Sentences with phrase «material elements of painting»

With Nelson's work, there has long been a preoccupation with the basic material elements of painting: canvas, stretcher, and paint, which comes out of a Minimalist idea of specificity.

The line is blurred between the material elements of painting (texture, color, form) and the physicality and movement of ballet and theater.

In this and other «frame» paintings, James assembles the material elements of a painting (stretcher bars, cloth - like material, and frame) without becoming reductive, didactic or literal.

Not exact matches

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The project??? s green elements include its use of solar panels in its metal roofing; low - VOC glues, paints and carpets, and materials such as bamboo and recycled wood.

Infused with geometry and animated by issues of abstraction, Lillian Bayley Hoover's paintings explore the ordinary, awkward, overlooked, and imperfect elements of our material environment.

Despite differences in materials and discipline, both de Kooning's paintings and Chamberlain's sculptures explore the possible treatments of form and color, solid and transparent volume, and surface and depth as continually evolving and merging elements.

Like Fitzgerald, who flipped between flappers and philosophers, it has all the raucous elements of the color - mad paintings, but also interjects an elevating and welcome note of doubt, the kind of momentary struggle with the material qualities of color that makes Cezanne or Diebenkorn so admirable under similar conditions.

He later invented his Texturologies — abstract paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers of tiny droplets of paint, and combined it with materials including collaged elements and sand.

This concatenation of elements runs right through Ofili's work, and his use of materials: the elephant dung - balls and words spelled out in coloured map - pins, the collaged photos and layers of resin, the glitter and stars and glow - in - the - dark paints, all of which evidence a cargo of metaphoric as well as physical allusions.

Fallah's ornate environments combine visual vocabularies of painting and collage with elements of installation and sound to deconstruct material modes of identity formation.

Distinguished for combining such subject matter with industrial materials, including tar and Masonite tiles, the Disaster Paintings exemplify in both media and concept the vulnerability of the most progressive manufactured elements of modern culture.

These elements share the space with any number of materials not usually associated with painting like coffee grounds, spices, tea, or rosemary, combined with found items from the studio that include newspaper clippings, leaves, and string.

In recent years, Moran has added a new practical and physical dimension to her work with the inclusion of collage; often partially obscured by paint, the collage elements engage the materials and framework that underlie each work.

Nelson often incorporates unconventional materials, such as cheesecloth, modeling paste, or strips of painted fabric or painted string to the work to add textural elements to her paintings.

The exhibition, entitled Painting the Weights, consists of an extraordinary installation that features such diverse elements as watercolours, photographs and ceramics, as well as found materials that range from mineral specimens to plastic beer crates.

Unlike van Gogh, who in the Nineteenth Century could not yet imagine a wholly abstract art, Mitchell mobilized her artistic will to liberate the constituent elements of painting — line and color, composition and gesture — from their servitude to the fleeting appearances of the material world.

An amalgam of artistic references and styles, her sculptures are composed of such varied materials as carved wood and stone; assembled plywood components; found objects such as clothing, televisions, and baby carriages; industrial materials such as neon, Astroturf, and mirrors; plaster casts; and drawn and painted elements.

In contrast to Helen Marten's enigmatic works made of disparate elements, Mary Weatherford (b. 1963, Ojai, California) works with a sparer set of materials — paint and often neon — to create pieces that reference her experiences.

In Meyer Vaisman's paintings the volumetric stacking of canvases or layering of compositional elements, and the ersatz texturing of surfaces - a photomechanical imprinting of a magnified reproduction of canvas weave borrowed from a commercial Letratone ¨ pattern sheet - parody the modernist ethos about flatness and truth to materials.

The 16th - century Low Countries painter Pieter Aertsen pioneered a new genre of large - scale art: the market scene, which combined the virtuoso rendering of materials prevalent in still life paintings with a human element that often had an allegorical subtext.

Brooklyn - based collage artist Clark Goolsby explores information overload with «a process which uses almost no found materials, creating all of the collage - based elements of his paintings from scratch.

As with many of the artist's paintings, these materials impart distinct textures and compositional elements that create tension between surface and substrate.

This combination and juxtaposition of materials blurs the usual distinctions between figure and ground, creating a tension between the mass - produced and handcrafted elements that is further heightened by the contrast of the cold, flat stripe of faded metallic paint across the painting's lower edge and the fleshy white of the oil paint.

Using elements from the tangible world such a artists» materials, travel ephemera, tobacco and wine labels allowed Motherwell to construct a narrative for the viewer while still maintaining his automatic and gestural style of painting.

Bucher allowed the material to harden and then peeled it off, producing translucent skins that held elements of paint, rust, dirt, and the minute details and markings of these historically loaded domestic environments.

Various materials — embroidery, acrylic paint, fabric and canvas — are sewn together to become continuous, integral elements of the work.

But while Owens's work certainly plays on the conventions of Color Field, she draws from a wide range of source materials, including embroidery and Asian landscape painting, frequently commingling vaporous washes of color with frankly goofy representational elements.

Fabric and stitches do not cede to painted elements, and the overall effect is one of materials acting out and asserting themselves, yet the final work gives a sense of holistic embodiment, wrangled from the potential anxiety of fragmentation.

His use of colour, form and material as elements in a compositional lexicon, as well as the stained or dyed fabrics which are his principal medium, declare the origin of his practice in the investigation of painting in an expanded field, while the way his compositions occupy and transform space are evidence of their sculptural nature.

For the past ten years I have engaged with many elements of the artist's studio — painting, drawing, materials, color systems, process trials, process notes, logistics, accounting, order, chaos, books, and art history's visual records — and have made the studio in the round the subject of my paintings.

Klosterman has been developing her own process of contrasting elements, on one side the hard materials of the sculptural series and on the other side the soft delicate silks and fabrics of her canvases, meticulously hand painted, drawing from imagery she creates inspired by the Fibonacci Sequence.

Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.

Of this new approach, she says, «I had to be really in tune with the materials — how paint was going to react with the canvas, how formal elements such as color and form were going to behave as more paint was added.»

Here, the paintings and sculptural furniture, displayed in the form of abstracted period rooms, function as material with which to examine how elements of décor are used to contextualise particular artworks, and conversely, how fine art adds value to design.

Any remaining traces of Pop influences or figurative elements present in his Map Paintings were stripped away, leading to an increasing focus on material, process, and colour.

In A spicy migraine grease Taylor presents a new series of large and small - scale paintings and drawings that, through both philosophical enquiry and material investigation, are concerned with the several invented symbolic elements of the artists own studio (as well as its historical and geographical location in Angel, North London) and his increased interest in the mechanics of consciousness and hypnagogic dreaming.

Distinguished for combining such subject matter with industrial materials, such as tar and Masonite tiles, the Disaster Paintings exemplify in both media and concept the vulnerability of the most progressive manufactured elements of modern culture.

Since the 1950s, when Tàpies started to introduce everyday substances and materials into his painting, he has used a constrained pallet of raw natural colour; burnt black, earth brown, wine red, rust red, the gold of sand or marble — colours and matter also suggestive of alchemy and the changing of elements.

The paintings combine imagery sourced from the internet with archival material from old books and magazines in order to visualise a world in which nothing is stable or certain, echoing the tectonic cracks appearing in the old world order.A number of new works contain abstract elements, richly coloured striations, which are derived from found images of cracked plasma screens.

It has been said that her world is «consumed with the romantic and the mystical, imbued with vivacious colors and wrought with emotion» According to the artist herself, Gubernale explained that she «pursues four elements [in all of her paintings]; the intellect as air, fire as self - confidence and will, water as feeling, and earth as material execution.»

She carefully creates pieces from a vast array of materials, adopting ready - made elements, which are freely assembled, as well as incorporating modelling, carving, painting and other finishes to her works.

Assembled from industrial and ready - made materials, Begum's immersive pieces mix elements from painting, sculpture, and architecture and have earned her a reputation as one of England's most exciting emerging artists.

Abstract elements now and again emerge by way of exaggerated gestures, elongated limbs, the doubling or tripling of images, hints of apparitions, or the intrusion of foreign materials and text into the paint, which satisfy the rich psychological nature of Alexander's work.

The first features the work of painter Jack Davidson: bright collaged pieces that layer materials such as paint, ink, digital elements and even gold leaf and record his journeys around Barcelona, Spain.

But it is easy to forget the picture plane as a factor in the organisation of abstract painting given the convenience of material flatness, which will anchor any number of diverse elements without too much bother.

The painting by David Schutter, fluid expression of a philology of pictorial language — perception, gesture, memory of the image and its translation through layering — converse with the sculptures by Nicola Martini, animated by a inner and perpetual tension between rigidly opposed elements (horizontal / vertical, centrifugal / centripetal, solid / liquid) and which draw, challenging the limits of their own materials, a distant, atemporal and almost metaphysical landscape.

Best known for large - scale sculptural installations that employ different materials and mediums, Monica Bonvicini incorporates elements of architecture, performance, photography, video, painting, and collage in her work.