Sentences with phrase «material effects each artist»

The theme of the exhibition is how material effects each artist's aesthetic.

Not exact matches

Some artists approach the alteration of their cars cautiously and tentatively, opting to use materials of a temporary nature such as paper or tape, while others decide to radically change the original structure of the vehicle so that it in effect becomes a moving sculpture.

Overall, it's standard featurette material, but it reveals a sense of humor on behalf of everyone that supports the idea that no one took this too seriously, and it's worth watching just for effects artist Alec Gillis to drop the bombshell that he went from dressing up dogs on this movie to helping come up with the dog - hybrid xenomorph from David Fincher's Alien 3.

In addition to movie clips and material from the set, we hear comments from Jackson, actors Wood, Astin, McKellen, Brad Dourif, Lee, Hill, Urban, Mortensen, Rhys - Davies, Otto, Monaghan, Boyd, Serkis, visual effects supervisor Richard Taylor, supervising sound editor / co-sound designer Ethan Van Der Ryn, producer Barrie Osborne, supervising art director Hennah, conceptual artists Alan Lee and John Howe, digital model supervisor Matt Aitken, director of animation Randy Cook, visual effects supervisor Joe Letteri, creature supervisor Eric Saindon, executive producer Mark Ordesky, stuntman Sala Baker, creature facial lead animator Bay Raitt, and co-producer Rick Porras.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

Catie is an installation artist whose creative practice reworks existing spaces through material aggregations and the effects of light and darkness.

Together, the artist's relaxed sense of geometry evident in her idiosyncratic solo exhibition, Rehearsal, at the Copperfield Gallery, her sense of rhythm, and her distinctive handling of material through assembly and editing, effect a powerful coercion...

Then there's the artist who works with construction materials to streamlined and elegant effect — I can't remember the name.

Mechanical and manual manipulation result in surprising effects, which allow for a dialogue between artist and material to emerge.

Ironically, one of the reasons that Mallary discontinued his assemblage sculptures and relief panels was that the experimental materials he was using started to have an adverse effect on his health; in 1964 he wrote an article for ARTNews warning artists of the dangers of working with resins, polymers and industrial paints.

Selections from Albers's own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction,») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers's prints.

The British artist Roger Hiorns, born 1975, uses unusual materials to effect surprising transformations on found objects and urban situations.

Rarely seen photographs and primary source materials including letters, artists» handwritten notes, and personal effects from the Smithsonian's Archives of American Art are featured in this -LSB-...]

In Doreen McCarthy's artist statement she states that «My production often appears to present aesthetic oxymorons that occupy both sides of formal and conceptual oppositions such as material versus effect.»

The daily struggle to procure the basic materials of everyday life effects artists strongly; in a country where art supplies are in very short supply, artists are forced to be extremely resourceful, often using found materials in their work.

ARTIST STATEMENT: My research is the nuclear spectrum: touching that which would be the sign or the form of the nuclear effect by imagining a radiant body, a material live, mutant and bombarded with isotopes.

The effects which the artists are aiming for prove as diverse and essential as the materials they have employed.

We can observe a similar creative independency and artist freedom in modern furniture design, where technical progress led to the development of new materials that made new textural effects and even forms possible.

Selections from Albers» own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers» prints.

Taking his cues from artists as diverse as Pablo Picasso, Henri Michaux, and Christopher Wool, Feaster seeks to advance the language of abstract painting through the use of an ever - expanding lexicon of material effects, marks, and erasures, entreating the viewer to participate in a disjointed narrative that warps the experience of pictorial space, light and action.

Based on the works of contemporary Southern California artists such as Larry Bell and John McCracken, students will use new, nontraditional materials as artistic mediums to analyze the effects of light, space, and surface on their compositions.

The collection showcases recent pieces by emerging artists whose work explores the nature of material and its effects once transformed.

The five artists participating in «Additional Matter» - Myles Bennett, Zac Braun, Timothy Gasbarro, J.F. Lynch and Christopher Stout, explore materials in their minor effects: changing the form of the raw canvas, taking threads apart, or examining the affect of different materials when in contact with one another.

These artists both conceptually and materially distill segments from the surrounding environment: styles and theories of former art movements, social rules, wars around the world, the effects of the global economy, ideologies of different eras, art materials, everyday objects and personal memories.

, Serralves Museu, Porto, Portugal The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT Locations, Paula Cooper Gallery, New York, NY Keeping it Real: Act 4, Material Intelligence, Whitechapel Gallery, London, UK Drawing from Photography, The Drawing Center, New York, NY Stargazers, Elizabeth Catlett in Conversation with 21 Contemporary Artists, Bronx Museum, Bronx, NY

During her short career, this artist from the North laid the groundwork for extremely diverse graphic and pictorial research, open to the unexpected effects of words and materials.

The invention of photography in the nineteenth century had three effects on art: portrait and scenic artists were deemed inferior to the photograph and many turned to photography as careers; within nineteenth - and twentieth - century art movements it is well documented that artists used the photograph as source material and as an aid — however, they went to great lengths to deny the fact fearing that their work would be misunderstood as imitations; [8] and through the photograph's invention artists were open to a great deal of new experimentation.

The works of the three artists picture a feeling of longing as a place, a three - dimensional image, as plain, surface, material, colour, effect, taste, time, a moment of happiness, but most of all as a projection.

Moving across a range of musical languages, the artist incorporates field recording, sound effects and his own voice, alongside electronically generated and recorded material.

With The Ethics of Scrutiny Wright has selected material by artists, writers, scientists and others which she has interwoven among Freud's paintings to great effect, exploring the human psyche and the challenges of its representation.

It is a sober minimalist piece in a long line of artists using every day materials for potent formal and psychological effect.

The current traveling exhibition of Richard Diebenkorn's Ocean Park Series offers a unique opportunity for viewers to participate in the artist's grand achievement as negotiators — and re-negotiators — of visual dynamics and material effect.

Picton argues that the popularity of Shonibare's work in the Western world can be at least partly attributed to the very exotic spectacle that the artist seeks to critique, as he relies upon theatrical staging and the dramatic effects of unfamiliar materials.

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