Sentences with phrase «material out of the surface»

Not exact matches

The business is trying out a different sort of flexible display material — carbon nanotube technology that can be applied to special surfaces with an inkjet machine.

Suppose, for example, that the whole universe of material things — the furniture of earth and choir of heaven — should turn out to be a mere surface - veil of phenomena, hiding and keeping back the world of genuine realities.

(91) Yes — However, the use of cleaners not listed in tables 7.3 or 7.4 (PSL) is permitted under specific conditions laid out in 8.2.3 (32.310): 1) the efficacy of the alternative cleaning substance is documented; 2) the cleaning materials used are effectively removed from the product contact surfaces, by an acceptable removal event (see 3.59 «removal event» definition) and that process documented; 4) the disposal of the effluent has been neutralized to minimize the environmental impact.

When comet scientists mapped out Comet ISON's orbit they learned that the comet would swing within 1.1 million miles of the sun's surface, making it what's known as a sungrazing comet, providing opportunities to study this pristine bit of the early solar system as it lost material while approaching the higher temperatures of the sun.

He and other researchers were working on growing and making devices out of topological insulators, a type of material that doesn't conduct current through the bulk of the material but can carry current along its surface.

«Ultimately, we are trying to develop new surface chemistry that allows us to build higher ordered architectures on surfaces, and these might lead into applications such as building electronic devices, data storage devices or logic gates out of carbon materials.»

Last year, scientists predicted that some of the material spewed out into space by the icy geysers at Enceladus's south pole would slowly fall down to certain areas on the surface.

Some of the lubricant forms a thin, liquid layer and smooths out any microscopic roughness on the material's surface; the rest creates a reservoir within the material's pores.

The choice of tungsten diselenide as material turned out to be essential: It provides four photoelectron emission channels with different initial state properties and the outstanding stability of the surface enabled long - term data collecting improving the statistical significance.

They analyzed the magnetism of ancient rocks to work out their locations on the globe over time, and measured how the material under Earth's crust, the mantle, moves the continents that float on its surface.

The researchers shined a very powerful X-ray beam — using a particle accelerator at the Advanced Light Source at Lawrence Berkeley National Laboratory — onto the surface of the material then monitored the electrons as they were knocked out of the interior.

Researchers at the Department of Energy's SLAC National Accelerator Laboratory are trying to find out why uranium persists in groundwater at former uranium ore processing sites despite remediation of contaminated surface materials two decades ago.

The instrument measured roughly the same tiny concentration of water (about 2 percent) in the surface soils as it did in the freshly uncovered soil, and the newly excavated area did not dry out over time — as would be expected if moist subsurface material were uncovered.

eruption (in geoscience) The sudden bursting or spraying of hot material from deep inside a planet or moon and out through its surface.

According to the research, a cataclysmic clash between the protoplanets would produce enough force to melt a fraction of the material, sending a molten plume jetting out into space, whereupon it would cool, and adhere to the surface of what would eventually become meteorites.

Enceladus has plumes that spray material from a subsurface ocean out into space; a lot of that material snows back down onto the moon's surface.

In numerous tests, the researcher and his team investigated the nano - material graphene, whose extremely high specific surface area of up to 2,600 m2 / g and high electrical conductivity practically cries out for use as an electrode material.

Moreover, as pointed out by Johnston et al. [17], the increasing importance of Ag - NPs in the development of novel consumer materials intended for human exposure requires more in depth studies on toxicity mechanisms, as well as, on how silver particles interact with biological molecules and how different surface modifications can be used to reduce or eliminate possible toxic effects.

Other theories have suggested that geological forces such as mountain building have, at different times in the planet's history, introduced large amounts of new material to the Earth's surface, and weathering of that material has drawn CO2 out of the atmosphere.

Material quality, for instance, is legitimately good, with most of the main surface areas being fashioned out of soft touch plastics (it's worth pointing out, however, that the materials further down the cabin do feel like they're of a noticeably lower grade).

Subaru aimed to make interior surfaces out of higher - quality materials and reduce noise in the cabin.

Into Me / Out of Me brings together explorations and visualizations of these three processes, which deal with the inner and outer surfaces, and the objects and subjects of the physical exchange between the human body and the material world.

Works that are about the pleasures of paint, drawing, surface, material, color, feeling, sensuality, pure visual language, visual ideas, plastic space, beauty, and intuitive expressions are by and large left out.

Muniz consciously enacts playful contradictions upon the surfaces of these photographs, as they are at once literally pictures of the materials out of which they are constructed — in this case garbage — as well as pictures of the images formed through the transformation of the materials.

A section has been cut out to reveal a white laminate surface, reminding the viewer of the materials» architectural purposes.

Judd's deliberate installations, and the sculptures that he created, indicate that he considered space itself to be a material just as essential as the industrial surfaces out of which his objects were constructed.

Her kneaded geometrical surfaces, the wood and plaster blocks that jut out at right angles from the wall, as well as the aggressive color scheme and sensuous surfaces of her materials serve to make the surrounding architecture more dynamic: A multifaceted compositional intertwining of colors and forms is created, which neither the space nor the viewer can resist.

Recycling her own materials and laying them out as both surface decoration and structural armature, Woodman underscores her trademark vision of domestic objects that marry three - dimensional components to flat surfaces.

Some paintings featured in New Work: Elizabeth Murray extend the limits of the medium beyond material and surface; hollowed - out canvases reveal segments of the wall behind, drawing attention not only to the fact of painting, but to the entire, combined reality of paint, canvas, and display.

Like all the works of this period, Collection is held together, across its material disunity and the variety of materials out of which it is constructed, by a grid structure derived from the modernist tradition in which Rauschenberg was trained by Josef Albers, by the drips, stains and thick brush marks that create an over-all surface, and by the similarity of value shared by its range of colors.

The works are fashioned from the same small handful of materials and shapes: tubes of stainless steel; circular and rectangular sheets of transparent and reflective glass; thin lines cutting out, carved into, or painted on to hard surfaces.

A thickly rendered, painted surface may be built upon a foundation of worn, stacked materials, and a smooth area may be made of countless layers of rubbed and fanned out paint.

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging ground for an oceanic corral project; dozens of human arm forms, cast in a Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models which will eventually be sprayed in gold and mounted on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.

He makes these surfaces or «plates,» some of which are quite large, out of common materials such as plywood, extruded foam, plastic and glue.

Drawing inspiration from Minimalism, Op and Pop Art, and Frank Stella's «Black Paintings,» he creates compositions out of an assortment of non-fine art materials — including vinyl, spray rubber, security glass, and commercial ink — which he covers with V - shaped, gridded lines, intentionally marred with a variety of surface imperfections.

As a release from Amos Eno Gallery points out: «March has been, and continues to be, interested in creating visual art that can transcend the physicality of the material surface and be a vehicle or emotional and intellectual contemplation and interpretation, as well as a metaphor for the fragility of human existence.»

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

The room was full of such paintings — alive and bright, busy and complex — their lines, textures and materials all so distinctly separate they create the appearance of having been painted on different surfaces, cut out, and glued onto one canvas (this is not so, but the illusion of collage it creates is mesmerizing).

The edges are as much as six or more inches thick and, in places, the pictures are penetrated by deep holes creating the illusion of real, material thickness, while in other places, elements project out from the surface as much as twelve inches or more.

And while the miracle material has paved the way for many innovations, we can't stop mindlessly churning it out at prodigious rates for stupid uses — and in doing so we're changing the surface of the planet in ways that will be hard to reverse.

Second, given that the exposed ground shows the depth of the extant permafrost cap, it seems clear that the pingo's ice did not melt from the top down, as the surface material remained frozen (gas - tight) before finally being blown out.

As chemically ice nucleated engineered cool - downs are carried out, the highly toxic endothermic reacting materials being used can and do radically lower ground temperatures by creating a cool dense layer of air that settles to the surface.

When coal ash comes into contact with water, these hazardous materials leach out of the waste and contaminate groundwater and surface water.

We have a miracle material with a dark side and we keep churning it out at prodigious rates, and in doing so, changing the surface of the planet in woefully enduring ways.

The Hippo - Roller seems like a «duh» solution on the surface, but figuring out everything from the right type of material to use to ensure a roller will last at least 10 years of daily use on tough terrain, to the conundrum of how to economically ship a product that takes up massive amounts of space were serious challenges.

For use, put a space heater on a level surface out of the line of traffic, at least three feet from flammable materials like curtains or furniture.

Construction Worker, Mission Renovation2015 — Present • Read blueprints and assign responsibilities to work crew accordingly • Prepare construction sites before crew comes out to make sure all hazards are removed • Measures distances to ensure remodeling and installations will fit perfectly • Erect scaffolding and other safety structures to reduce the number of workplace injuries by 80 percentConstruction Worker, Rose Falls Remodeling2013 — 2015 • Operated jackhammers to break up concrete to install pipes under the earth • Assisted masons, plasterers, and carpenters with specialty work • Cleaned surfaces before and after material was to be applied, which included hosing water, sand, or steam based on the material being worked on • Installed over 60 new roofs on residential houses throughout the city

• Demonstrated ability to follow floor plans and directions to install hardwood, vinyl and laminate floors • Demonstrated expertise in planning floor installation process in accordance to set deadlines and budget constraints • Hands - on experience in installing LVT, VCT, carpet and ceramic floors as directed by customers • Complete insight into mixing and applying required compounds to join and adhere foundation materials • Proficient in sweeping, scraping and cleaning base surfaces to correct imperfections in a bid to prepare worksites for flooring work • Adept at cutting coverings and foundation materials according to specifications laid out in blueprints and sketches • Competent at using a variety of hand and power tools by following strict safety measures • Hands - on experience in cutting, trimming and shaping materials so that they align with walls • Demonstrated ability to measure, cut and install skirting along walls or baseboards • Documented success in creating and maintaining effective working relationships with vendors and suppliers in a bid to acquire materials on time • Proven record of efficiently handle repair, remodeling and renovation work on floors, using exceptional insight of repair and maintenance work • Qualified to provide a neat finishing touch to installed floors by performing buffing and polishing duties

• Particularly effective in roofing, repairing, re-roofing and insulating pre-installed roofs for commercial projects in a timely, organized and team oriented manner • Specialized expertise in EPDM, TPO, PVC and shingling • Skilled in carrying out maintenance and repair of mechanical, electrical and other physical structures • Well - versed in painting of structures, performing carpentry work, repairing plumbing fixtures and woodwork • Excellent physical stamina, ability to climb a ladder, bend, stoop and work in confined spaces • Special talent for metal roofing construction including flashing, wall panels, fascia and soffit • Apt at using various tools needed for cutting hammering and fastening roofing materials • Track record of completing projects in strict accordance with job specifications, project layout and applicable safety guidelines • Profound skills in installation of low sloped roof systems including TPO, BUR and bitumen • Proficient in carrying - out general roof repairs, exterior siding adjustments and HVAC installation repairs • Particularly effective in removal and installation of all types of commercial roof systems including slate, tile and asphalt • Well practiced in covering roofs with topping material including sheets, PVC and spray foam • Adept at utilizing manual and electric tools and maintaining the same in a functional order • Efficient in laying and adhering insulation with metal fasteners or binding adhesives • Expert in cutting stripes of flashing and fitting into angles formed by walls, vents and intersecting roof surfaces • Firsthand experience in carrying out regular preventive maintenance of pre-installed roofing systems • Substantial knowledge of various roofing systems and associated installation protocols • Familiar with OSHA workplace safety guidelines • Excellent listening skills with profound ability to follow verbal and written instructions to book • Great attention to detail with proven skills in interpreting and implementing given drawings and blueprints with accuracy • Strong numeracy skills, apt at generating accurate cost estimations for given projects