A people whose dignity is not drawn from
the material things of the world.
Not exact matches
Either way both types
of people can accurately catalog functions in the
material world neither side can observe test and repeat the origins
of all
things this is a philosophy debate naturalism vs creationism
The physical laws themselves as grasped by us, e.g. Newton's Laws
of Motion, are not
material things, but intelligent and useful descriptions
of what we have observed
of the physical
world.
As to scientific proof I am glad you agree objective proofs are limited to the
material scientific while Jesus speaks to the
things of God which are not the
things of this
world.
Though the phenomena
of the lower
world remain the same — the
material determinisms, the vicissitudes
of chance, the laws
of labour, the agitations
of men, the footfalls
of death — he who dares to believe reaches a sphere
of created reality in which
things, while retaining their habitual texture, seem to be made out
of a different substance.
none
of these prayers are dangerous, for example if you pray to become like jesus, and god downgrades your life and you lose your house and car etc, this is good, as God is happier with those who don't value the
material things in this temporary
world, and your only going to achieve heaven with Gods happiness
Second, a consistent acceptance
of process generalizations about how
things go in the
world can provide the
material for the radical reconception,
of what can be affirmed about that reality greater than humankind or nature — about God, to use the traditional word for that reality.
We need more positive
things in this
world instead
of the negative news media that constantly gives us negative
material to make our days so delightful, and yes, they happen to make a living off
of doing that.
If we're honest, this state
of affairs is what every human heart longs for and wants to return to — a
world where the
things we touch cooperate and flourish at our hands, a
world free
of material decay and relational static.
A man who thinks that nothing is more important than the satisfaction
of the sex urge can not understand the meaning
of chastity; a man who ranks the amassing
of material things as the supreme end
of life can not understand generosity; and a man who has never a thought beyond this
world can not understand the
things of God.
This is not a way
of acknowledging the simple fact that we live among people as well as
things, or that we choose our own associates, or even that much
of the
material world is now the product
of human construction.
In those days, not least in the thinking
of men like St. Thomas Aquinas, the
material world was regarded as a good
thing, although wrongdoing
of various sorts had distorted and perverted it in the forms in which actually we experience it.
A very few — whether serious scientists and thinkers or cranks, I don't know — really are considering a
world of «
material and nonmaterial
things.»
Physics has had enormous success in explaining why
things happen as they do in the natural
world, but its modes
of explanation do not fit neatly into the four-fold classification
of material, formal, efficient, and final causes.
In the intervening books he has developed the theory
of the Forms (the ideal heavenly realities
of which our
material world offers mere copies), and so is now able to point out that poetry is not true, since its objects
of representation are the
things of this
world.
This «exception» seems to be the only one that has to be dealt with, if we leave out
of account the fact that a thorough - going Vitalism, which after all is a doctrine quite commonly supported in Christian philosophy, would have to require a predicamental activity
of God within the natural
world and its history for the origin
of life, too, and perhaps for certain definite categories
of living
things, unless
of course such Vitalism were to hold that there has been «life» in the physical
world from the beginning or that a special ratio seminalis
of its own for life could have been created into the
material world from the beginning.
Indeed, their lofty perch in the upper reaches
of the
world was not a place held by
things material.
He goes on to comment: «if we wish to explain the observed
world in terms
of Matter without reference to Mind, then it must be explained by
things material, ultimate and simple all at the same time — by indivisible, notional «atoms» and a chance «swerve» that sets them in random motion.
It is not limited to sharing the
material things but also sharing the good news that the Saviour
of the
world has come.
With reference to Einstein, «who made time and space into fluid
things that merge into each other,» Chopin suggests that the «
material world» is made up
of objects and events we can identify; the «transition zone» is a quantum reality or domain where energy turns into matter; and the place beyond time and space — the origin
of the universe, the place where God is — is like a «virtual reality or domain.»
Side by side with the growth
of science, which is also the basis
of the
material prosperity and unification
of the
world, has come a steady deepening
of human sympathy, and the extension
of it to all weak and suffering
things....
The
world of building
materials and building methods is full
of deceits — low - cost
things imitating the appearance
of authentic ones and conventions that make virtues
of illusion, for instance.
For it is just at the point where telling how
things really are in this
world is obliged to forgo descriptions in terms
of material relations and begin to deal with the «inward» spiritual dimension that Frye's observations become especially pertinent.
Suppose, for example, that the whole universe
of material things — the furniture
of earth and choir
of heaven — should turn out to be a mere surface - veil
of phenomena, hiding and keeping back the
world of genuine realities.
The biblical
material stresses the
material world, the bodily condition, the time - and - space reality, which we all know and in terms
of which we exist as men and women; it does not take flight into some supposedly more «spiritual» realm where these
things are
of no importance and where presumably life is lived, at the creaturely level, without any genuinely created order at all.
In the
material world a being receives the actualization
of its potential only by coming into contact with the
thing that initiates and completes its actualization.
No matter what the name, the important
thing was that, like Zhang, Browning envisioned the transformative power
of this brave new
material world.
Since then they have captured the attention
of scientists around the
world who envision using them to build better televisions, batteries, wireless communications systems and to strengthen
materials, among other
things.
The mission
of the Wyss Institute is to discover the engineering principles that Nature uses to build living
things; to pursue the high - risk research that is fundamental to advance this effort; and to harness these insights to create biologically inspired
materials and devices to advance human health and improve the environment — thereby revolutionizing clinical medicine and creating a more sustainable
world.
The mission
of the Wyss Institute is to discover the engineering principles that Nature uses to build living
things; to pursue the high - risk research that is fundamental to advance this effort; and to harness these insights to create biologically - inspired
materials and devices to advance human health and improve the environment — thereby revolutionizing clinical medicine and creating a more sustainable
world.
The people
of the
world reveal that they've lost the ability to create new
things from raw
materials — even the word «build» is foreign to them.
Boy & The
World Rated PG for thematic
material and images Rotten Tomatoes Score: 96 % Available on DVD and Blu - ray Brazil has been getting a lot
of bad press these days, but one good
thing we've gotten from them is this little gem
of a picture, which was recently nominated for an Oscar for Best Animated Feature Film.
Alongside the various items you craft from the
materials you harvest in the
world or from monsters (
things like healing potions, food to increase your stamina, or traps to immobilize monsters), there are new specialized tools that add more gameplay options both during and outside
of combat.
What message are we sending students when «making» has mainly been aligned with Silicon Valley, wealth, and the
world of material things?
For one
thing, its unique selection
of materials and colors draws upon the
world of luxury boating for inspiration, and rather than conventional passenger doors, it features two massive, upward - swinging «gull - wing» doors, with no real B - pillars.
Material historian Mark Kurlansky tells the history
of the
world through
things.
Both Nozkowski and Guston share a love for the
material world, for
things underfoot, and for art
of the past.
Sheets
of paper pressed insistently by her pencil up against windows, walls and doors become heavily
material objects, while
things in the
world — windbreaks, found photographs, a fireplace — are redrawn as artworks through subtle alteration.
But while Hockney is entranced by the
things of this
world, Suárez moves fluidly between
material realities and
material impossibilities, finding poetics along the way.
This was an example
of what had been dubbed «institutional critique,» though artists had been doing
things that could be plausibly categorized as such since at least the late 1960s — art that takes the operations
of the art
world, including aspects that are generally overlooked or taken for granted, not just as subject matter but as raw
material.
Describing a
world of possessions and trappings, mindsets and
material culture, she shows how
things seduce us, beguile us and betray us at every turn.
Marten's installations, sculptures and videos play upon our reference systems for
things and a coding
of the visual that establishes our most elemental relationships to the
material world.
Painted in formal and spiritual unity, the diamonds, rectangles, and zigzags that comprise these sequences suggest foundational real -
world materials: bricks, religious icons, single - celled organisms —
things of which history and culture are formed.
In 1999, interested in
materials and anti-industrial gestures, I visited Richard Salmon Gallery in London to see the exhibition «Furniture»: I was convinced that artists invariably tell us more than designers do about the everyday
things of the
world.
The macro
world, the micro
world, and the
material world are all part
of one
thing, really.»
Using a mix
of bright colors and more muted tones, as well as thin washes and thick layers
of paint, Youngblood builds up complex, spatially ambiguous surfaces that in her words «mimic objects,
materials, and
things from the real
world.»
Two Histories
of the
World began in early 2011 when curator Karsten Lund invited a group
of artists to make new works using only
materials they found at William H. Cooper, choosing from a vast collection
of things stored throughout the rundown factory.
As an artist interested in mining the dense marks and language
of the urban environment, married with a concern for contemporary abstract painting, the easiest
thing in the
world would be to embrace a provisional aesthetic
of rough
materials and utilitarian supports.
The central theme
of Tony Cragg's work is his preoccupation with the
material world - the reality
of objects, which either come from nature, albeit a man - modified nature or the useful
things we make to help us exist.
Sound is at once resolutely
material — fixed in the
world of things — and immaterial — less a
thing than a swerve.