Sentences with phrase «material value of a person»

In our haste to assign value to the world of nature so as to maximally exploit it (chemists have reckoned that the material value of a person amounts to approximately $ 12), we have foolishly ignored the fact that what we are up against is mystery, God's grace at work.

Not exact matches

The numbers don't lie — people (especially Millennials) are placing a greater value on experiences instead of material goods.

Ms Scobie agreed that the 1 per cent increase in the group's interim and full - year COR «could» be information that a reasonable person would expect to have a material effect on the price or value of its shares, but maintained that it did not have the relevant information at the time of its upbeat AGM.

The maternal face consequently becomes the material manifestation of the infinite longing for each human person, the visible reminder of each human person's being wanted and desired, of each person's infinite value and worth regardless of output or production.

The resurrection of the body certainly points to the ultimate value of the body, the material dimension of afterlife, and sees the whole person as the ultimate goal.

The pope challenged young people to «create a world of brothers and sisters» and older generations to ensure that today's youth have «the material and spiritual conditions for their full development,» including «safety and education» as well as «lasting values.»

It may be that kerygmatic allusions to Jesus» humility, meekness, gentleness, love, forgiveness and obedience derive from historical memory of Jesus; but the «historical value» which such material may have is far from its kerygmatic meaning, which is more accurately stated by Bultmann, in language actually intended to state the significance of the pre-existence in the karygma: «That Jesus, the historical person, did this service for us, and that he did it not out of personal sympathy and loveableness, but rather by God acting in him, in that God established his love for us through Jesus dying for us sinners (Rom.

It has been clear for a long time that the doctrine Limbaugh preaches: The exaltation of money and material wealth as representative of a person's HUMAN value, contempt and hatred for the poor, bigotry, arrogant conceit, etc., has become indistinguishable from satanism.

This individualism has dismissed both the extrinsic and the intrinsic value of each human being in favor of material and professional indices of success that most people believe are due to luck as much as anything else (hence the increasing popularity of lotteries) Because the apocalyptic worldview of the early church has now been replaced with the desperate and meaningless finality of possible nuclear annihilation, eschatological expectations and hope for reversal of human fortunes have given way to a «present - only» scheme of refetence even in Christian theology.

If material wealth and power are of no importance because your values are placed on the afterlife and with your imagary savior then why the fuc.k would anyone want you, a person with a literal death wish, as president?

These data from the life of the Faith congregation, rich in the people's symbols and values, assure Landry of sermon materials that consistently hit home with his hearers.

People have a duty to refuse to use such material: it may be necessary «to remove oneself, within the area of one's own research, from a gravely unjust legal situation and to affirm with clarity the value of human life» (DP 35).

A tacit assumption is that PowerPoint computer presentations are merely a means to an end, a value - neutral tool used for innocent, perhaps even noble purposes: enlarging text for the hard of seeing; reducing the demand for and thus the production of printed materials; and bringing younger people, who spend much of their lives in front of screens — TV, computer, cell phone, PDA — into worship.

If anyone is offended, I guess some will show their distaste for it in drastic ways and get themselves in conflict with the law; I say, just don't patronize establishments that are purveyors of offensive materials; let people with values that appeal to that sort of thing keep them alive, if they so desire....

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In its People and the Planet report, the Royal Society supports the idea of giving cash value to finite «natural capital» just as we do to finite material resources.

«Our results demonstrate that corporate campaigns appeal to people who measure their personal value by their physical appearance, fitness levels, material and financial wealth, class, and status,» said Sarah Wolfe, a researcher in Waterloo's Faculty of Environment.

Perhaps that's because we've watched people sacrifice the deeper values of community, environment, and meaningful livelihood for the more ephemeral goals of comfort and material success.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Yes, arts learning may have social and moral and professional benefits, but if people don't value the materials of the fields themselves — if they can't say that if High School X doesn't acquaint students with Renaissance painting, classical music, and modern dance, its graduates will be undereducated — then arts educators lose in the competition for funds and hours in the day.

People who highly value material goods (an orientation reinforced by consumer marketing) are likely to be more unhappy and have a lower quality of life than those who value more internal or nonmaterial rewards such as creativity, competence, and contributing to the community.

There is real value in having professionals help navigate all that material, much of it unknown to most people.

It creates a right to retain something of value belonging to another person as compensation for labor, material, or money expended in that person's behalf.

A material defect is a specific issue with a system or component of a residential property that may have a significant, adverse impact on the value of the property, or that poses an unreasonable risk to people.

By selecting a «Play» button to start a Alpha Version, you agree that: (i) playing Alpha Versions is at your own risk and you know that the Alpha Versions may include known or unknown bugs, (ii) any Virtual Goods or other value or status indicators that you achieve through game play may be erased at any time, (iii) RSI has no obligation to make these Alpha Versions available for play with or without charge for any period of time, nor to make them available at all, (iv) you may need to pay a subscription or access fee in order to access these Alpha Versions once the Alpha Test process is complete or at any time in the future; (v) these TOS apply to your use of the Alpha Versions during the Alpha Test, and (vi) if it is a closed Alpha Test, you will keep all information about the Alpha Materials confidential as stated above and not disclose such information to any other person.

Barbara Rose: The 1960s and»70s was a moment when there was very serious, analytic painting in which people were doing very subtle work — often in close - valued colors, and acknowledging the material quality of the canvas, but in a different way than the people favored by Clement Greenberg.

Out of public reach and inaccessible to the people of Runik, these objects hold great symbolic value for a nation missing parts of its shared frame of reference, but also point to the condition of contradictory claims from two countries that share material heritage.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Lamothe's interest in establishing relationships between certain materials and people also reveals a concern to consider things and beings alike within a scale of values.

But very little of this value finds its way to the people who have to make a living in or at the edge of the forests and who rely on the trees for fuel, building materials and a source of income.

Whether the conditions for the making of a disclosure order under the Proceeds of Crime Act 2002 existed or did not exist was essentially a question of fact, the question being whether there were «reasonable grounds for believing» that the material relied upon by the Serious Organised Crime Agency was likely to be of substantial value and that it was in the public interest that the material should be produced or that access to it should be given having regard to: (a) the benefit likely to accrue to the civil recovery investigation if the material was obtained; and (b) the circumstances under which the person concerned had any of the material in his possession, power or control (criteria (a) and (b)-RRB-.

Where most, perhaps sometime even all, of a person's electronic data (documents, images sounds etc, both for work and private) is held in electronic form accessible only by computer, it becomes important to decide whether, on a person's death, it is to be treated as ephemera and be abandoned or accidentally pass with the hardware or whether there it includes material of value or interest, the disposition of which can not safely be left to chance.

In Roswell, the street value of a museum's stated proof of alien existence might not be the same as the value of these materials to the person running the business.

A material defect is a specific issue with a system or component of a residential property that may have a significant, adverse impact on the value of the property, or that poses an unreasonable risk to people.