America The Castellano Family Foundation City of San Jose, Office of Cultural Affairs The David & Lucile Packard Foundation Devos Institute of Art Management The Ford Foundation The Institute of Museum and Library Services The James Irvine Foundation John S. and James L. Knight Foundation National Association of Latino Arts and Cultures National Endowment for the Arts National Performance Network The Rotary Club of San José Silicon Valley Community Foundation Southwest Airlines SV Creates The William and Flora Hewlett Foundation MACLA donors
2002 - 03 From Blast To Frieze: A Century of British Art, Kunstmuseum Wolfsburg; Les Abattoirs, Toulouse 2002 Face / Off, Kettle's Yard, Cambridge XXIV Bienal de São Paulo 2001 Out of line: Drawings from the Arts Council Collection, Hayward Gallery, London; York City Art Gallery, York La Otra Britania, Centro Cultural Tecla Sala, Barcelona 2000 British Art Show 5, Edinburgh; Cardiff; Birmingham; Southampton Diary, Cornerhouse Gallery, Manchester Purile 69, Living Art Museum, Reykjavik 1999 Waste Management, Art Gallery of Ontario, Toronto Trace and Art Lovers, The Liverpool Biennial of Contemporary Art 1997 Sensation: Young British artists from The Saatchi Collection, Royal Academy of Arts, London; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Brooklyn Museum of Art, NY Material Culture: The Object in British Art of the 1980s and 90s», Hayward Gallery, London 1996 Ace!
Procedure / Materials, Whitney Museum of Art, New York, 1969; The New Sculpture 1965 - 75: Between Geometry & Gesture, Whitney Museum of American Art, New York, 1990; Fémininmasculin: le sexe dans l'art, Centre Pompidou, Paris, 1995, and more recently Century City: Art and Culture in the Modern Metropolis, Tate Modern, London, 2001; Summer of Love: Psychedelic Art from the 60s, Tate Liverpool, 2005; High Times, Hard Times: New York Painting 1967 - 1975, Independent Curators International, New York, 2007, and Lynda Benglis / Robert Morris: 1973 - 1974, Susan Inglett Gallery, New York, 2009.
One Planet Living principle Masdar Target ZERO CARBON 100 per cent of energy supplied by renewable energy — Photovoltaics, concentrated solar power, wind, waste to energy and other technologies ZERO WASTE 99 per cent diversion of waste from landfill (includes waste reduction measures, re-use of waste wherever possible, recycling, composting, waste to energy) SUSTAINABLE TRANSPORT Zero carbon emissions from transport within the city; implementation of measures to reduce the carbon cost of journeys to the city boundaries (through facilitating and encouraging the use of public transport, vehicle sharing, supporting low emissions vehicle initiatives) SUSTAINABLE MATERIALS Specifying high recycled materials content within building products; tracking and encouraging the reduction of embodied energy within material sand throughout the construction process; specifying the use of sustainable materials such as Forest Stewardship Council certified timber, bamboo and other products SUSTAINABLE FOOD Retail outlets to meet targets for supplying organic food and sustainable and or fair trade products SUSTAINABLE WATER Per capita water consumption to be at least 50 per cent less than the national average; all waste water to be re-used HABITATS AND WILDLIFE All valuable species to be conserved or relocated with positive mitigation targets CULTURE AND HERITAGE Architecture to integrate local values.
Specifically, the City enacted strong waste reduction policies; partnered with Recology, a like - minded materials management company, to innovate new programmes; and created a culture of recycling and composting.
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