Not exact matches
Sungai Tinggi Beach Villa feels
like a celebration of Bali, and the owners» love and passion for the island is evident in the fine selection of local
materials and stunning collection of handpicked
artworks that liberally adorn the property.
Games
like Return to Dinosaur Land and Super Demo World contain some high - quality level design and new
artwork while retaining the source
material's difficulty level for the most part.
A beautiful buzz word that has been floating around arts and crafts communities for decades, it refers to environmentally - conscious
artwork created using
material that, to the average observer, may just look
like junk.
The current crop of sculptors delight in such transformations and
materials,
like Mr. Hirst (sans his Baroque proclivities) or Dieter Roth (who made a number of
artworks out of chocolate) or even Sigmar Polke (who once exhibited paintings in Venice that changed based on the city's notorious humidity).
The faded surface of «Corrupt Diptych» is haunting,
like the distinct sensation of déjà vu, the dirt and gravel is metaphorical not
material, moving this
artwork away from hyphenated arts (art - and - environment) towards something more mysterious with its abstract lines that race past the corner of the gallery's gyprock wall; themes of time and movement that have more in common with land art than abstract painting.
Using ephemeral and found
materials, the artists represented in All of this and nothing turn what may seem
like «nothing» into
artworks exploring very big ideas — what it means to be an artist, to understand the world, and how to communicate through the shifting life of an object.
Using ephemeral and found
materials, the artists represented in All of this and nothing (p. 4 — 5) turn what may seem
like «nothing» into
artworks exploring very big ideas — what it means to be an artist, to understand the world, and how to communicate through the shifting life of an object.
Much
like a historian or ethnographer, Fallah works with a diverse mix of local communities and groups to collect
material evidence of their private and public lives and transform them into
artworks.
Discoveries
like these have the ability to bring joy to a monotonous daily commute, to inspire people to look at their surroundings in a new way, or show them that
artwork can exist anywhere and be made from any
material.
An
artwork like this requires lots of
materials and dozens of hours of work.
Serra and his colleagues
like Robert Smithson, Eva Hesse and Bruce Nauman, put down their paintbrushes and started making radical
artworks using
materials like dirt, rubber and wax.
«The
artwork in the galleries evokes a liminal, dream -
like space populated by sensual
materials and cryptic texts.
In Doppelgangers,
artworks from the 1960s by legendary pioneers
like Duane Hanson and John DeAndrea show the trend of creating life - size sculptures through extremely laborious, complex procedures and innovative
materials.
Like many of Schwegler's
artworks, it suggests deliberate confusion between body and
material object.
The titles of the
artworks in this show, when they are used at all, are mostly matter - of - fact, referring to
materials or processes (as in «Vinyle,» 1976, Jean - Michel Meurice's cheerful collage in red and pink vinyl), but Viallat's come closest to the inventory -
like regimen of American - style Minimalism / Conceptualism, such as Sol Lewitt's «Wall Drawing # 122: A 36 ″ (90 cm), grid covering the wall» (1972) or Donald Judd's «Untitled (7 - L)» (1968).
Read the following quote from Celmins and discuss its relation to her source
material and the finished
artwork: «I use an image that has a lot of associations with it, which I put in this very cold, scientific kind of no style manner that I
like in my work... you know, just the facts as complicated as they are» (quoted Sollins 2003, p. 170, quote revised by the artist Wednesday 11 June 2014, New York).
The damaged
artworks were 12 crown -
like sculptures made from a mixture of
materials, including precious metals, marble, wood, nylon and scrap metal.
From 1948 he developed an abstract style, and also started incorporating different
materials like iron, wood and plastic to the
artwork.
Like composite wood — the
material from which the
artworks are made — each object is at once real and solid, and simultaneously a mere semblance or substitute.
Like many slightly older Conceptual art visionaries (John Baldessari, Robert Barry, Joseph Kosuth, and Lawrence Weiner among them) Butler eschewed the
material physicality of objects and instead created
artworks that became visible through their use of text.
Selected to represent his native Switzerland at the 2011 Venice Biennale, Hirschhorn is renowned for his sprawling, immersive
artworks that use everyday
materials, found images from the news and mass media, and impassioned graffiti -
like texts to engage audiences in actively thinking about politics and philosophy.
Although Sehgal's works never materialise in the form of an object, they conform to all the conventions of exhibition art: they are present throughout the institution's opening hours and are bought and sold
like conventional
material artworks and are as well included in museum collections and private collections.
Recognizable for their patina — Serra's favorite
material is rolled Cor - Ten steel with an evenly rusted surface — as much as for their size, sculptures
like Torqued Ellipses (1996 - 1997) at the Dia: Beacon count among the previous century's most iconic
artworks.
05/11/2015, 07.00 pmwith Andreas Hapkemeyer In the past artists
like Picasso, Marinetti and Duchamp used recycled, common
materials in their
artwork.
His extensive work, including sculptures and public
artworks, revolved around placing and sorting quotidian
materials like bricks, plates, and blocks.
Like artists such as Willem de Kooning or Frank Auerbach, Martin uses heavy impasto to explore and expose the
material qualities of the paint itself: approaching the edge, the chaos on the surface of these muted
artworks becomes visible.