Sentences with phrase «material nature of the works»

From imaging processes to new archival research, you will learn more about the material nature of the works and their histories.

Since then we've added a number of international artists and have expanded the conceptual and material nature of the works shown.

The material nature of the works exhibited implies a utilitarian purpose, challenging the boundaries between sculpture and molds, object and meaning, strength and fragility, the organic and the mechanical.

Not exact matches

What is required by the criterion of human integrity is that occupations be so defined that manual work is also a rational pursuit and an opportunity for constructive imagination, that symbolic skills may be exercised in clear relation to material necessities and in the light of moral responsibilities, and that creative professional activities will be conducted with a vivid sense of the realities of nature and the canons of reason.

From the speculative endeavor of «On Mathematical Concepts of the Material World» (1906) in which Whitehead was showing how one could construct alternative concepts of the physical world, i.e., cosmologies, he moves into his nature philosophy in which his speculative work is infused with empirical studies.

Much work still needs to be done by physicists to determine the precise nature of the Higgs particle and its significance for our physical understanding of the material universe.

In our haste to assign value to the world of nature so as to maximally exploit it (chemists have reckoned that the material value of a person amounts to approximately $ 12), we have foolishly ignored the fact that what we are up against is mystery, God's grace at work.

In his first book, entitled The Philosophy and Psychology of Sensation, Hartshorne announces his agreement with the Whiteheadian idea that the materials of all nature are events composed of aesthetic feeling,» claiming the additional support of modern physics for the contention; and he has never wavered in this conviction.17 Moreover, he also expounds in this work the further Whiteheadian notion, which he tirelessly repeats in his later works, that what the Constituent experiences or feelings of the universe experience are other experiences.

What, then, is the principle is at work in human nature that sets us apart from the entire heritage of material evolution?

We as India's largest multinational flexible packaging materials and Solution Companyhad had been working on introducing a technology to extend shelf life of fresh produce which inherently is perishable in nature.

What does trouble me is BPI's use of a raw material which by its very nature is highly pathogenic, such that we all might be endangered in the case of human error (as when BPI's ammonia system stopped working for sixty seconds in 2009, leading to 26,000 + pounds of infected meat)(http://nyti.ms/56MIYK) or a new strain of E coli — not part of BPI's admirably advanced testing protocol — emerges (as one did in Germany last summer, killing 345 and sickening 3,700 +.)

At present the intelligence and security committee is tasked with the job of holding MI5 and MI6 to account, but the sensitive nature of much of the material involved means much of its work takes place behind closed doors, undermining public confidence in its effectiveness.

Each individual component warrants scores of journal papers: how it works in nature, how to re-create it mechanically and which materials could shrink the electronics smaller than ever before.

Yury Gogotsi, PhD, Distinguished University and Bach professor in the College of Engineering, and his research team from the Department of Materials Science and Engineering, recently published their work — entitled «Nanodiamonds Suppress Growth of Lithium Dendrites» — in the journal Nature Communications.

In work published online June 6, 2016, in the journal Nature, Simon's group presents new experimental observations of a quantum Hall material near a singularity of curvature in space.

Having long relied on materials found in nature, or modifications of those materials, materials science is working toward the goal of designing new materials from basic principles to fulfill particular needs.

The research work has been published in the online journal Nature Communications with a fellow of the JGU - based Graduate School of Excellence Materials Science in Mainz (MAINZ) as first author.

Innovation work is a mundane and «messy» business in which people have to understand how the material and physical nature of creating new knowledge is linked to place and time as well as the fact that it is filled with unavoidable contradictions and conflicts.

«The exciting part of this work is not just that we made hydrogels, but that we're now equipped with this powerful technique that lets us ask fundamental — and very challenging — questions about them,» says Takanari Inoue, Ph.D., an associate professor of cell biology at the Johns Hopkins University School of Medicine and senior author of the report on the research published online Nov. 6 in the journal Nature Materials.

Reexamining data from his 20 - year - old NASA experiment involving the repeated freezing and melting of high - purity materials in microgravity, Martin Glicksman, research professor in materials science and the Allen Henry Chair at Florida Institute of Technology, working with Kumar Ankit at the School of Matter, Transport and Energy at Arizona State University, discovered the way nature guides formation of complex patterns in materials that crystallize.

Their work was published online on the website of Nature Materials on 26 October.

The results of this research work performed in the JGU Graduate School of Excellence «Materials Science in Mainz» (MAINZ) have recently been published in the journal Nature Physics as an advanced online publication.

Work by members of the team on molecular fulleride - based systems has previously led to the discovery of the highest working temperature (at 38 K) for a molecular superconductor (Nature Materials 7, p. 367, 2008).

The work is featured in the advance online publication of Nature Materials («Memristors with diffusive dynamics as synaptic emulators for neuromorphic computing»).

«Crystals are most everywhere in nature, and this work will help us take advantage of these forces when we design new materials.

Snaith's seminal work on these materials was deemed one of the top ten breakthroughs of the year by Science magazine; the following year he was named one of ten people who mattered by Nature magazine.

Appearing in Nature Communications, the work is a collaboration between experimentalists and computer modelers exploring the characteristics of materials known as metal - organic frameworks.

Nature in Stock represents the work of some of the world's finest nature and wildlife photographers who add new material on a daily Nature in Stock represents the work of some of the world's finest nature and wildlife photographers who add new material on a daily nature and wildlife photographers who add new material on a daily basis.

But considering the hokey nature of the source material, even the ragged edges work in the film's favour.

In addition to recognizing and accommodating differences among students, the system is designed to foster autonomy in the students, from the independent nature of the work itself to getting and returning all their materials.

The Good Work Toolkit, created in 2004, draws on real - life situations from original in - depth qualitative interviews, and educators and professionals at all levels have since incorporated the materials into classrooms and conferences as a way to get communities thinking about the nature of good work in particular environments and institutiWork Toolkit, created in 2004, draws on real - life situations from original in - depth qualitative interviews, and educators and professionals at all levels have since incorporated the materials into classrooms and conferences as a way to get communities thinking about the nature of good work in particular environments and institutiwork in particular environments and institutions.

Researchers created the Good Work Toolkit in 2004, drawing on real - life situations from original in - depth qualitative interviews, and educators and professionals at all levels have since incorporated the materials into classrooms and conferences as a way to get communities thinking about the nature of good work in particular environments and institutiWork Toolkit in 2004, drawing on real - life situations from original in - depth qualitative interviews, and educators and professionals at all levels have since incorporated the materials into classrooms and conferences as a way to get communities thinking about the nature of good work in particular environments and institutiwork in particular environments and institutions.

His journey as a writer has spanned most of his adult life, beginning with articles and material for his work with the Nature Conservancy before he moved on to books.

May be working with materials of a confidential nature and must be able to maintain confidentiality of information

WWF may refer to: World Wide Fund for Nature, a nature conservation organization previously named World Wildlife Fund (and still using the former name in some markets) World Wrestling Federation, the name used from 1979 to 2002 by the professional wrestling company now known as WWE Welded wire fabric, a reinforcing material typically used in poured concrete slabs Working Women's Forum, an organisation in India World Water Forum, an international forum for water issues Windows Workflow Foundation, Microsoft's workflow management framework Wiscasset, Waterville and Farmington Railway, a former 2 foot gauge railroad in Maine, United States WWF (file format), a campaign to produce PDF electronic documents that forbid printing Words with Friends, a game for Apple and Android platforms Waterside Workers» Federation, a former Australian trade union, now the Maritime Union of AusNature, a nature conservation organization previously named World Wildlife Fund (and still using the former name in some markets) World Wrestling Federation, the name used from 1979 to 2002 by the professional wrestling company now known as WWE Welded wire fabric, a reinforcing material typically used in poured concrete slabs Working Women's Forum, an organisation in India World Water Forum, an international forum for water issues Windows Workflow Foundation, Microsoft's workflow management framework Wiscasset, Waterville and Farmington Railway, a former 2 foot gauge railroad in Maine, United States WWF (file format), a campaign to produce PDF electronic documents that forbid printing Words with Friends, a game for Apple and Android platforms Waterside Workers» Federation, a former Australian trade union, now the Maritime Union of Ausnature conservation organization previously named World Wildlife Fund (and still using the former name in some markets) World Wrestling Federation, the name used from 1979 to 2002 by the professional wrestling company now known as WWE Welded wire fabric, a reinforcing material typically used in poured concrete slabs Working Women's Forum, an organisation in India World Water Forum, an international forum for water issues Windows Workflow Foundation, Microsoft's workflow management framework Wiscasset, Waterville and Farmington Railway, a former 2 foot gauge railroad in Maine, United States WWF (file format), a campaign to produce PDF electronic documents that forbid printing Words with Friends, a game for Apple and Android platforms Waterside Workers» Federation, a former Australian trade union, now the Maritime Union of Australia

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

In his work, texture is as important as line; materials coagulate, freezing time and arresting the fleeting processes of nature long enough for us to apprehend their significance.

Working with the grid as an organizing structure, Drew manages to invest a sense of order into material chaos, imbuing each work with a sense of reckoning with both art and nature.

Combining flags with the black glass drips, Wilson's new works Promise (2012) and Some Loss (2012) confront themes of diaspora and the material nature of blackness.

As in many of Glynn's works and values, material becomes a catalyst to question the nature of historical progress.

The combinations of materials, dividers, and colors — which differ from box to box — thus determine the singular nature of each work within a finite number of variable possibilities; each of the boxes being an individual work that represents one possibility out of the given parameters.

The strength of Tiravanija's work lies precisely in its ephemerality, and the slippery ways it escapes definition, the way it takes the material of the every - day and re-stages it, allowing the viewer a perspective at once banal and deeply profound about the quickly fleeting nature of life itself.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

Her work — exploring the space of movement, change, family, love, nature, the environment, consumerism, identity and race — uses mediums and materials for their own innate language and capabilities.

Much of the work takes the form of the hand made; objects which use the materials and aesthetics of commercial production without using its methods (3 - D printing, aquaprinting, vacuum forming or injection molding), challenging the nature and authority of the manufactured objects they draw from.

This group of intergenerational artists closely considers the process of art - making in their work by playing with scale, the ephemeral quality of their materials, the nature of time and language, and the relationships between the objects that they create.

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

Goldsworthy goes out into nature and uses ephemeral materials to create his work, which many times because of the temporal aspect of his art, exist only in photographic documentation.

Do you think that is a product of the ongoing nature of the material you work with — this ongoing mass media onslaught?

His work celebrates the very process of construction, drawing attention to the nature of the materials being used.