Sentences with phrase «material on an industrial scale»

While part of the team is working this out, another is investigating how to manufacture the material on an industrial scale, something else that has yet to be fully developed.

They also highlight the challenge of producing the materials on an industrial scale in a cost - effective manner.

Not exact matches

«On a microscopic scale various layers of cement appear, and each one provides information on the moment when they precipitated, the conditions that existed, etc.» Secondly, they analysed the materials trapped in these cements where «we found foundry slag from the industrial revolution, even waste bearing the seals of European companies that used to dump their slag when they arrived with their vesselOn a microscopic scale various layers of cement appear, and each one provides information on the moment when they precipitated, the conditions that existed, etc.» Secondly, they analysed the materials trapped in these cements where «we found foundry slag from the industrial revolution, even waste bearing the seals of European companies that used to dump their slag when they arrived with their vesselon the moment when they precipitated, the conditions that existed, etc.» Secondly, they analysed the materials trapped in these cements where «we found foundry slag from the industrial revolution, even waste bearing the seals of European companies that used to dump their slag when they arrived with their vessels.

They are also studying how the processing processes for these new materials can be implemented on an industrial scale.

The artist, known for working on a monumental scale and utilizing a wide range of more industrial materials in his work, selected a more traditional medium for this diptych on view at the gallery's booth at The Armory Show.

While her early career focused on performative pieces that highlighted issues of gender and beauty, she has won the most acclaim for the fierce, hard - edged beauty of her large - scale installations made using industrial and synthetic materials that conjure up the specter of failed modernity.

Working with thin gauge plate and other small - scale industrial materials, focus and emphasis will be placed on creating small - scale sculptural pieces using joinery techniques, paired with inspiration from large - scale public works.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

Mahama's large - scale public installations, such as the one currently on view at the Venice Biennale, explore how capital and labour manifest themselves through industrial materials such as worn - out sackcloth.

Subjecting architectural materials to transmutations in the studio, Williams uses a range of possible conversions on an industrial scale.

Cool Planet's proposed facility will provide enormous help in learning how to make biochar at industrial scales in a way that could help make a material impact on removing carbon from the atmosphere.